{"id":1874,"date":"2023-04-06T17:52:34","date_gmt":"2023-04-07T00:52:34","guid":{"rendered":"https:\/\/depts.washington.edu\/uwcps\/?post_type=tribe_events&p=1874"},"modified":"2023-04-06T17:55:40","modified_gmt":"2023-04-07T00:55:40","slug":"minoritarian-performance-research-cluster","status":"publish","type":"tribe_events","link":"https:\/\/depts.washington.edu\/uwcps\/event\/minoritarian-performance-research-cluster\/","title":{"rendered":"“Yoko Ono and the Art of the Breakdown” | Minoritarian Performance Research Cluster"},"content":{"rendered":"

Screams have always been a component of Yoko Ono\u2019s artistic practice, but rather than received as an act of communication, the dominant reception has been not to listen. Offering a meditation on the queer dynamics of Asian American grief, this talk lingers in and listens to Ono\u2019s shatter and scream as she mobilizes affective expressions that are at times explosive, and at others depressive, to perform various modes of coming undone, shattering, falling apart, and breaking down.<\/p>\n

This is a\u00a0Minoritarian Performance Research Cluster<\/em><\/a>\u00a0event.<\/p>\n

Joshua Chambers-Letson (Performance Studies and Asian American Studies, Northwestern University) is author of\u00a0After the Party: A Manifesto for Queer of Color Life\u00a0<\/em>and A Race So Different: Law and Performance in Asian America, and co-editor (with Tavia Nyong\u2019o) of Jos\u00e9 Esteban Mu\u00f1oz\u2019s The Sense of Brown.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/p>\n

Image by Jasmine Mahmoud, taken of a performance of “Revenge Song” by Qui Nguyen at the 2022 Oregon Shakespeare Festival.<\/p>\n","protected":false},"excerpt":{"rendered":"

Joshua Chambers-Letson “Yoko Ono and the Art of the Breakdown” | A Minoritarian Performance Research Cluster Event<\/p>\n

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