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Association of Chinese & Comparative Literature
Biennial Conference
Shanghai, China
June 15-17, 2001
Cosponsored by Chinese Department, Fudan University
Venue: Magnolia Hotel, 1251 Siping Road, Shanghai
Conference Program (tentative)
June 15, Friday
Morning
8:30 - 9:00 Registration
9:00 - 9:15 Opening Ceremony
9:15 - 10:30
Keynote Speech: Professor Rey Chow, Brown University (USA)10:45 - 12:00 Panels
Panel 1: Theoretical Issues in Literary Studies
Chair and Discussant: Daiyun Yue, Beijing University (China)
"On the Concept of 20th-century Chinese Literature: Historiography and Literary Modernity," Xiaobing Tang, University of Chicago (USA)
"Chinese Literary Studies in the Context of Comparative Literature," Mingwei Song, Columbia University (USA)
Afternoon
12:00 - 1:15 Lunch
1:15 - 2:45 Panels
Panel 2: Contemporary Chinese Cultural Studies
Chair and Discussant: Gang Yue, University North Carolina (USA)
"Zhou Zuoren in His Later Years: Defiance and Moderation," Yougui Wang, Guangzhou University of Foreign Languages (China)
"'Reviving' Culture: Panorama [Wanxiang] Magazine, Then and Now," Ann Huss, Wellesley College (USA)
"Pauvel and/or Bill?--The Simulated Role Models in De-ideologized China," Xinmin Liu, Wesleyan University (USA)
Panel 3: Outside In: Making Cities in Modern China
Chair and Discussant: Simon Patton, Queens University (Australia)
"Technology of the Psyche: The Modernizing Mind in Chinese Urban Poetry," Paul Manfredi, Indiana University (USA)
"Cityscape as Dreamscape: Chinese Urban Poetry in the Post-1989 Era," Xiaobin Yang, University of Mississippi (USA)
"A Study of Desire: Jiao Tong's Recipes for Strengthening Virility," Jinyuan Hu, National Cheng-chi University (Taiwan)
3:00 - 4:30 Panels
Panel 4: Women and Literature
Chair and Discussant: Megan Ferry, Union College (USA)
"Legends of the Snake Spirit in China and Japan," Chunhua Cai, Fudan University (China)
"Self-Transformation Through Linguistic Transformation: The Late Qing Woman Writer Xue Shaohui (1866-1911)," Nanxiu Qian, Rice University (USA)
Panel 5: Intertextual Relations between Literature and Film
Chair and Discussant: Sheldon H. Lu, University of Pittsburgh (USA)
"From Fiction to Film: On the Filmic Adaptation of 'Silkworm'," Yiman Wang, Duke University (USA)
"What Does 'Yiyi' Mean?--Perspectives on Edward Yang's Film Yiyi," Alexander Yamato, San Jose State University
"Translating 'Hakka': Cultural Politics of Hakka Cinema and Literature in Taiwan," Albert Wei-min Tang, Fu Jen Catholic University (Taiwan)
4:45 - 6:15 Panels
Panel 6: On Qing (Feeling)
Chair and Discussant: Carlos Rojas, University of Florida (USA)
"Overture of Romantic Passion in Ming-Qing Literature," Madeline Chu, Kalamazoo College (USA) "The Feeling Subject and the Sexless Paradise: Seduction and Flight in Dream of the Red Chamber," Hsien-hao Liao, National Taiwan University (Taiwan)
"The Triangularity of Desire: Romance and Politics in Mao Dun's 'Vacillation'," Jin Feng, Swarthmore College (USA)
Panel 7: Perspectives on Self and Other
Chair and Discussant: Mark Bagshaw, Marietta College (USA)
"Negotiating Cross-cultural Investments: Zen, Chinese Poetics, and Contemporary American Poetry," Patricia Sieber, Ohio State University (USA)
"Translated Self-Image in Oil Painting and on Chinese Silk: Buwei Yang Chao's Autobiographies," Jing M. Wang, Colgate University (USA)
