FELLINIANA Seattle's International Celebration of Fellini's Cultural Legacy

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"The Don Young Felliniana Archive began in 1994, with the purchase of a single poster from a dealer in San Francisco. It was a U.S 1-sheet from the 1973 film, Amarcord. As of September 2003, the archive consists of over 2000 items related to Fellini and his 24 films.
 

Included in the collection are roughly 200 original Fellini posters from over 20 countries, including extremely rare Russian and eastern European artifacts; rare promo materials such as pressbooks, stills, programs and lobby cards; dozens of rare soundtrack recordings and little-seen video footage; and a large selection of vintage magazines and newspapers from all over the world which feature forgotten insightful Fellini interviews.

Highlights of the collection include 200 books on the life and work of the Maestro, most of which are extremely rare and out of print.

Additionally, there is a group of items I refer to as Fellini Obscura. These include such unusual items as the complete sheet music of the main theme from 8 1/2, (as arranged for marching band and including field formations); a puzzle depicting the poster art for La Dolce Vita; a 100 Franc silver coin commemorating Fellini; a ticket for the New York City premiere of Juliet of the Spirits; an Italian Disney comic book retelling La Strada, and dozens of other curiosities.

My fascination with all things Fellini began with a chance viewing of Juliet of the Spirits, in a marijuana-smoke-filled art house in Fort Worth Texas. I was 19 years old and had no idea who Fellini was. Nor did I know anything about the complex nature of the film. Nevertheless, like many others at the time, I was mesmerized by the striking images flashing on the big screen. The magic of Fellini had taken another captive.

Why such an obsession with Fellini and how did it lead to such an enormous collection?  The films, of course are at the root of my interest. The touching and often humorous stories and the fantastic imagery struck a chord in me unlike any other director's work. That interest begat a desire to learn more of the man behind the films. Thus, the book collection began. The movie poster graphics, often as arresting as the films, appealed to the art lover/collector in me. What better way to decorate my home and studio? And of course, my life would not be complete without the music of Nino Rota. Once again, the collection grew as I located the various soundtracks and related recordings.

As for the items that make up the Fellini Obscura, I must confess that I'm a born collector. And like all collectors, the best part of collecting is sharing it all with an appreciative audience."

Don Young

9/23/03


FELLINIANA
Box 354330
University of Washington
Seattle, Washington 98195-4330

ffellini@u.washington.edu