| The Body and Everything It Carried |
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Tonya Lockyer (Graduate Student, Dance) in conjunction with Diana Szeinblum’s dance Alaska.
Flash Required for Podcasts
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Many Moons:
Hip Hop, Global Mass Culture & The Planetary Popular |
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Georgia M. Roberts (Graduate Student, English) in conjunction with Bruno Beltrão and Grupo de Rua’s dance H3.
Coming January 2010 |
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Gertrude Stein for No One:
The New, The Old, The Avant-Garde, and Why You Are Likely To Hate Her (And She Wouldn’t Have Minded A Bit) |
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Jessica Burstein (English) in conjunction with Pacific Operaworks and the Seattle Chamber Orchestra Player’s performance of Songs of Wars I Have Seen.
Coming March 2010 |
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| Ritual Ecstasy in Religion |
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James K. Wellman Jr. (Comparative Religion) in conjunction with Morgan Thorson and Low’s performance of Heaven.
Coming April 2010 |
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Playing (with) Power:
Video Games and the Fantasies of Control |
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Edmond Y. Chang (Graduate Student, English) in conjunction with Rimini Protokoll’s performance of Best Before.
Coming May 2010 |
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Knees to neck:
How and what bodies can represent |
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Andrea Woody (Philosophy) in conjunction with Compagnie Marie Chouinard’s performance of Orpheus and Eurydice.
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| In Search of Happy Endings |
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Gillian Harkins (English) in conjunction with Superamas’ performance BIG, 3rd episode (happy/end).
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Where do girls come from?
The creation of the female in the matrix of Greek myth |
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Ruby Blondell (Classics) in conjunction with Societas Raffaello Sanzio’s visual theater Hey Girl!
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From Drops of Water Mighty Rivers Flow:
Approaches to African Political Performance |
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Danny Hoffman (Anthropology) on choreographer Faustin Linkeyula’s Festival of Lies.
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| [Untitled] |
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Graduate student Ji-Young Um (English) on identity politics, Orientalism, and the Asian American experience, in conjunction with Young Jean Lee’s Songs of the Dragons Flying to Heaven (A Show About White People in Love).
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| "Careless People" Book Club |
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Graduate students Zhenya Lavy (Drama) and Matthew Levay (English) on F. Scott Fitzgerald’s The Great Gatsby and its theatrical adaptations in conjunction with the Elevator Repair Service’s production of GATZ.
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