"Dismantling Former Heroes--Changing Images of the Korean War in Modern Chinese Literature," Birgit Haese, Dresden University (Germany)
June 16, 2001
Morning
8:30 - 10:00 Panels
Panel 8: Modern Chinese Fiction
Chair and Discussant: Xueping Zhong, Tufts University (USA)
"National Longing for a Form and Longing for a National Form: A Reevaluation of the Criticism of Late Qing Fiction," Guo-ou Zhuang, Denison University (USA)
"Remembering--or is it Forgetting?--Xianglin Sao," Robert Chi, Harvard University (USA)
"The Primitive Self in Modern Chinese Fiction," Rujie Wang, College of Wooster (USA)
Panel 9: Modern Chinese Poetry
Chair and Discussant: Joyce Chi-hui Liu, Fu Jen Catholic University (Taiwan)
"Hu Shi and the Modernity of Modern Chinese Poetry," Di Zang, Beijing University (China)
"The Sublime Transfigured: Guo Moruo and His Figure of Qu Yuan," Zheng Yi, Tel Aviv University (Israel) "Walking to the Fringes of Society: Subjectivity, Nature and the Sublime," Simon Patton, Queens University (Australia)
10:15 - 11:45 Panels
Panel 10: Chinese Postmodernism
Chair and Discussant: Jin Feng, Swarthmore College (USA)
"Biji in Contemporary China: From Deng Tuo to Zhang Zhongxing," Charles Laughlin, Yale University (USA) "'Don't worry, be happy!'--Self-help Bestsellers from Taiwan," Ines-Susanne Schilling, Ruhr University Bochum (Germany) "Xu Kun's Short Stories and the Repositioning of Intellectuals in Contemporary China," Yiyan Wang, University of Sydney (Australia) Panel 11: Cross-cultural Comparative Perspectives
Chair and Discussant: Hsien-hao Liao, National Taiwan University (Taiwan)
"A Study of Cross-cultural Appropriations of Canonical Literary Works" Enhua Zhang, Columbia University (USA) "Understanding or Misunderstanding?--The Italian Renaissance and the Chinese Renaissance," Gang Zhou, University of California, Davis (USA)
"Dionysus, Shakespeare, Freud: A Comparative Approach to Madness in Chinese Literature," Birgit Linder, Beijing University (China)
11:45 - 1:00 Lunch
Afternoon
1:00 - 2:30 Panels
Panel 12: Contemporary Film of Taiwan
Chair and Discussant: Yomi Braester, University of Washington (USA)
"Border Floating/Crossing?--On the Realistic/Fictional Narration, Theatricality, and Intertextuality in the Early 1990's Taiwanese Films," Wan-li Liu, Fu Jen Catholic University (Taiwan)
"Edward Yang's Film Yiyi: Buddhist Samsara and Zhuang Zi's Butterfly Dream," Qingyun Wu, California State University, Los Angeles (USA)
2:45 - 4:15 Panels
Panel 13: Fashion and Decadence
Chair and Discussant: Jie Lu, University of the Pacific (USA)
"Shanghai Fashion and Eileen Chang," Hsiao-hung Chang, National Taiwan University (Taiwan)
"Decadence, the Avant-garde, and the Aestheticization of the Nation: Visual Discrepancy Inscribed in the Publications of the Middle-period Creation Society," Joyce Chi-hui Liu, Fu Jen Catholic University (Taiwan)
"Exoticism and Cultural Consumerism," Hongtu Wang, Fudan University (China)
4:30 - 6:00 Panels
Panel 14: Diaspora
Chair and Discussant: Letty Chen, Washington University (USA)
"Flowers at Sea: Hong Kong through Eileen Chang's Fictional Lens,"
Nicole Huang, University of Wisconsin, Madison (USA)
"The Yangtze River and the Yellow River in Contemporary Poetry of Taiwan," Jiao Tong, National Central University (Taiwan)
"Inventing the Native Text: The Postmodernist Reader in Diaspora," Dian Li, University of Arizona (USA)
June 17, 2001
Morning
8:30 - 10:00 Panels
Panel 15: Chinese-Western Literary Relations
