ALUMNI SPOTLIGHT

In our last newsletter (Nov. 2002) director Betsy Cooper made a resolution to get acquainted or reacquainted with graduates of the Dance Program and to highlight alumna activities. So we begin. We hope that those of you who read this will be inspired to contact the Dance Program and share with us your adventures.

Ryan Corriston, (B.A. 1998) was good enough to send us an in-depth email recently. Here is what Ryan had to say—

After graduation I traveled in Nepal, India and Southeast Asia for six-months. Then after a few months back in Seattle, I moved to New York in October of 1999.

I worked as a waiter at an Italian restaurant for a year and then began teaching creative movement and gym classes for a program called Kinderdance. I have the opportunity to go into schools in Manhattan, the Bronx and Brooklyn and get the kids moving. Many of them would not have the opportunity to do so, if it weren’t for this program. I have taught kids from 18 months to 18 years old—truly a rewarding experience.

Most of my dance experience has been with a group called the Tiffany Mills Company. We just completed a major show at the Guggenheim Museum, where we performed two premier pieces with music by John Zorn. There are six of us in the company and I have really loved working with them over the past three years.

I have also performed with Nancy Bannon, who danced for Doug Varone for many years. Last Spring we performed at the Judson Church, and this summer we have a weekend performance at the Joyce-Soho Theater. I really love her work.

I auditioned for Bill T Jones in December and have begun working with him as an apprentice. It is very rewarding to be able to spend so much of my time in the dance studio. I am very thankful that he is pushing me to become a more well rounded dancer. Ihave always had the ability to move, but he is really pushing me to be precise, and clear with each gesture that I do. I have to fit in with the other dancers and that is a challenge because they have trained for so many years in ballet. Working with Bill is also teaching me how to tell a story through movement, an endeavor for which I have a lot of respect.

I am still keen to perform some of my own solo work, however I haven’t been able to put the time and money together yet...but hopefully soon!

 

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