The naiades then proceeded, two by two, to the middle of the room where they were joined by the dryads. The violins, once again, changed their tone and commenced playing the entrée to the Grand ballet. "It was composed of fifteen figures, arranged in such a way that at the end of each figure all the ladies turned to face the king."(MacClintock,p.90)
(This was danced to twelve measures of music, sung by five voices in 4/4 tempo.)