Chair and Discussant: Birgit Linder, Beijing University (China)
"Freedom and Femininity Re-viewed in Postmodernity: A Kristevan/Deleuzian Reading of Qu Yuan's Chuci and Walt Whitman's Leaves of Grass," Chung-min Maria Tu, National Chi Nan University (Taiwan) "Cubist Experiments of Guillaume Apollinaire and Taiwanese Avant-Garde Poets," Tsu-man Chiang, Fu Jen Catholic University (Taiwan) "Translation as a Key to Literary Theory," Cosima Bruno, University of London (United Kingdom)
Panel 16: Urban Imaginary
Chair and Discussant: Jing Wang, Colgate University (USA)
"Spaces of Disappearance: Aesthetic Responses to Contemporary Beijing Urban Planning," Robin Visser, Valparaiso University (USA)
"Urban Space in Contemporary Chinese Cinema, Photography, Video," Sheldon H. Lu, University of Pittsburgh (USA)
"Walking Through the Realm of Death: A Quest for the Other," Lingchei Letty Chen, Washington University (USA)
10:15 - 11:45 Panels
Panel 17: Nation, Masses, Populism
Chair and Discussant: Charles Laughlin, Yale University (USA)
"The struggle between Black and White: The Form-making of the Proletariat in Chinese Woodblock prints in the Early 1930s," Elaine Kuei-fang Lee, Fu Jen University (Taiwan) "The Seductive Paradox: Image of the 'New Woman' in the Film and Popular Discourses in 1930s' Shanghai," Wen-tsuei Lu, Fu Jen Catholic University (Taiwan) "From Populist Themes to Populist Politics," Xu Ben, St. Mary's College (USA) Panel 18: City Recaptured and Fragmented
Chair and Discussant: Nicole Huang, University of Wisconsin, Madison (USA)
"Old Xi’an and Jia Pingwa’s Imaginary Nostalgia," Carlos Rojas, University of Florida (USA)
"Disaster, Trauma, and Black Humor," Shu-wei Ho, Fu Jen Catholic University (Taiwan)
"Fragmented City Images: Reading Chinese Urban Fiction of the Nineties," Jie Lu, University of the Pacific (USA)
11:45 - 1:00 Lunch
Afternoon
1:00 - 2:30 Panels
Panel 19: Contemporary Chinese Culture
Chair and Discussant: Zuoya Cao, Lincoln University (USA)
"Marketing and the Politics of Self-Fashioning," Megan Ferry, Union College (USA)
"Interactivity Unleashed: From Literature to Game," Feng Yan, Fudan University (China)
Panel 20: Modes of Writing
Chair and Discussant:
"Wen vs. Yan: The Confucian Dichotomy of Writing and Speech," Shi Liang, Miami University (USA)
"Crime and Law within Literature: Patterns of Understanding," Carsten Storm, Cologne University (Germany)
"Deciphering the Past: Wen Yiduo on Yinyu ('Concealing Words')," Ulrike Middendorf, University of Heidelberg (Germany)
2:45 - 4:15 Panels
Panel 21: Cultural Memories in Contemporary China
Chair and Discussant: Leo Chan, Lingnan University (Hong Kong)
"After Auschwitz, it is no longer possible to write poems: Cinema after the Cultural Revolution," Yomi Braester, University of Washington (USA)
" The Age and Space of Melancholy--Wang Anyi's Historiographic Writing and Self-Positioning," Ju-ying Yang, Fu Jen Catholic University (Taiwan)
"'Vicious Animals': Wang Shuio and Negotiated Nostalgia for History," Yibing Huang, Connecticut College (USA)
4:30 - 5:00 Closing Ceremony
6:00 - 8:00 Farewell Dinner
Association of Chinese & Comparative Literature
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Biennial Conference
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Shanghai, China
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June 15-17, 2001
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Venue: Magnolia Hotel, 1251 Siping Road, Shanghai
