In the first
decades of the twentieth century Vienna was one of the
most important centers of European music. With its
long-standing tradition as the magnet that attracted the
likes of Mozart and Beethovan, Vienna was a hub of
Classical music. But beginning already early in the 19th
century with the invention of the waltz by Johann Strauss
Sr., and the continuation of this tradition by his son
Johann Strauss Jr., Vienna was also a locale in which
popular music began to thrive. The folk traditions of
Vienna's diverse ethic populations contributed to the
vitality of popular music. Edison's invention of the
phonograph record in 1877 helped spread both popular and
Classical music to a wider audience. This made possible
for the first time the popular "hit," and Johann Strauss
Jr. was perhaps the first musical star, travelling to
America for a concert tour as early as 1872. Vienna 1900
also gave birth to the radical compositional form of
twelve-tone music, developed above all by Arnold
Schönberg and his principal pupil Alban Berg. If for
Richard Wagner music was still an emotional language,
"unfettered by the laws of logical thought," as he once
wrote, twelve-tone music represented a protest against
the entire tradition of music as an emotive form of
expression. Mathematical logic rules the musical
structure of the twelve-tone composition, with the
musical theme reduced to a mathematical permutation of
the twelve notes that compose the chromatic scale.
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