| A |
| Author |
Title |
Issue |
Year |
| Muhsin J. Al-Musawi | Engaging Globalization in Modern Arabic Literature: Appropriation and Resistance | 68.2 | 2007 |
| Rachel Albow | Taking Responsibility in Desire and Domestic Fiction | 80.1 | 2019 |
| Sam Alexander | Population Thinking and Narrative Networks: Dickens, Joyce, and The Wire | 82.3 | 2021 |
| Charles Altieri | Can We Be Historical Ever? Some Hopes for a Dialectical Model of Historical Self-Consciousness | 54.1 | 1993 |
| | Reading Bradley After Reading Laforgue: How Eliot Transformed Symbolist Poetics into a Paradigmatic Modernism | 72.2 | 2011 |
| | Resistance to Song: A Modernist View of Early Modern Lyric | 82.2 | 2021 |
| Timothy Anderson | There’s Something about Murray: Victorian Literary Societies and Alfred Forman’s Translation of Richard Wagner’s Der Ring des Nibelungen | 82.3 | 2021 |
| Jonathan Arac | What Is the History of Literature? | 54.1 | 1993 |
| | Why Should Marxist Critics Fight Over George Eliot? | 77.4 | 2016 |
| | Introduction: Desire and Domestic Fiction after Thirty Years | 80.1 | 2019 |
| | MLQ and Marshall Brown among Their Peers | 82.3 | 2021 |
| Nancy Armstrong | A Novel Nation; or, How to Rethink Modern England as an Emergent Culture | 54.3 | 1993 |
| | Afterword: Waiting for Foucault | 80.1 | 2019 |
| topB |
| Author |
Title |
Issue |
Year |
| Katerina E. Bachinger | The Aesthetics of Not Keeping in Step: Reading the Consumer Mobocracy of Poe's "The Devil in the Belfry" against Peacock | 51.4 | 1990 |
| David J. Baker | "Lasciatemi Morir": Representations of the Diva's Swan Song | 53.4 | 1992 |
| | The Postcolonial Past | 65.3 | 2004 |
| Jonathan Baldo | Exporting Oblivion in The Tempest | 56.2 | 1995 |
| Adam Barrows | Eastward Journeys: Literary Crossings of the International Date Line | 73.2 | 2012 |
| Abu-Manneh Bashir | Palestinian Trajectories: Novel and Politics since 1948 | 75.4 | 2014 |
| Jasper Bernes | John Ashbery’s Free Indirect Labor | 74.4 | 2013 |
| Nicholas Birns | The System Cannot Withstand Close Scrutiny: 1966, the Hopkins Conference, and the Anomalous Rise of Theory | 75.3 | 2014 |
| Herbert Blau | Why "What History?" | 70.1 | 2009 |
| R. Howard Bloch | The Once and Future Middle Ages | 54.1 | 1993 |
| Beth Blum | Ulysses as Self-Help Manual?: James Joyce’s Strategic Populism | 74.1 | 2013 |
| Katherine Bode | The Concurrence of “Close” and “Distant” Reading; Or, Towards a New Object for Data-Rich Literary History | 78.1 | 2017 |
| | Why you can’t model away bias | 81.1 | 2020 |
| | The Difference an Editor Makes | 82.3 | 2021 |
| Marijeta Bozovic | The Voices of Keti Chukhrov: Radical Poetics after the Soviet Union | 80.4 | 2019 |
| Joshua Branciforte | Pope’s Perversity: Tastemaking in Liberal Culture | 80.3 | 2019 |
| Patrick M. Bray | “Dried Fruits”: Flaubert, Marx, and the Literary-Historical Event | 81.4 | 2020 |
| Kevin Brazil | Lateness and Lessness | 81.2 | 2020 |
| Michaela Bronstein | A Case for Literary Transhistory: Ngũgĩ’s Use of Conrad | 75.3 | 2014 |