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Conference Program
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June 15, Friday
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Morning
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Keynote Speech: Professor Rey Chow, Brown University (USA) ¥D ÃD ºt Á¿ ¡R©P Á¢ ±Ð ±Â ¡A ¡] ¬ü °ê ¡^ ¥¬ ®Ô ¤j ¾Ç10:45 - 12:00 Panels
¤À ²Õ °Q ½×Panel 1: Theoretical Issues in Literary Studies
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¤å ¾Ç ¬ã ¨s ²z ½×Chair and Discussant: Daiyun Yue, Beijing University (China)
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"On the Concept of 20th-century Chinese Literature: Historiography and Literary Modernity," Xiaobing Tang, University of Chicago (USA)
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"Chinese Literary Studies in the Context of Comparative Literature," Mingwei Song, Columbia University (USA)
Afternoon
¤U ¤È12:00 - 1:15 Lunch
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¤À ²Õ °Q ½×Panel 2: Contemporary Chinese Cultural Studies
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Chair and Discussant: Gang Yue, University North Carolina (USA)
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"Zhou Zuoren in His Later Years: Defiance and Moderation," Yougui Wang, Guangzhou University of Foreign Languages (China)
"'Reviving' Culture: Panorama [Wanxiang] Magazine, Then and Now," Ann Huss, Wellesley College (USA)
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"Pauvel and/or Bill?--The Simulated Role Models in De-ideologized China," Xinmin Liu, Wesleyan University (USA) ¡m ¬f ºû º¸ »P ¤ñ º¸ ¡H --¥h ·N ÃÑ §Î ºA «á ¤¤ °ê ªº ¼Ò ÀÀ ¼Ò ¦¡ ¡n ¡A Liu Xinmin, ¡] ¬ü °ê ¡^ ºû ´µ ¨½ ®¦ ¤j ¾Ç
Panel 3: Outside In: Making Cities in Modern China
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Chair and Discussant: Simon Patton, Queens University (Australia)
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"Technology of the Psyche: The Modernizing Mind in Chinese Urban Poetry," Paul Manfredi, Indiana University (USA)
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Paul Manfredi, ¡] ¬ü °ê ¡^ ¦L ¦a ¦w ¨º ¤j ¾Ç"Cityscape as Dreamscape: Chinese Urban Poetry in the Post-1989 Era," Xiaobin Yang, University of Mississippi (USA)
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"A Study of Desire: Jiao Tong's Recipes for Strengthening Virility," Jinyuan Hu, National Cheng-chi University (Taiwan)
3:00 - 4:30 Panels
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Chair and Discussant: Megan Ferry, Union College (USA)
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¡m ¤¤ ¤é ¨â °ê ³D ºë ¶Ç ©_ ¡n ¡A ½² ¬K µØ ¡A ¡] ¤¤ °ê ¡^ ´_ ¥¹ ¤j ¾Ç
"Legends of the Snake Spirit in China and Japan," Chunhua Cai, Fudan University (China)
"Self-Transformation Through Linguistic Transformation: The Late Qing Woman Writer Xue Shaohui (1866-1911)," Nanxiu Qian, Rice University (USA)
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Panel 5: Intertextual Relations between Literature and Film
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Chair and Discussant: Sheldon H. Lu, University of Pittsburgh (USA)
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"From Fiction to Film: On the Filmic Adaptation of 'Silkworm'," Yiman Wang, Duke University (USA)
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"What Does 'Yiyi' Mean?--Perspectives on Edward Yang's Film Yiyi," Alexander Yamato, San Jose State University
