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Two Michelangelo Sculptures |
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written
by nmdaybaz / 10.22.2005 |
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| Two Michelangelo sculptures |
1 of 1 |
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Assignment |
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If stripped down to the bare essentials of their composition, Michelangelo’s “Risen Christ” and “Moses” seem surprisingly similar. Situated in churches, both figures are looking over their shoulders to their left, while holding the symbols of their significance to Christianity in their right hands. This is where the similarities stop, however. The feeling one gains from being in their presence, to the message conveyed is completely different.
Located near the back of Santa Maria Sopra Minerva, one almost passes by the “Risen Christ” as they exit. Placed unassumingly up against a wall, the figure stands in a low light with a small plaque identifying it. Christ stands, as if paused, with His tall cross held by His right hand and supported by His hip as He leans slightly. Christ’s left hand holds His walking stick while offering addition support to hold the cross. The casual pose of Christ’s stance indicates He has been walking for a length of time and has stopped to rest, shifting His weight to relieve some of the pressure. As the figure gazes out over his shoulder, His expression is serene and calm, as if to reassure his viewers that with Him there is peace. The lack of grandeur associated with the sculpture and the portrayal of the ordinary position of the figure makes Christ seem more accessible to His followers. The large cross held in His hand and His tall stature reminds the viewers of His true meaning.
In contrast, “Moses” in San Pietro in Vincoli is a much more intimidating sculpture in which the viewer does not find comfort, but authority. Situated in the middle of a large sculpture arrangement near the front of the church, the entire area is roped off from the viewers and a fee is charged to light it. Sitting imposingly, the massive figure holds the tablets with the Ten Commandments in his right hand and glares fiercely to his left. Moses’ hand is entangled in the bulky tresses of his beard and he appears to be deep in thought. To the viewer, the sculpture instills a feeling of intimidation. With the moral rules of Christianity inscribed on the tablets in his grasp, he seems to be conveying a message of obedience: if one does not follow the rules set down by God, they will have the ferocious figure of Moses with which to contend.
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