View Page: The Christian Basilica
University of Washington Honors Program in Rome


The Christian Basilica
Section Six 6 of 7

  Personal Observations
 
I was originally drawn to the topic of the Christian basilica because of its connection to proportion and the human body. I was interested in ancient Roman understanding of the body’s function in life, and how that conception translated into their massive architectural feats. My academic interests have stemmed from my personal background and passion for dance; in my paper I dig for the connection between early Roman conceptions of bodies, space, and architecture.

I focused my early research on Plotinus, early Roman philosopher, and his writings on Roman society and the body and soul. As the founder of Neo-Platonism, I was led to Plato’s ancient Greek philosophy as well. Vitruvius’ treatise on architecture describes the connection between ancient Greek architecture, “symmetria,” proportion, and the human body. These were fundamental principles to early Roman architecture, as seen most poignantly in basilical buildings. I studied early Christian doctrine’s recognition of the “suffering” body in Roman society. Christianity adopted and adapted Roman basilical principles to create a novel basilica. Each feature of the Christian basilica worked to create channels of motion and an all-encompassing physical experience for the congregant.