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"Translating 'Hakka': Cultural Politics of Hakka Cinema and Literature in Taiwan," Albert Wei-min Tang, Fu Jen Catholic University (Taiwan)
4:45 - 6:15 Panels
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Chair and Discussant: Carlos Rojas, University of Florida (USA)
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Carlos Rojas¡A ¡] ¬ü °ê ¡^ ¦ò ù ¨½ ¹F ¤j ¾Ç"Overture of Romantic Passion in Ming-Qing Literature," Madeline Chu, Kalamazoo College (USA) ¡m ©ú ²M ¤å ¾Ç ¤¤ ªº ±¡ ¡n ¡A ³¯ °Ò ÄR ¡] ¬ü °ê ¡^ ¥d «° ¤j ¾Ç ¡m ¦³ ±¡ ¥D Åé ©M µL ©Ê ¼Ö ¶é ¡R ¬õ ¼Ó ¹Ú ¤¤ ªº »¤ ´b »P °k ¶h ¡n ¡A ¹ù «w ¯E ¡A (¥x ÆW ¡^ ¥x ÆW ¤j ¾Ç "The Feeling Subject and the Sexless Paradise: Seduction and Flight in Dream of the Red Chamber," Hsien-hao Liao, National Taiwan University (Taiwan)
"The Triangularity of Desire: Romance and Politics in Mao Dun's 'Vacillation'," Jin Feng, Swarthmore College (USA)
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Panel 7: Perspectives on Self and Other
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Chair and Discussant: Mark Bagshaw, Marietta College (USA)
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"Negotiating Cross-cultural Investments: Zen, Chinese Poetics, and Contemporary American Poetry," Patricia Sieber, Ohio State University (USA)
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"Translated Self-Image in Oil Painting and on Chinese Silk: Buwei Yang Chao's Autobiographies," Jing M. Wang, Colgate University (USA)
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"Dismantling Former Heroes--Changing Images of the Korean War in Modern Chinese Literature," Birgit Haese, Dresden University (Germany)
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June 16, 2001
6
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¤W ¤È8:30 - 10:00 Panels
¤À ²Õ °Q ½×Panel 8: Modern Chinese Fiction
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Chair and Discussant: Xueping Zhong, Tufts University (USA)
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"National Longing for a Form and Longing for a National Form: A Reevaluation of the Criticism of Late Qing Fiction," Guo-ou Zhuang, Denison University (USA)
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Guo-ou Zhuang, ¡] ¬ü °ê ¡^ ¤¦ ¥§ ´Ë ¤j ¾Ç"Remembering--or is it Forgetting?--Xianglin Sao," Robert Chi, Harvard University (USA)
¡m ¦^ ¾Ð ¡A ÁÙ ¬O ¿ò §Ñ ¡H --½× ²» ªL ·A ¡n ¡A ¬ö ¤@ ·s ¡] ¬ü °ê ¡^ «¢ ¦ò ¤j ¾Ç
"The Primitive Self in Modern Chinese Fiction," Rujie Wang, College of Wooster (USA)
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Rujie Wang ¡A ¡] ¬ü °ê ¡^ ¥î ´µ ¯S ¾Ç °|
Panel 9: Modern Chinese Poetry
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Chair and Discussant: Joyce Chi-hui Liu, Fu Jen Catholic University (Taiwan)
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¡m J ¾A ©M ¤¤ °ê ·s ¸Ö ªº ²{ ¥N ©Ê ¡n ¡A »N ´Ð ¡A ¡] ¤¤ °ê ¡^ ¥_ ¨Ê ¤j ¾Ç
"Hu Shi and the Modernity of Modern Chinese Poetry," Di Zang, Beijing University (China)
"The Sublime Transfigured: Guo Moruo and His Figure of Qu Yuan," Zheng Yi, Tel Aviv University (Israel) ¡m ±R °ª ªº ÅÜ §Î ¡R ³¢ ªj Y ©M ¥L ªº ©} ì ³y «¬ ¡n ¡A ¾G ©É ¡A ¡] ¥H ¦â ¦C ¡^ ¤j ¾Ç "Walking to the Fringes of Society: Subjectivity, Nature and the Sublime," Simon Patton, Queens University (Australia)
