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High-Yield Vegetable Gardening

High-Yield Vegetable Gardening cover

I reviewed the first book by Colin McCrate and Brad Halm, “Food Grown Right, in Your Backyard,” in the Winter 2013 issue of the “Bulletin”. This reflected their efforts as the founders of The Seattle Urban Farm Company to encourage people to grow food, no matter what their limitations of space or experience.

Their second book, “High-Yield Vegetable Gardening,” addresses a more experienced audience – gardeners who want the maximum yield from their space, no matter how large or small. Their ideas would work throughout most of North America, although here and there it reminds you of its Seattle roots, to the benefit of local readers.

They have selected three real examples (with pseudonyms for the owners) of gardens of varying sizes, one each in an urban, a suburban, and a rural setting, and use these as examples throughout – an effective approach. You’ll want to keep this book handy and use it for notes; there are many spaces for you to fill in blanks for your specific climate and harvest needs.

Excerpted from the Winter 2017 Arboretum Bulletin.

What’s Wrong with my Plant

What's Wrong with my Plant cover

“What’s Wrong with my Plant” is a very unusual book. The first half is a diagnostic flow chart, with many either/or examples of plant problems, effectively illustrated with colored line drawings. Depending on your answer to the first question, you turn to another page for more questions to help you focus in on the exact problem. It’s somewhat similar to a taxonomic key for identifying plants.

Once you have reached the end of your investigative journey, you are directed to the relevant section in the second half of the book for a more conventional description of plant problems, including pests and diseases and close-up photographs to confirm your results.

Authors David Deardorff and Kathryn Wadsworth live in Port Townsend and tested their charts with the help of local Master Gardeners. While the book is intended for a broader audience, I think local gardeners will find it particularly relevant.

Excerpted from the Winter 2017 Arboretum Bulletin.

The Gardens of Jeffrey Bale

The Gardens of Jeffrey Bale cover

Jeffrey Bale describes “The Gardens of Jeffrey Bale” as his first step in writing the book others have urged him to write. He started with the photographs, which seems appropriate for an artist who creates pathways, steps, walls, and other landscape features using stones and mosaic pebbles. Most images have captions, sometimes extended captions, but this is primarily a photo album of his numerous projects throughout the Pacific Northwest.

He begins with projects for his own house in Portland, where the garden hardscape is a shrine to many spiritual traditions. He describes how “lounging in the garden on dry days is a foretaste of heaven.”

While most of his work is in Oregon, visitors to Windcliff Garden of Dan Hinkley and Robert Jones near Indianola, Washington will see his fine work in a fire pit and surrounding terrace. He also built a mosaic over a cistern at Islandwood School on Bainbridge Island, with help from area school children.

Excerpted from the Winter 2017 Arboretum Bulletin.

Gardening for the Homebrewer

Gardening for the Homebrewer cover

A photograph of a frosty mug of golden ale, surrounded by hop vines and fruit, graces the cover of “Gardening for the Homebrewer.” I was immediately intrigued, especially when I learned that authors Wendy Tweten and Debbie Teashon live on the Kitsap Peninsula.

I expected this book to highlight garden-grown additives for your home brewed beer, but it does much more that, advocating growing your own hops, and even your own barley – all in western Washington! According to the enthusiastic authors, there’s also no reason not to grow your own pumpkins for Pumpkin Ale or experiment with varying mixtures of herbs, other grains, or perhaps hot peppers or spruce needles to make a brew that is distinctly your own.

Once you master these techniques, move on to making your own wine (using grapes or other fruit), cider, or perry (pear based cider). Each chapter helps with the plant culture, preferred varieties, terminology, the techniques of harvest, curing, and fermentation, and necessary or recommended additives and equipment. A final chapter explores liqueurs with the same enthusiasm found throughout the book: “…chances are if you can grow and eat it, you can turn it into a liqueur.” What are you waiting for?

Excerpted from the Winter 2017 Arboretum Bulletin.

The Bold Dry Garden

The Bold Dry Garden cover

Twice in the early aughts, I participated in garden tours to the greater San Francisco area, once in April and once in September. A highlight of both tours was the Ruth Bancroft Garden in Walnut Creek, California. I was delighted to learn recently of a new book capturing and celebrating this garden, and to learn that Ms. Bancroft, whom our group met briefly at age 94, is still with us at 108!

