| Marshall
Brown |
|
Editor's Note |
 |
Introduction |
|
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| Author |
|
Title |
|
|
|
|
| Herbert
Blau |
|
Why "What History?" |
|
| A
Tribute |
|
|
| Author |
|
Title |
|
|
|
|
| Peggy Phelan |
|
Renewing
the Ado: Blau and Beckett |
|
| Articles |
|
|
|
| Author |
|
Title |
|
|
|
|
| Michal Kobialka |
|
Theater/Performance
Historiography: Politics, Ethics, and the Now [abstract] |
|
| Anthony
Kubiak |
|
The Sacred
Clade and the Rhizomatic Dis-ease of History [abstract]
|
|
| Julie Stone
Peters |
|
Drama, Primitive
Ritual, Ethnographic Spectacle: Genealogies of World Performance
(ca. 1890-1910) [abstract] |
|
| Odai Johnson |
|
Unspeakable
Histories: Terror, Spectacle, and Genocidal Memory [abstract] |
|
| Joseph Roach |
|
"Unpath'd
waters, undream'd shores": Herbert Blau, Performing Doubles,
and the Makeup of Memory in The Winter's Tale [abstract] |
|
| Patricia
Ybarra |
|
Mexican
Theater History and Its Discontents: Politics, Performance,
and History in Mexico [abstract] |
|
| Daniel H.
Foster |
|
Sheet Music
Iconography and Music in the History of Transatlantic Minstrelsy [abstract] |
|
| Freddie
Rokem |
|
What History?
Some Afterthoughts |
