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X-WR-CALDESC:Events for UW Center for Performance Studies
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DTSTART;TZID=America/Vancouver:20191018T140000
DTEND;TZID=America/Vancouver:20191018T160000
DTSTAMP:20260424T191835
CREATED:20210607T233623Z
LAST-MODIFIED:20210607T233623Z
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SUMMARY:The Face of God: A Historiographic Fugue on Performance and Flight
DESCRIPTION:Professor Scott Magelssen‘s talk The Face of God: A Historiographic Fugue on Performance and Flight\, is excerpted from his book-length study about the cultural and political significance of aviation and space flight in the United States. Here is what he would like to share with prospective listeners: \n“I draw the title of this talk from the last line of pilot-poet John Gillespie Magee\, Jr.’s poem “High Flight\,” which describes the sublime experience of the aviator in divine terms. A rendition of “High Flight” accompanied a short Air Force film (with an F-15 fighter jet conducting aerobatic maneuvers against the backdrop of heavens) that played every morning on network television as I grew up in the 1980s\, immediately following the National Anthem that began the broadcast day. For kids of my age\, in the late Cold War’s most angstful years of doomsday rhetoric\, our televisions delivered such performative montages of poetry\, patriotism and the jingoistic sublime as a daily ritual of indoctrination of Americanness. Yet the idea that airplanes could be weaponized in September\, 2001\, as spectacular divine tools to bring down skyscrapers and rewrite the narratives of American history and experience still came as a shock. Taking up Heather Nathan’s invitation to compose “fugue histories\,” this talk seeks to brings together several Deleuzean “lines of flight” into a meditation on the stakes of performing aviation\, war\, and space travel.”
URL:https://depts.washington.edu/uwcps/event/the-face-of-god-a-historiographic-fugue-on-performance-and-flight/
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://depts.washington.edu/uwcps/wordpress/wp-content/uploads/2021/04/coffee_and_concepts_0.jpeg
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DTSTART;TZID=America/Vancouver:20190426T140000
DTEND;TZID=America/Vancouver:20190426T160000
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CREATED:20210607T233730Z
LAST-MODIFIED:20210607T233730Z
UID:1558-1556287200-1556294400@depts.washington.edu
SUMMARY:Coffee and Concepts: "Truth\, Storytelling\, and the Ethics of Dramatic Editing"
DESCRIPTION:The Center for Performance Studies is inviting you for coffee and conversation with Laurie A. Frederik\, a cultural anthropologist and performance scholar from the University of Maryland. Professor Frederick will share material from the book she is currently writing. The title of her talk is “Truth\, Storytelling\, and the Ethics of Dramatic Editing.”\n\nLaurie Frederik is a cultural anthropologist and an associate professor of performance studies and ethnography in the School of Theatre\, Dance\, & Performance Studies\, University of Maryland. She was director of the Latin American Studies Center from 2014-2017 and remains a member of the advisory board. She is also an affiliate faculty member in the Departments of Anthropology\, Ethnomusicology\, Women’s Studies\, and the Consortium for Race\, Gender\, and Ethnicity. \nDr. Frederik has been conducting ethnographic research in Cuba for twenty years. Her first book\, Trumpets in the Mountains: Theater and the Politics of National Culture in Cuba\, published by Duke University Press\, received Honorable Mention for Outstanding Book of 2012 by Association for Theatre in Higher Education (ATHE).  Her newest article about Cuba is titled “Poetic Imaginings of the Real Guantánamo (No\, Not the Base)\,” published in both English and Spanish in Guantánamo and the Empire of Freedom: the Humanities Respond (Palgrave 2017). Dr. Frederik co-edited Showing Off\, Showing Up: Studies of Hype\, Heightened Performance\, and Cultural Power(University of Michigan Press 2017).
URL:https://depts.washington.edu/uwcps/event/coffee-and-concepts-truth-storytelling-and-the-ethics-of-dramatic-editing/
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20190419T140000
DTEND;TZID=America/Vancouver:20190419T160000
DTSTAMP:20260424T191835
CREATED:20210607T233836Z
LAST-MODIFIED:20210607T233836Z
UID:1560-1555682400-1555689600@depts.washington.edu
SUMMARY:Coffee and Concepts: "Words and Images"
DESCRIPTION:The Center for Performance Studies is inviting you for coffee and conversation with Sara E. Freeman\, a theatre historian from the University of Puget Sound. Professor Freeman will share an excerpt from her current book project. Her title is “Words and Images” an excerpt from Poetic Images and Dramatic Spaces: Staging Caryl Churchil\, Naomi Iizuka\, and Sarah Ruhl.“\n\n\n\nSara Freeman is Associate Professor of Theatre at the University of Puget Sound. Previously she taught at the University of Oregon\, Illinois Wesleyan University\, and Columbia College in Chicago. She holds an MA and PhD in Theatre from the University of Wisconsin-Madison. Her historical scholarship concerns alternative British theatre and contemporary playwrights\, and she maintains an active creative practice as a director and dramaturg.
URL:https://depts.washington.edu/uwcps/event/coffee-and-concepts-words-and-images/
CATEGORIES:Talk
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20190215T140000
DTEND;TZID=America/Vancouver:20190215T160000
DTSTAMP:20260424T191835
CREATED:20210607T233947Z
LAST-MODIFIED:20210607T233947Z
UID:1562-1550239200-1550246400@depts.washington.edu
SUMMARY:Theatre in China in the 1950s
DESCRIPTION:Steven Liu\, from the University of British Columbia\, will engage us in conversation about theatre in China in the 1950s. Come and enjoy coffee and cookies as you listen to Professor Liu present new research.
URL:https://depts.washington.edu/uwcps/event/theatre-in-china-in-the-1950s/
CATEGORIES:Talk
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