New Geographies of Feminist Art: China, Asia, and the World

Hung Liu

Hung Liu, Rat Year 1972, 2008, oil on linen and mixed media on wood panel, 64 x 100.

Hung Liu was born in Changchun, China in 1948, growing up under the Maoist regime. Initially trained in the Socialist Realist style, Liu studied mural painting as a graduate student at the Central Academy of Fine Art in Beijing, before immigrating to the US in 1984 to attend the University of California, San Diego. As a painter, Liu challenges the documentary authority of historical Chinese photographs by subjecting them to the more reflective process of painting. Much of the meaning of Liu’s painting comes from the way the washes and drips dissolve the documentary images, suggesting the passage of memory into history, while working to uncover the cultural and personal narratives fixed – but often concealed – in the photographic instant. She has written: “I want to both preserve and destroy the image.“In effect, Liu turns old photographs into new paintings. A retrospective of Liu’s work is being organized by the Oakland Museum of California, scheduled to open March 2013. Liu’s works have been exhibited extensively and collected by the San Francisco Museum of Modern Art, the Whitney Museum of American Art, New York, the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, D.C., the Asian Art Museum of San Francisco, and the Los Angeles County Museum, among others. Liu currently lives in Oakland, California, where she has been a professor of art at Mills College since 1990.

Liu is an artist in the Artists’ Roundtable: Sites.

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