{"id":1478,"date":"2021-05-27T11:31:51","date_gmt":"2021-05-27T18:31:51","guid":{"rendered":"https:\/\/depts.washington.edu\/devuwcps\/?post_type=course&p=1478"},"modified":"2022-08-18T11:46:40","modified_gmt":"2022-08-18T18:46:40","slug":"drama-571-problems-in-theatre-history-research-4","status":"publish","type":"course","link":"https:\/\/depts.washington.edu\/uwcps\/course\/drama-571-problems-in-theatre-history-research-4\/","title":{"rendered":"Drama 571 Problems in Theatre History Research"},"content":{"rendered":"

Transnational theatre in the Atlantic World<\/h3>\n
\n

Tracks the movement of forms, ideas, genres, ontologies of theatre across the \u2018Atlantic Imperium,\u2019 into the Caribbean, the Americas, Lope in Lima, Commedia in Spain, constructing that circuit or what Liz Dillon called the \u2018performative commons.\u2019\u00a0 The movement of theatre-culture across geographies.<\/p>\n<\/div>\n","protected":false},"menu_order":0,"template":"","format":"standard","categories":[47],"class_list":["post-1478","course","type-course","status-publish","format-standard","hentry","category-archive-courses"],"publishpress_future_action":{"enabled":false,"date":"2026-04-11 09:49:18","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/depts.washington.edu\/uwcps\/wp-json\/wp\/v2\/course\/1478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/depts.washington.edu\/uwcps\/wp-json\/wp\/v2\/course"}],"about":[{"href":"https:\/\/depts.washington.edu\/uwcps\/wp-json\/wp\/v2\/types\/course"}],"wp:attachment":[{"href":"https:\/\/depts.washington.edu\/uwcps\/wp-json\/wp\/v2\/media?parent=1478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/depts.washington.edu\/uwcps\/wp-json\/wp\/v2\/categories?post=1478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}