Cornford, Francis MacDonald, trans. Plato: The Republic of Plato. New York:Oxford University Press.,1966.
Cornford, Francis M., trans., Plato's Timaeus . New York: The Liberal Arts Press, 1959.
Jones, C.P., Culture and Society in Lucian . Cambridge: Harvard University Press, 1986.
Lindberg, David,C., The Beginnings of Western Science . Chicago: University of Chicago Press, 1992.
Lonsdale, Steven. Dance and Ritual Play in Greek Religion . Baltimore: Johns Hopkins Press, 1993.
Miller, James. "The Philosophical Background of Dance." York Dance Review 5, 1976,pp.3-15.
Miller, James. Measures of Wisdom: The Cosmic Dance in Classical and Christian Antiquity . Toronto: University of Toronto Press, 1986.
Saunders, Trevor,J., trans. Plato:The Laws . Harmondsworth: Penguin Books,Ltd.,1970.
Major, John. "The Moralization of the Dance in Elyot's Governor, Studies in the Renaissance, vol.v pp.23-36.
Woodward, William Harrison. Studies in Education during the Age of the Renaissance 1400-1600. New York: Teachers College Press, 1967.
Major, John M., ed. Sir Thomas Elyot:The Book Named the Governor. New York: Teachers College Press, 1969.
Mulcaster, Richard. Positions. London: Longmans, Green and Co., 1888.
Evans, Mary Stewart, trans., Thoinot Arbeau: Orchesography. New York: Kamin Dance Publishers, 1948.
Ralph, Richard. The Life and Works of John Weaver (with an annotated reprint of his publications). New York: Dance Horizons, 1985.
Sparti, Barbara, trans. and ed., Guglielmo Ebreo of Peraro:On the Practice Or Art of Dancing. Oxford: Clarendon Press, 1993.
Sutton, Julia, trans., Fabritio Caroso: Nobilta di Dame (The Nobility of Ladies). New York; Oxford University Press, 1986.
MacClintock, Carol and Lander, trans.and eds. Le Balet Comique de la Royne.Musicological Studies and Documents,no.25. New York: American Institute of Musicology, 1971.
McGowan, Margaret, M. "Le Balet Comique" by Balthazar Beaujoyeulx, 1581. (Fascimile edition of the original work published in Paris in 1582) Binghamton: Center for Medieval & Early Renaissance Studies, 1982.
Chapman, John. "The Aesthetic Interpretation of Dance History", Studies on Dance and the Related Arts, 3 (3) 1979-80, pp.254-274.
Cohen, Selma Jeanne, ed., Dance as Theatre Art. New York: Dodd Mead and Co., 1974.
Foster, Susan L. Reading Dancing: Bodies and Subjects in Comtemporary American Dances. Berkeley: University of California press, 1986.
Franko, Mark. The Dancing Body in Renaissance Choreography (c. 1416-1589). Birmingham: Summa Publications, Inc., 1986.
Franko, Mark. Dance As Text: Ideologies of the Baroque Body. Cambridge: Cambridge University Press, 1993.
Joel, Lydia. "Discovering Catherine de` Medici, Parts II, III, IV." Dance Magazine. May 1990,pp.52-56, June 1990 pp.48-51, July 1990,pp. 40-44.
Kirstein, Lincoln. Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935.
Kirstein, Lincoln. Movement & Metaphor. New York: Praeger Publishers, 1970.
Krueger, Robert, ed., The Poems of Sir John Davies. Oxford: Clarendon Press, 1975.
McGowan, Margaret, M. L'Art du Ballet de Cour en France 1581- 1643. Paris: Éditions du Centre National de la Recherche Scientifique, 1963.
Orgel, Stephen. The Illusion of Power. Berkley: University of California Press, 1975.
Prunieres, Henry. Le Ballet de Cour en France Avant Benserade et Lully. Paris: Henri Laurens, Editeur, 1914.
Strong, Roy. "Dress as Hieroglyph: Costume in the Ballet de Cour", (Chapter one from, Designing for the Dancer. London: Elron Press, 1981.
Strong, Roy. Splendor at Court. Boston: Houghton Mifflin, 1975.
Yates, Francis A. The French Academies of the Sixteenth Century. London: The Warburg Institute, University of London, 1947.
Yates, Frances A. The Valois Tapestries. London: The Warburg Institute, University of London, 1959.
.