| Jordan Brower | "Written with the Movies in Mind": Twentieth-Century American Literature and Transmedial Possibility | 78.2 | 2017 |
| Marshall Brown | Prelude, Chorale, and Fugue | 54.1 | 1993 |
| | Periods and Resistances | 62.4 | 2001 |
| | Literature in Time | 65.1 | 2004 |
| | Globalism or Globalization? | 68.2 | 2007 |
| | Editor's note, Performance and History | 70.1 | 2009 |
| | Introduction | 79.3 | 2018 |
| | Vale atque Ave | 82.2 | 2021 |
| | Is a Grapefruit Better than a Grape? A Manifesto for Journal Publication | 82.2 | 2021 |
| Marina Brownlee | Intricate Alliances: Some Spanish Formulations of Language and Empire | 67.1 | 2006 |
| Gerald L. Bruns | Along the Fatal Narrative Turn (Toward an Anarchic Theory of Literary History) | 57.1 | 1996 |
| | The Impossible Experience of Words: Blanchot, Beckett, and The Materiality of Language | 76.1 | 2015 |
| Margaret Bruzelius | "The King of England...Loved to Look upon a MAN": Melancholy and Masculinity in Scott's Talisman | 62.1 | 2001 |
| Emily Miller Budick | Literature, Ideology, and the Measure of Moral Freedom: The Case of Aharon Appelfeld's Badenhaim 'Ir Nofesh | 60.2 | 1999 |
| Sanford Budick | Descartes's Cogito, Kant's Sublime, and Rembrandt's Philosophers: Cultural Transmission as Occasion for Freedom | 58.1 | 1997 |
| | Kant's Miltonic Test of Talent: The Presence of "When I Consider" in the Groundwork of the Metaphysics of Morals | 61.3 | 2000 |
| | Acts of Meditative Mind in "The Ruined Cottage" | 79.2 | 2018 |
| Marcus Bullock | Benjamin, Baudelaire, Rossetti, and the Discovery of Error | 53.2 | 1992 |
| Miranda J. Burgess | Violent Translations: Allegory, Gender, and Cultural Nationalism in Ireland, 1796-1806 | 59.1 | 1998 |
| Stacy Burton | Paradoxical Relations: Bakhtin and Modernism | 61.3 | 2000 |
| Marilyn Butler | The Purple Turban and the Flowering Aloe Tree: Signs of Distinction in the Early-Nineteenth-Century Novel | 58.4 | 1997 |
| Kristine Byron | “Books and Bad Company": Reading the Female Plot in Teresa de la Parra’s Ifigenia | 64.3 | 2003 |
| Eric Byville | "This More Delusive": Tantalus and Seneca in Paradise Lost | 69.2 | 2008 |
| topC |
| Author |
Title |
Issue |
Year |
| Michael Calabrese | The Rhetorics of Sexual Pleasure and Intolerance in the Middle English Cleanness | 56.3 | 1995 |
| Joel Calahan | Introduction | 77.1 | 2016 |
| Kenneth S. Calhoon | Emil Jannings, Falstaff, and the Spectacle of the Body Natural | 58.1 | 1997 |
| Nicholas Carr | Modern Time: Temporality and the Realism of Romantic History | 80.2 | 2019 |
| David Carroll | The Enlightenment of the French Eye: The Limits of Intellectual History and the Master Narrative of Vision | 56.4 | 1995 |
| Joseph Carroll | Pater's Figures of Perplexity | 52.3 | 1991 |
| Luke Carson | Republicanism and Leisure in Marianne Moore's Depression | 63.3 | 2002 |
| Anthony J. Cascardi | Poetry as Political Foundationalism; or, The Dangers of Discursive Dominance | 54.3 | 1993 |
| | A Response to Timothy J. Reiss | 54.3 | 1993 |
| Robert L. Caserio | The Heat of the Day: Modernism and Narrative in Paul de Man and Elizabeth Bowen | 54.2 | 1993 |
