Notes and Sources:

1. The Group of Seven; Art for a Nation, Past Exhibitions, The National Gallery of Canada, http://www.mbam.qc.ca/expopassees/a-gr-7.html

2. The New Century Brought Expansion, In Search Of A Nations Heart, Maclean’s, June 11, 1990, pg. 22

3. Canada’s New democrats; A Look at the Past, http://www.ndp.ca/history/

4. The Stormy Times, The Story of Canada, find author, date and publishing Co., pg. 236

5. Cardinal, Phyllis and Ripley, Dale, Canada’s People The Metis, Alberta: Plain’s Publishing Inc., 1987

6. Dimitrieff, Gord, Paul Émile Borduas and the Refus Global, Artists and the Secularization of Quebec 1930-1970, November 1997, pg. 3-4

7. Biron, Michel, Etudes francasises, Distances du poème: Gilles Hènault et Refus global, Montréal : université de Montréal vol 34, 2/3, 1998, pg. 116 

8. Lipset, Seymour Martin, Continental Divide: The Values of Institutions of the United States and Canada, New York: Routledge Press, 1990, pg. 179-80

9. Hayden, Dolores, The Power of Place: Urban Landscapes as Public History, Cambridge, Massachusetts, 1995. Pg. 46. In her Essay Claming Urban Landscapes as Public History/Place Memory and Urban Preservation, Hayden quotes Paul Connerton, from How Societies Remember, Cambridge University Press, 1989

10. Kubota, Nobuo, The Exploration of Possibility, Artist Statement, The Kelowna Art Gallery, B.C. Canada May 1999,