¡m ªÀ ·| Ãä ½t ¡R ¥D Åé ¡A ¦Û µM »P ±R °ª ¡n ¡A ¦è ±Ó ¡A ¡] ¿D ¬w ¡^ ¤k ¤ý ¤j ¾Ç
10:15 - 11:45 Panels
¤À ²Õ °Q ½×Panel 10: Chinese Postmodernism²Ä ¤Q ²Õ ¡R ¤¤ °ê «á ²{ ¥N
Chair and Discussant: Jin Feng, Swarthmore College (USA)
¥D ®u Ý Á¿ µû ¤H ¡R ¶¾ ¶i ¡A ¡] ¬ü °ê ¡^ ²ï ¤h ¼¯ ¾Ç °|
"Biji in Contemporary China: From Deng Tuo to Zhang Zhongxing," Charles Laughlin, Yale University (USA) ¡m ·í ¥N ¤¤ °ê µ§ °O ¡R ±q ¾H ©Ý ¨ì ±i ¤¤ ¦æ ¡n ¡A ù ºÖ ªL ¡] ¬ü °ê ¡^ C ¾| ¤j ¾Ç "'Don't worry, be happy!'--Self-help Bestsellers from Taiwan," Ines-Susanne Schilling, Ruhr University Bochum (Germany) ¡m¡u §O ¾á ¤ß ¡A n §Ö ¼Ö¡I ¡v ¡R ¥x ÆW ¦Û §U ºZ ¾P ®Ñ ¡n ¡A ¨· ¥É Às ¡] ¼w °ê ¡^ ¾| º¸ ¤j ¾Ç "Xu Kun's Short Stories and the Repositioning of Intellectuals in Contemporary China," Yiyan Wang, University of Sydney (Australia) ¡m ®} ©[ µu ½g ¤p »¡ ©M ·í ¥N ¤¤ °ê ª¾ ÃÑ ¤À ¤l ªº « ·s ©w ¦ì ¡n ¡A ¤ý ¤@ ¿P ¡] ¿D ¬w ¡^ ³· ±ù ¤j ¾Ç Panel 11: Cross-cultural Comparative Perspectives ²Ä ¤Q ¤@ ²Õ ¡R ¸ó ¤å ¤Æ ¤ñ ¸û
Chair and Discussant: Hsien-hao Liao, National Taiwan University (Taiwan)
¥D ®u Ý Á¿ µû ¤H ¡R ¹ù «w ¯E ¡A ¡] ¥x ÆW ¡^ ¥x ÆW ¤j ¾Ç
¡m ¤å ¾Ç ¸g ¨å ¸ó ¤å ¤Æ ¶Ç ¼½ ¤§ ¬ã ¨s ¡n ¡A ±i ®¦ µØ ¡A ¡] ¬ü °ê ¡^ ô Û ¤ñ ¨È ¤j ¾Ç
"A Study of Cross-cultural Appropriations of Canonical Literary Works" Enhua Zhang, Columbia University (USA)
¡m ²z ¸Ñ ÁÙ ¬O »~ ¸Ñ ¡H --·N ¤j §Q ¤å ÃÀ ´_ ¿³ »P ¤¤ °ê ¤å ÃÀ ´_ ¿³ ¡n ¡A ©P è ¡A ¡] ¬ü °ê ¡^ ¥[ ¦{ ¤j ¾Ç
"Understanding or Misunderstanding?--The Italian Renaissance and the Chinese Renaissance," Gang Zhou, University of California, Davis (USA)
"Dionysus, Shakespeare, Freud: A Comparative Approach to Madness in Chinese Literature," Birgit Linder, Beijing University (China)
¡m °s ¯« ¡A ²ï ¤h ¤ñ ¨È ¡A ¦ò ¬¥ ¥ì ¼w ¡R ±q ¤ñ ¸û ¨¤ «× ¬Ý ¤¤ °ê ¤å ¾Ç ¤¤ ªº ¡u ºÆ ¨g ¡v ¡n ¡A ´^ ¦N ¸¦ ¡A ¡] ¤¤ °ê ¡^ ¥_ ¨Ê ¤j ¾Ç
11:45 - 1:00 Lunch
¤È À\Afternoon
¤U ¤È1:00 - 2:30 Panels
¤À ²Õ °Q ½×Panel 12: Contemporary Film of Taiwan
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Chair and Discussant: Yomi Braester, University of Washington (USA)
¥D ®u Ý Á¿ µû ¤H ¡R ¡] ¬ü °ê ¡^ µØ ²± ¹y ¤j ¾Ç
¡m æ ¬É ªº ´å Â÷ ©Î ¸ó ¶V ¡H --¤E O ¦~ ¥N ªì ´Á ¥x ÆW ¹q ¼v ªº µê \¹ê ±Ô ¨Æ ¡A ¼@ ³õ ©Ê ¡A »P ¤¬ ¤å ©Ê ¡n ¡A ¼B °û «W ¡A ¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç
"Border Floating/Crossing?--On the Realistic/Fictional Narration, Theatricality, and Intertextuality in the Early 1990's Taiwanese Films," Wan-li Liu, Fu Jen Catholic University (Taiwan)
"Edward Yang's Film Yiyi: Buddhist Samsara and Zhuang Zi's Butterfly Dream," Qingyun Wu, California State University, Los Angeles (USA)
¡m ·¨ ¼w ©÷ ªº ¡q ¤@ ¤@ ¡r ¡R ¦ò ®a ªº ¡u ªÅ ¡v ©M ²ø ¤l ªº ½¹ ½º ¹Ú ¡n ¡A §d ¼y ¤ª ¡A ¡] ¬ü
°ê ¡^ ¥[ ¦{ ¦{ ¥ß ¤j ¾Ç
2:45 - 4:15 Panels
¤À ²Õ °Q ½×Panel 13: Fashion and Decadence²Ä ¤Q ¤T ²Õ ¡R®É ©| »P ÀZ ¼o
Chair and Discussant: Jie Lu, University of the Pacific (USA)
¥D ®u Ý Á¿ µû ¤H ¡R ³° ¼ä ¡A ¡] ¬ü °ê ¡^ ¤Ó ¥ ¬v ¤j ¾Ç
¡m ¤W ®ü ¼¯ µn »P ±i ·R ¬Â ¡n ¡A ±i ¤p i ¡A ¡] ¥x ÆW ¡^ ¥x ÆW ¤j ¾Ç "Shanghai Fashion and Eileen Chang," Hsiao-hung Chang, National Taiwan University (Taiwan)
¡m ÀZ ¼o ¡A «e ½Ã »P °ê ®a ¬ü ¾Ç ¤Æ ¡R ½× ¤¤ ´Á ³Ð ³y ªÀ ¥Z ª« ´¡ ¹Ï ©Ò §e ²{ ªº µø ı ¥Ù ¬Þ ¡n¡A ¼B ¬ö ¿· ¡A ¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç
"Decadence, the Avant-garde, and the Aestheticization of the Nation: Visual Discrepancy Inscribed in the Publications of the Middle-period Creation Society," Joyce Chi-hui Liu, Fu Jen Catholic University (Taiwan)