| Debra A. Castillo | Reading Loose Women Reading | 57.2 | 1996 |
| Eric Cazdyn | Anti-anti: Utopia, Globalization, Jameson | 68.2 | 2007 |
| Roger Chartier | Genre between Literature and History | 67.1 | 2006 |
| Donald J. Childs | Mrs. Dalloway's Unexpected Guests: Virginia Woolf, T. S. Eliot, and Matthew Arnold | 58.1 | 1997 |
| Katerina Clark | The Soviet Project of the 1930s to Found a ‘World Literature’ and British Literary Internationalism | 80.4 | 2019 |
| Joe Cleary | Realism after Modernism and the Literary World System | 73.3 | 2012 |
| Gerard Cohen-Vrignaud | Capitalism's Wishful Thinking | 76.2 | 2015 |
| John C. Coldewey | Prelude, Chorale, and Fugue | 54.1 | 1993 |
| Albert Cook | Wisdom and Ethics | 52.1 | 1991 |
| Rita Copeland | Lydgate, Hawes, and the Science of Rhetoric in the Late Middle Ages | 53.1 | 1992 |
| Eleni Coundouriotis | What Is and Isn’t Changing? | 81.4 | 2020 |
| | History of the In-Between: World Literature and the Contemporary African Novel | 81.4 | 2020 |
| Eleanor Courtemanche | Satire and the "Inevitability Effect": The Structure of Utopian Fiction from Looking Backward to Portlandia | 76.2 | 2015 |
| Peter Coviello | Intimacy and Affliction: DuBois, Race, and Psychoanalysis | 64.1 | 2003 |
| Loren Cressler | Asinine Heroism and the Mediation of Empire in Chaucer, Marlowe, and Shakespeare | 81.3 | 2020 |
| William Crisman | "Thus Far Had the Work Been Transcribed": Coleridge's Use of Kant's Pre-Critical Writings and the Rhetoric of "On the Imagination" | 52.4 | 1991 |
| Anthony J. Cuda | Who Stood Over Eliot's Shoulder? | 66.3 | 2005 |
| | Reinventing Modernism: Randall Jarrell’s Unwritten Essay on T. S. Eliot | 82.1 | 2021 |
| Jonathan Culler | "Feminism in Time": A Response | 65.1 | 2004 |
| Matthew Curr | Recuperating E. M. Forster's Maurice | 62.1 | 2001 |
| topD |
| Author |
Title |
Issue |
Year |
| Theo D'haen | On Failing to Make the Past Present | 73.3 | 2012 |
| | With Chinese Characteristics | 79.3 | 2018 |
| John Dagenais | The Postcolonial Laura | 65.3 | 2004 |
| Roberto M. Dainotto | With Plato in Italy: The Value of Literary Fiction in Napoleonic Italy | 72.3 | 2011 |
| Leigh Dale | Lessons from the Past? | 75.2 | 2014 |
| | T.H. Green and the Modern Novel: English at Oxford | 75.2 | 2014 |
| David Damrosch | Scriptworlds: Global Scripts and the Formation of World Literature | 68.2 | 2007 |
| | World Literature in a Postliterary Age | 74.2 | 2013 |
| Joseph A. Dane | "Everlastinge to Posterytie": Chatterton's Spirited Youth | 63.2 | 2002 |
| Daniel Davies | Medieval Scottish Historians and the Contest for Britain | 82.2 | 2021 |
| Simone Weil Davis | "The Burden of Reflecting": Effort and Desire in Zelda Fitzgerald's Save Me the Waltz | 56.3 | 1995 |
| Tony Day | Locating Indonesian Literature in the World | 68.2 | 2007 |
| Paulo de Medeiros | Blindness, Invisibility, and the Negative Inheritance of World Literature | 74.2 | 2013 |
| Jason De Stefano | The Birth of Creativity: Emerson's Creative Impulse | 80.2 | 2019 |
