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PATP Academic and Schedule Information
Registration Information:
- PATP 1s - Register for Drama 557
- PATP 2s - Register for Drama 558 and Drama 551 or 552
- PATP 3s - Register for Drama 559, Sue will register you for Drama 700, thesis credits
Getting your degree:
Spring of your third year: You must complete the on-line application for your masters degree. You can apply for your degree starting the first week of the quarter. They will ask if you're in a thesis program, and you are. For your thesis title, use:
- "TITLE - a solo performance of my own design"
- "The role of NAME in PLAY'S TITLE by AUTHOR"
- or you can combine them
You have until the 7th week of the quarter to complete the on line application, but it will only
take you a couple of minutes so it would be great to file early
and get it done. No charge. Trying to file for your degree after the 7th week will mean at least a $250 charge, plus delays.
Commencement registration starts in early May, and their web site has information on signing up to walk in the ceremony, reserving tickets for guests, etc. Commencement is entirely different from filing for your degree, signing up to go through Commencement will not work unless you have filed for your degree as above.
Satisfactory Progress and Attendance Guidelines
Graduate students must maintain satisfactory progress to stay in the program.
- Satisfactory progress toward the degree includes such things as continuing enrollment in the program; satisfactory completion of course work in a graduate program at a reasonable rate; a cumulative grade point average competitive in the program and, in any case, not less than the Graduate School minimum of 3.0; satisfactory and timely completion of examinations in the graduate program; and steady and substantial progress toward completion of a thesis, dissertation, or terminal project.
- Contribute with distinction to the academic and performance programs within the School of Drama.
- Produce tangible research and/or creative works which meet the approval of the School of Drama faculty.
- Satisfactory completion of course work in the manner outlined by School of Drama faculty.
- Satisfactory quarterly evaluation from faculty.
Attendance: Part of the rigor of the program rests on the assumption that the carefully selected actors and
directors are adult, responsible and dedicated. Further, the faculty assumes that taking advantage
of the total program will be the first priority of the students' time and efforts. The PTP is based
on an ensemble model. Every actor and director is to a considerable degree dependent on every
other actor and director being present, responsible and similarly dedicated as their fellows.
The most concrete and obvious indication of a student's dedication is punctuality and attendance.
Therefore, we enforce a studio, class, and rehearsal attendance policy based on professional
standards; one that is modeled on the Actors Equity Association rehearsal attendance rules. In
brief, all actors and directors in the program are expected to be in attendance, on time and ready
to work for all classes, costume fittings, TA and GSA assignments and called rehearsals.
Attendance is kept for each class. Any absences will be considered unacceptable unless under the
most extraordinary circumstances and cleared by the Head beforehand. If an actor becomes too
ill to attend classes or rehearsal they are expected to promptly call the Head and leave a message
of explanation with the office. If a student is seriously ill or contagious to others, he/she will not
be expected to participate in classes or rehearsals. Such decisions are made in conjunction with
the Head and on a case-by-case basis. Some proof of an illness-absence may be requested.
Routine doctor's appointments are to be arranged outside of class and rehearsal times.
Additionally, any individually arranged outside meetings or obligations must take place other
than during class and rehearsal time
2009-2010, PATP and PDTP calendar
See also the School's web calendar (log in required) for orientation meetings.
September 2009
15 - Tempest rehearsals start
18 - PTP meetings
30 - Classes start
October 2009
5 - Show and Tell, Penthouse Theatre, 4:30pm
12
-References to Salvador Dali rehearsals start
26 - Jon Jory returns
29 - Seattle Rep auditions
November 2009
6 - Auditions for winter/spring quarter shows
7 - Call backs for winter/spring quarter shows
11 - Veterans Day, UW Holiday
12-13 - Scott Kaiser visit
17 - Rehearsals start for The Mystery Plays by Roberg Aguirre-Sacasa, directed by Paula Bennett
25 - PATP Reading Day, no PATP classes (regular UW classes including 251 still meet)
26, 27- Thanksgiving, UW Holiday
December 2009
7 - Rehearsal day
8, 9 - Performance days
10 - Individual evals with PATP 2s and 3s
11 - Group evals with PATP 1s
11-12-13 - Performances of The Mystery Plays, Hut 218, 8pm
16 - Faculty meeting
25 - Christmas, UW Holiday
January 2010
1 - New Year's Day, UW Holiday
4 - Winter quarter starts
4 - Stock week rehearsals start
9, 10 - PATP 3s solo shows perform
11 - Stock week performances
12 - 4:30pm - Show and Tell in Penthouse Theatre, rest of day off
18 - Martin Luther King, Jr. Day - UW Holiday
22 - Mark Jenkins flies to NY for PATP applicant auditions
29 - Mark Jenkins flies from NY to Chicago for PATP auditions
February 2010
4 - Mark Jenkins flies from Chicago to San Francisco
6 - Auditions for Shakespeare Santa Cruz
8 - Mark flies home from San Francisco, at night
13 or 14 - Idaho Repertory Theatre auditions
15 - Presidents Day - UW Holiday
27 - PCPA auditions
March 2010
TBA - PATP performance days
TBA - PATP evals
TBA - PATP 1s, combat workshop, all day (tentative dates
29 - Spring quarter starts
29 - 4:30pm - Show and Tell, Penthouse Theatre
April 2010
-
LA Party
- LA PATP Showcase
May 2010
- Seattle PATP Showcase
- NY PATP Showcase
- 1:30-5:30 - exit interviews with PATP 3s
- PATP Performance Days
- PATP 2s, solo shows, 2-5pm, Hut 201
31 - Memorial Day, UW Holiday
- PATP evals (group)
June 2010 |
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