This garden has two distinct personalities, reflecting different periods of its creator’s gardening interests. In her childhood she was introduced to bearded iris by neighbors who were experts on these plants. When she had her own house, she developed a huge selection of historical cultivars that were just finishing their bloom during my spring visit. These are carefully maintained on a schedule of digging up one-third of the collection every year to divide and replant. The health of the collection reflected this high level of care.

As an adult, Bancroft became fascinated with succulent plants. Initially this was a collection of small, potted plants maintained near her home. In the 1970s, her husband’s removal of a diseased walnut orchard provided three empty acres on their property. Despite losing much of her collection to a freak freeze shortly after planting the garden out, she never looked back.

The results are sublime and I would highly recommend a visit to this garden anytime you are in the area. However, if that’s not in the offing, or if you’re just back and want a keepsake, I also highly recommend “The Bold Dry Garden” written by Johanna Silver with photographs – many gorgeous photographs – by Marion Brenner.

This book would happily grace any coffee table, but ideally it will be read and cherished and studied – the “signature plants” chapter could be a stand-alone book on succulents. If these plants are not your interest, then read this book for the story of Ruth Bancroft.

At age 63 she started her succulent garden, an untested concept in her climate at the time. She began with plants in gallon-size pots or smaller. At 83 she opened the now-maturing succulent garden to the public, and she continued working in it daily well into her nineties. Hers is a story to keep all of us gardeners going when we’re bothered by a few aches and pains!

Excerpted from the Winter 2017 Arboretum Bulletin.

When Green Becomes Tomatoes

When green becomes a tomato book jacketDo you read poems with the children in your life? Whether they are already poetry lovers or you would like to raise their consciousness about poetry, Julie Fogliano’s When Green Becomes Tomatoes is a gift with year-round appeal. Get ready for any weather as you enjoy the lyrical quality of these illustrated seasonal poems with outdoor themes, from harvesting tomatoes to admiring winter trees. One example: “february 3: with snowy arms sagging/the spruce seemed to know/that beautiful outweighs the snow.”

Set against a backdrop of expansive illustrations by Julie Morstad, these spare poems evoke universal moments of wonder from childhood.

Growing a Life: Teen Gardeners Harvest Food, Health, and Joy

Growing a life book jacketFor anyone who would like to understand more about the empowering effect of programs like Seattle Youth Garden Works and the UW Farm, I highly recommend Illène Pevec’s Growing a Life: Teen Gardeners Harvest Food, Health, and Joy. The author transcribes her face-to-face interviews with 90 youth gardeners participating in twelve different programs across the country. Her goal is to discover how growing food at their school, community center, or non-profit organization affects these teens’ health as well as the attitudes, job prospects, and hopes for the future they share. The result is inspirational!

Published in the December 2016 Leaflet for Scholars Volume 3, Issue 12.

A Botanist’s Vocabulary

book jacketIn my work as a horticulture reference librarian, I am often presented with a scrap of leaf or flower or twig, and asked to identify it. Although I have a pretty good visual memory for plants and their names, I have no formal training in botany. A Botanist’s Vocabulary by Susan Pell and Bobbi Angell (Timber Press, 2016) is a useful tool not just for botanists but for all who work with plants—home gardeners and professionals alike. The book is arranged in straight alphabetical dictionary order, which makes it easy to look up a term you may have come across in the course of learning about a plant. It complements a book like The Cambridge Illustrated Glossary of Botanical Terms (Michael Hickey and Clive King, 2000), which is organized by the parts of a plant—the roots, seeds, flowers, leaves, fruits, and so forth. The pen and ink illustrations by Bobbi Angell are very clear, and red arrows or markings indicate the part of the plant referred to by a term, when such clarification is needed. The definitions are also concise, and include synonyms or in some cases antonyms, as relevant. I found familiar as well as unfamiliar terms, and as a word-nerd this is the kind of reference book that is a great joy to browse. The only desired feature the book lacks is consistent identification of the plant or plant family shown in each illustration. Some are named, but many are not. It would be helpful, once one has looked up the word, to have at least one example of which genus or family exhibits the characteristic being described and defined.