¡m²§ °ê±¡ ½Õ »P ¤å ¤Æ ®ø ¶O ¡n ¡A ¤ý §» ¹Ï ¡A ¡] ¤¤ °ê ¡^ ´_ ¥¹ ¤j ¾Ç
"Exoticism and Cultural Consumerism," Hongtu Wang, Fudan University (China)
4:30 - 6:00 Panels
¤À ²Õ °Q ½×Panel 14: Diaspora
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Chair and Discussant: Letty Chen, Washington University (USA)
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"Flowers at Sea: Hong Kong through Eileen Chang's Fictional Lens,"
Nicole Huang, University of Wisconsin, Madison (USA)
¡m ¡u ¯B ªá ®ö ¿¶ ¡v »P ±i ·R ¬Â ªº ¤p »¡ ¡n ¡A ¶À ¤ß §ø ¡A ¡] ¬ü °ê ¡^ «Â ´µ ±d ¨¯ ¤j ¾Ç
¡m ¥x ÆW ²{ ¥N ¸Ö ¸Ì ªº ªø ¦¿ »P ¶À ªe ¡n ¡A µJ ®ä ¡A ¡] ¥x ÆW ¡^ °ê ¥ß ¤¤ ¥¡ ¤j ¾Ç
"The Yangtze River and the Yellow River in Contemporary Poetry of Taiwan," Jiao Tong, National Central University (Taiwan)
"Inventing the Native Text: The Postmodernist Reader in Diaspora," Dian Li, University of Arizona (USA)
¡m ³Ð ³y ¥» ¤g ¤å ¥» ¡R Â÷ ´² ªº «á ²{ ¥N Ū ªÌ ¡n ¡A §õ ÂI ¡A ¡] ¬ü °ê ¡^ ¨È §Q ®á ¨º ¤j ¾Ç
June 17, 2001
6¤ë17¤é ¡A ¬P ´Á ¤é
Morning
¤W ¤È8:30 - 10:00 Panels
¤À ²Õ °Q ½×Panel 15: Chinese-Western Literary Relations²Ä ¤Q ¤ ²Õ ¡R ¤¤ ¦è ¤å ¾Ç Ãö «Y
Chair and Discussant: Birgit Linder, Beijing University (China)
¥D ®u Ý Á¿ µû ¤H ¡R ´^ ¦N ¸¦ ¡A ¡] ¤¤ °ê ¡^ ¥_ ¨Ê ¤j ¾Ç
"Freedom and Femininity Re-viewed in Postmodernity: A Kristevan/Deleuzian Reading of Qu Yuan's Chuci and Walt Whitman's Leaves of Grass," Chung-min Maria Tu, National Chi Nan University (Taiwan)
¡m «á ²{ ¥N ¤¤ ªº ¦Û ¥Ñ »P ¤k ©Ê ¦A Æ[ ¡R ©} ì ªº ·¡ Ãã ©M ´f ¯S °Ò ªº ¯ó ¸ ¶° ¡n ¡A §ù Áé ±Ó ¡A ¡] ¥x ÆW ¡^ °ê ¥ß º[ «n ¤j ¾Ç
¡m ¥x ÆW «e ½Ã ¸Ö ¤H »P ªü ªi ¨½ @ º¸ ¹ï ¡u ¥ß Åé ¬£ ¡v ªº Âà ¤Æ »P ¹ê Åç ¡n ¡A ¦¿ ¨¬ º¡ ¡A
¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç
"Cubist Experiments of Guillaume Apollinaire and Taiwanese Avant-Garde Poets," Tsu-man Chiang, Fu Jen Catholic University (Taiwan)
"Translation as a Key to Literary Theory," Cosima Bruno, University of London (United Kingdom)
¡m ½ Ķ §@ ¬° ¤å ¾Ç ²z ½× ªº Ãö Áä ¡n ¡A Cosima Bruno ¡A¡] ^ °ê ¡^ Û ´° ¤j ¾Ç
Panel 16: Urban Imaginary
²Ä ¤Q ¤» ²Õ ¡R «° ¥« ·Q ¶H
Chair and Discussant: Jing Wang, Colgate University (USA)
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"Spaces of Disappearance: Aesthetic Responses to Contemporary Beijing Urban Planning," Robin Visser, Valparaiso University (USA)
¡m ®ø ¥¢ ªº ªÅ ¶¡ ¡R ·í ¥N ¥_ ¨Ê «° ¥« ³W ¹º ªº ¬ü ¾Ç ¤Ï À³ ¡n ¡A ÃQ Y ¦B ¡] ¬ü °ê ¡^ µØ ¬£ Á¢ ²ï ¤j ¾Ç
"Urban Space in Contemporary Chinese Cinema, Photography, Video," Sheldon H. Lu, University of Pittsburgh (USA)
¡m ·í ¥N ¤¤ °ê ¹q ¼v ¡A Äá ¼v ¡A ¿ý ¶H ±a ¤¤ ªº ³£ ¥« ªÅ ¶¡ ¡n ¡A ¾| ¤p ÄP ¡A ¡] ¬ü °ê ¡^ ¤Ç ¯÷ ³ù ¤j ¾Ç
"Walking Through the Realm of Death: A Quest for the Other," Lingchei Letty Chen, Washington University (USA)
¡m ¦º ¤` º© ¹C ªÌ ¡R ¥L ªÌ ªº °l ´M ¡n ¡A ³¯ ºð µX ¡A ¡] ¬ü °ê ¡^ µØ ²± ¹y ¤j ¾Ç
10:15 - 11:45 Panels
¤À ²Õ °Q ½×Panel 17: Nation, Masses, Populism²Ä ¤Q ¤C ²Õ ¡R ¥Á ±Ú ¡A ¤j ²³ ¡A ¥Á ºé
Chair and Discussant: Charles Laughlin, Yale University (USA)
¥D ®u Ý Á¿ µû ¤H ¡R ù ºÖ ªL ¡] ¬ü °ê ¡^ C ¾| ¤j ¾Ç
¡m ¶Â ·t »P ¥ú ©ú ªº ¤æ ª§ ¡R ¥Ñ ¡u ¤j ²³ ¡v ³y «¬ ½× ¤¤ °ê ¤T O ¦~ ¥N «e ´Á ¡u ¤ì ¨è ª© µe ¡v ªº · ®æ °Ý ÃD ¡n ¡A §õ ®Û ªÚ ¡A ¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç "The struggle between Black and White: The Form-making of the Proletariat in Chinese Woodblock prints in the Early 1930s," Elaine Kuei-fang Lee, Fu Jen University (Taiwan)
¡m »¤ ´b ªº ®¯ ½× ¡R ½× ¤T O ¦~ ¥N ¹q ¼v »P ¤j ²³ ½× z ¤¤ ªº ¤k ©Ê ±ý ±æ ¡n