| Tim Dean | Genre Blindness in the New Descriptivism | 81.4 | 2020 |
| Sharae Deckard | Peripheral Realism, Millennial Capitalism, and Roberto Bolaño’s 2666 | 73.3 | 2012 |
| Joan DeJean | The Time of Commitment: Reading "Sapho 1900" Reading Sappho | 65.1 | 2004 |
| Ann T. Delehanty | From Judgment to Sentiment: Changing Theories of the Sublime and Its Audience, 1674-1710 | 66.2 | 2005 |
| Richard Dellamora | Textual Politics/Sexual Politics | 54.1 | 1993 |
| Arcadio Diáz-Quiñones | Salvador Brau: The Paradox of the Autonomista Tradition | 57.2 | 1996 |
| Petra Dierkes-Thrun | "The Brutal Music and the Delicate Text"? Wilde's Symbolist-Decadent Aesthetic and Richard Strauss's Modernism in Salome Reconsidered | 69.3 | 2008 |
| Christopher Diller | Signifying on Stowe: Ralph Ellison and the Sentimental Rhetoric of Invisible Man | 75.4 | 2014 |
| Steven Dillon | The Archaeology of Victorian Literature | 54.2 | 1993 |
| | Victorian Interior | 62.2 | 2001 |
| Robert Dingley | Coming Back for Seconds: Professing English Literature in British Universities, 1880-1914 | 75.2 | 2014 |
| Thomas DiPiero | Voltaire's Parrot; or, How to Do Things with Birds | 70.3 | 2009 |
| Tim Dolin | Who Belongs Where in The Woodlanders? | 73.4 | 2012 |
| César Domínguez | The South European Orient: A Comparative Reflection on Space in Literary History | 67.4 | 2006 |
| Michelle Dowd | The Witch from Colchis: Corneille's Médée, Chimène's Le Cid, and the Invention of Classical Genius | 69.3 | 2008 |
| Michelle M. Dowd | The Veritable Véritable Saint Genest: Tragedy and Martyr Play in Jean Rotrou | 79.1 | 2018 |
| | Judith Shakespeare's Brother | 80.1 | 2019 |
| Heather Dubrow | Guess Who's Coming to Dinner? Reinterpreting Formalism and the Country House Poem | 61.1 | 2000 |
| Ian Duncan | The Moonstone, the Victorian Novel, and Imperialist Panic | 55.3 | 1994 |
| | Romancing Scotland | 70.4 | 2009 |
| | Introduction | 77.1 | 2016 |
| | From Grief to Leisure: “Lycidas” in the Eighteenth Century | 77.1 | 2016 |
| | Against the Bildungsroman | 80.1 | 2019 |
| Angela Dunstan | The Shelley Society, Literary Lectures and the Global Circulation of English Literature and Scholarly Practice | 75.2 | 2014 |
| Rachel Blau DuPlessis | Marble Paper: Toward a Feminist "History of Poetry" | 65.1 | 2004 |
| topE |
| Author |
Title |
Issue |
Year |
| Matthew Eatough | Tradition and Innovation in the Macaronic Poetry of Dunbar and Skelton | 53.1 | 1992 |
| | Bowen’s Court and the Anglo-Irish World-System | 73.1 | 2012 |
| A. S. G. Edwards | The Merchant's Tale and Moral Chaucer | 51.3 | 1990 |
| | Tradition and Innovation in Fifteenth-Century Poetry | 53.1 | 1992 |
| Sarah Ehlers | Making It Old: The Victorian/Modern Divide in Twentieth-Century American Poetry | 73.1 | 2012 |
| Andrew Elfenbein | Byronism and the Work of Homosexual Performance in Early Victorian England | 54.4 | 1993 |
| | Defining Influences | 69.4 | 2008 |
| | On the Discrimination of Influences | 69.4 | 2008 |
| | The United States of Raveloe | 75.2 | 2014 |