Wild Flowers of the Undercliff, Isle of Wight

book jacketThe Miller Library receives many donations of books each year, and sometimes we open a box and a particular book enchants us. A recent example is a small volume entitled Wild Flowers of the Undercliff, Isle of Wight, published in London in 1881. It is a field guide to a small area of the southern coast of the Isle of Wight, England. The region is prone to landslides and possesses a unique microclimate, as it is protected beneath an escarpment, facing south. The authors, Charlotte O’Brien and C. Parkinson, hoped the book would enable temporary residents of the Undercliff to acquaint themselves with the various plants blooming throughout the year. “As a rule, they are very timid, these ‘wildings of Nature,’ and recede before the advances of man and his bricks and mortar,” and this book seeks to help “seekers after one of the purest of earthly pleasures” [wildflowers] find them.

As a librarian, I have absorbed a concern for ‘bibliographic control,’ the attention to details that help people find the information they need. I was troubled by the lack of a first name for the co-author, and curious about the note in the preface in which the two authors thank “Miss Parkinson” for her colored drawings [8 plates] that illustrate the book. Our copy of the book was inscribed by M. Parkinson, with a dedication to “Miss Prince.” Who were these nameless Parkinsons, I wondered, wanting to give bibliographic credit where it was due.

I asked assistance from a friend who is a gardener and genealogist in England, and she found a reference to an article by David E. Allen (affiliated with the Botanical Society of Britain and Ireland), “C. Parkinson, A mystery Wight Botanist identified,” which was published in the 2009 proceedings of the Isle of Wight Natural History & Archaeological Society. We could not obtain a copy, and that made both of us even more eager to solve the mystery.

The initials F.G.S. after Parkinson’s name on the book’s title page might stand for ‘Fellow of the Geological Society,’ and that led to a discovery of an obituary for a “Cyril Parkinson” in the Quarterly Journal of the Geological Society of London Vol 26 (1920): “Cyril Parkinson was born at Hesgreave [Hexgreave] Park, near Southwell (Nottinghamshire), and died in London on August 20th, 1919, at the age of 65. During five years’ residence in the Isle of Wight (1875-¬80) he made a collection of fossils, which was acquired by the British Museum (Natural History). He became a Fellow of our Society in 1880. He was a member of the Worcester Naturalists’ Club, and an occasional contributor to ‘Borrow’s [Berrow’s] Worcester Journal’ on natural history subjects. He also contributed articles to various periodicals on natural history, geology, and botany, and brought out a handbook of the Isle of Wight Marine Algae in collaboration with Mrs. O’Brien, of Ventnor.”

book jacketNow that I had birth and death dates and a first name, I used genealogy resources like Ancestry.com and found that Cyril had a sister Marian who lived with him for a time, and she was undoubtedly the illustrator whose signature is in our copy. Census records indicate that she was a woman of “private means,” and this squares with the family’s history as landed gentry with their own coat of arms. At the time of the book’s publication, the 1881 census lists Cyril as a tile manufacturer living with his unmarried sister Marian in Bournemouth, not terribly distant from the Isle of Wight. Their parents were John and Catherine Parkinson of Southwell, Nottinghamshire.

A review of Wild Flowers of the Undercliff appeared in the October 11, 1901 edition of The British Architect and it makes special note of the illustrations: “There are eleven different species of the orchid tribe growing in the Undercliff, and this guide helps one to find these ‘wildings of Nature.’ The beautiful coloured drawings were executed by Miss Parkinson.”

It is very satisfying to list the full names of the co-author and illustrator in the bibliographic record for this book. I would love to discover whether Marian Parkinson illustrated any other botany books, but that is still a mystery.

Planting Design for Dry Gardens

Planting design for dry gardens book jacketPlanting Design for Dry Gardens is an excellent book but unfortunately is poorly titled. Author Olivier Filippi lives in the south of France and the original French title, Alternatives au gazon, or “alternatives to lawn” more accurately describes his work, a very detailed and practical study of the options for replacing resource demanding turf grass.

A translation of a different type, from the parameters of Filippi’s classic Mediterranean climate to our more modified version, will take some work on the reader’s part. I found the effort worthwhile, as it exposed me as a gardener to ideas not typically found in a Pacific Northwest oriented garden book.

For example, Filippi does not recommend using a drip irrigation system for a dry garden of groundcover plants. Instead he advocates hand watering, using temporary basins created around the new plantings, so that plants will more likely to survive without supplemental watering once established. Many other general gardening topics, from planting to attract beneficial insects to concerns about invasive plants, are addressed from a refreshingly distinctive, continental European perspective.

Published in the November 2016 Leaflet Volume 3, Issue 11.