Sasha Su-Ling Welland
Assistant Professor in Women Studies
Assistant Professor in Anthropology

Background
Professor Welland has been a member of the Women Studies faculty (with a joint appointment in Anthropology) since 2006.
  • PhD, Anthropology (with parenthetical notation in Feminist Studies), UC Santa Cruz (2006)
  • MA, Anthropology, UC Santa Cruz (1998)
  • BA, Individually Designed Major (Ethnic Studies), Stanford University (1991)

Research Interests
Feminist ethnography and oral history, visual and expressive culture, transnational feminisms, China/East Asia, Asian America

Curatorial Practice
Cruel/Loving Bodies, touring exhibition featuring painting, sculpture, installation, performance, photography, and video by Chinese, Hong Kong, , and Chinese British feminist artists, Shanghai (Duolon Museum of Modern Art) and Beijing (798 Space), June-July 2004. Second-stage exhibit at the Hong Kong Arts Centre, July 2006.

Recent Honors and Awards
  • Literary Arts Award, Artist Trust Grants for Artist Projects (GAP) Program, Washington State, 2005
  • Humanities Fellowship, Asian Cultural Council, for Cruel/Loving Bodies exhibition, 2004
  • Small Grant, China & Inner Asia Council of the Association for Asian Studies, 2003
  • American Dissertation Fellowship, American Association of University Women, 2002-2003
  • Pacific Rim Research Project Grant, University of California Office of the President, 2000-2002
  • Wenner-Gren Predoctoral Grant, Wenner-Gren Foundation for Anthropological Research, 2000-2001

Selected Publications
  • A Thousand Miles of Dreams: The Journeys of Two Chinese Sisters, Rowman and Littlefield,  2006.
  • "What Women Will Have Been: Reassessing Feminist Cultural Production in China," Signs: Journal of Women in Culture and Society 31(4), Summer 2006.
  • "On Curating 'Cruel/Loving Bodies,'" Yishu: Journal of Contemporary Chinese Art 3(2): 17-36.
  • "Being Between," ColorLines: Race, Culture, Action, 6(2): 31-33.
  • "The Long March to Lugu Lake: A Dialogue with Judy Chicago," Yishu: Journal of Contemporary Chinese Art, 1(3): 69-75.
  • "Living Elsewhere in 16 Steps," with Wendy Call, Chain 9 (summer 2002): 59-69.
  • "Traveling Artists, Traveling Art, Ethnographic Luggage," Yishu: Journal of Contemporary Chinese Art, 1(2): 4-12.
  • "Eating Lychees," Flyway Literary Review 6(3)/7(1)(spring 2002): 13-15.
  • "Cultural(ist) Articulations of National(ist) Stakes," Virginia R. Domínguez with Sasha S. Welland, in From Beijing to Port Moresby: The Politics of National Cultural Policies , Virginia R. Domínguez and David Y.H. Wu, eds., New York: Gordon and Breach, Inc., 1998, 1-31.

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