¡A §f ¤å »A ¡A ¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç
"The Seductive Paradox: Image of the 'New Woman' in the Film and Popular Discourses in 1930s' Shanghai," Wen-tsuei Lu, Fu Jen Catholic University (Taiwan)
¡m ±q ¥Á ºé ¥D ÃD ¨ì ¥Á ºé ¬F ªv ¡n ¡A ®} ¶N ¡A ¡] ¬ü °ê ¡^ ¸t º¿ ÄR ¾Ç °|
"From Populist Themes to Populist Politics," Xu Ben, St. Mary's College (USA)
Panel 18: City Recaptured and Fragmented
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Chair and Discussant: Nicole Huang, University of Wisconsin, Madison (USA)
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"Old Xi’an and Jia Pingwa’s Imaginary Nostalgia," Carlos Rojas, University of Florida (USA)
¡m ¦Ñ ¦è ¦w »P ¸ë ¥ ¥W ªº ·Q ¶H ¶m ·T ¡n ¡A
Carlos Rojas ¡A¡] ¬ü °ê ¡^ ¦ò ù ¨½ ¹F ¤j ¾Ç¡m ¨a Ãø ¡A ³Ð ¶Ë ¡A ¶Â ¦â «Õ Àq ¡n ¡A ¶P ²Q Þ³ ¡A ¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç
"Disaster, Trauma, and Black Humor," Shu-wei Ho, Fu Jen Catholic University (Taiwan)
"Fragmented City Images: Reading Chinese Urban Fiction of the Nineties," Jie Lu, University of the Pacific (USA)
¡m ¯} ¸H ªº ³£ ¥« ·N ¶H ¡R ¾\ Ū ¤E O ¦~ ¥N ªº ¤¤ °ê ³£ ¥« ¤p »¡ ¡n ¡A ³° ¼ä ¡A ¡] ¬ü °ê ¡^ ¤Ó
¥ ¬v ¤j ¾Ç
11:45 - 1:00 Lunch
¤È À\Afternoon
¤U ¤È1:00 - 2:30 Panels
¤À ²Õ °Q ½×Panel 19: Contemporary Chinese Culture
²Ä ¤Q ¤E ²Õ ¡R·í ¥N ¤¤ °ê ¤å ¤Æ
Chair and Discussant: Zuoya Cao, Lincoln University (USA)
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"Marketing and the Politics of Self-Fashioning," Megan Ferry, Union College (USA)
¡m¥« ³õ ±À ¾P ©M ¦Û §Ú ¶ì ³y ¬F ªv ¡n ¡A ¶O ±ö ¡] ¬ü °ê ¡^ Áp ¦X ¤j ¾Ç
"Interactivity Unleashed: From Literature to Game," Feng Yan, Fudan University (China)
¡m ³Q ÄÀ ©ñ ªº ¥æ ¤¬ ©Ê ¡R ±q ¤å ¾Ç ¨ì ¹C À¸ ¡n ¡A ÄY ¾W ¡A ¡] ¤¤ °ê ¡^ ´_ ¥¹ ¤j ¾Ç
Panel 20: Modes of Writing
²Ä ¤G ¤Q ²Õ ¡R¼g §@ ¼Ò ¦¡
Chair and Discussant:
¥D ®u Ý Á¿ µû ¤H ¡R
"Wen vs. Yan: The Confucian Dichotomy of Writing and Speech," Shi Liang, Miami University (USA)
¡m ¤å »P ¨¥ ¡R ¾§ ®a «ä ·Q ¤¤ ªº ¤@ Ó ¹ï ¥ß ¡n ¡A ¥v «G ¡A ¡] ¬ü °ê ¡^ ÁÚ ªü ±K ¤j ¾Ç
"Crime and Law within Literature: Patterns of Understanding," Carsten Storm, Cologne University (Germany)
¡m ¤å ¾Ç ¤¤ ªº ¸o »P ªk ¡R ²z ¸Ñ ªº §Î ¦¡ ¡n ¡A ¥v ¹Å ÄË ¡] ¼w °ê ¡^ ¬ì ¶© ¤j ¾Ç
"Deciphering the Past: Wen Yiduo on Yinyu ('Concealing Words')," Ulrike Middendorf, University of Heidelberg (Germany)
¡m ¯} Ķ ¥j ¥N ¡R »D ¤@ ¦h »¡ ¡u Áô »y ¡v ¡n ¡A ±ö ¹D ªâ ¡] ¼w °ê ¡^ ®ü ¼w ³ù ¤j ¾Ç
2:45 - 4:15 Panels
¤À ²Õ °Q ½×Panel 21: Cultural Memories in Contemporary China
²Ä ¤G ¤Q ¤@ ²Õ ¡R·í ¥N ¤¤ °ê ªº ¤å ¤Æ °O ¾Ð
Chair and Discussant: Leo Chan, Lingnan University (Hong Kong)
¥D ®u Ý Á¿ µû ¤H ¡R ³¯ ¼w ÂE ¡A ¡] » ´ä ¡^ À «n ¤j ¾Ç
"After Auschwitz, it is no longer possible to write poems: Cinema after the Cultural Revolution," Yomi Braester, University of Washington (USA)
¡m ¶ø §Æ ºû ¯÷ ¤§ «á ¡A ¼g ¸Ö ¤w ¤£ ¥i ¯à ¤F ¡X ¤å ² ¥H «á ªº ¹q ¼v ¡n ¡A
Yomi Braester,¡] ¬ü °ê ¡^ µØ ²± ¹y ¤j ¾Ç
¡m ¼~ ¶Ë ªº ¦~ ¥N »P ¼~ ¶Ë ªº ªÅ ¶¡ ¡R ½× ¤ý ¦w ¾Ð ªº ¾ú ¥v ®Ñ ¼g »P ¦Û §Ú ©w ¦ì ¡n ¡A ·¨ ¦p ^ ¡A ¡] ¥x ÆW ¡^ »² ¤¯ ¤j ¾Ç
" The Age and Space of Melancholy--Wang Anyi's Historiographic Writing and Self-Positioning," Ju-ying Yang, Fu Jen Catholic University (Taiwan)
"'Vicious Animals': Wang Shuio and Negotiated Nostalgia for History," Yibing Huang, Connecticut College (USA)
¡m ¡u ´c Ã~ ¡v ¡R ¤ý ®Ò »P ¾ú ¥v ¶m ·T ¡n ¡A ¶À ¥ç §L ¡A ¡] ¬ü °ê ¡^ ±d ¤D §Ì §J ¾Ç °|
4:30 - 5:00 Closing Ceremony
³¬ ¹õ ¦¡6:00 - 8:00 Farewell Dinner
À\ ±Ô