One of the hallmarks of feminist art production has been its critique of institutional hierarchies—from those of the home and factory to those of the market and museum—by creating alternative environments through site-specific work located outside of traditional art spaces. This roundtable features a moderated discussion among well-established feminist artists who work in site-specific, environmental, and collaborative modes. It asks how they engage physical, social, or historical sites, and how their work is received when exhibited in Asia and the West.
Kaohsiung Normal University
Mumbai and Bastar