| Eric Eliason | The Rhetorics of Sexual Pleasure and Intolerance in the Middle English Cleanness | 56.3 | 1995 |
| Katherine Elkins | Memory and Material Significance: Composing Modernist Influence | 69.4 | 2008 |
| Sarah Ellenzweig | Paradise Lost and the Secret of Lucretian Sufficiency | 75.3 | 2014 |
| Julie Ellison | News, Blues, and Cowper's Busy World | 62.3 | 2001 |
| Jody Enders | The Feminist Mnemonics of Christine de Pizan | 55.3 | 1994 |
| James English | Introduction | 77.3 | 2016 |
| | Now, Not Now: Counting Time in Contemporary Fiction Studies | 77.3 | 2016 |
| Richard Epstein | Inevitability in Law and Literature: A Strained Relationship | 76.2 | 2015 |
| Murakishi Esei | Politics: Divide and Rule | 62.4 | 2001 |
| Barbara L. Estrin | Lowelling and Laureling: Revising Gender and Genre in Robert Lowell's Day by Day | 57.1 | 1996 |
| Jed Esty | Peripheral Realisms Now | 73.3 | 2012 |
| | The Life after Texts, the Life within Them | 82.3 | 2021 |
| Ben Etherington | World Literature as a Speculative Literary Totality: Veselovsky, Auerbach, Said, and the Critical-Humanist Tradition | 82.2 | 2021 |
| Ottmar Ette | Toward a Polylogical Philology of the Literature of the World | 77.2 | 2016 |
| topF |
| Author |
Title |
Issue |
Year |
| Samuel Fallon | Robert Greene's Ghosts | 77.2 | 2016 |
| Mary A. Favret | War in the Air | 65.4 | 2004 |
| Susanna Greer Fein | Form and Continuity in the Alliterative Tradition: Cruciform Design and Double Birth in Two Stanzaic Poems | 53.1 | 1992 |
| Harris Feinsod | World Poetry: Commonplaces of an Idea | 80.4 | 2019 |
| Dino Franco Felluga | Truth is Stranger than Fiction: Don Juan and the Truth Claims of Genre | 77.1 | 2016 |
| Frances Ferguson | Jane Austen, Emma, and the Impact of Form | 61.1 | 2000 |
| Margaret Ferguson | Feminism in Time: An Introduction | 65.1 | 2004 |
| Susanna F. Ferlito | Mapping European Philosophy: The Coy Politics of Manzoni's Lettera a Victor Cousin | 59.2 | 1998 |
| Ina Ferris | Mobile Words: Romantic Travel Writing and Print Anxiety | 60.4 | 1999 |
| | "On the Borders of Oblivion": Scott's Historical Novel and the Modern Time of the Remnant | 70.4 | 2009 |
| Megan M. Ferry | Women's Literary History: Inventing Tradition in Modern China | 66.3 | 2005 |
| Heather Fielding | “The Project of His Consciousness": James and Narrative Technology | 70.2 | 2009 |
| Norman Finkelstein | Applied Petrarchism: The Loves of Pietro Bembo | 57.3 | 1996 |
| Brian Finney | Marvin Carlson, Theatre Semiotics: Signs of Life | 51.4 | 1990 |
| Sibylle Maria Fischer | Geography and Representation in Machado de Assis | 55.2 | 1994 |
| Alan Fischler | Guano and Poetry: Payment for Playwriting in Victorian England | 62.1 | 2001 |
| Daniel Fischlin | "Tis Like I Cannot Tell What": Desire, Indeterminacy, and Erotic Performance in the English Ayre | 56.4 | 1995 |
| Laura R. Fisher | Evolution of the Popular Hero in the English Octavian Romances | 51.3 | 1990 |
| | Charlotte Perkins Gilman's Novel Aesthetics | 78.4 | 2017 |
| Juan Flores | Broken English Memories | 57.2 | 1996 |
| Douwe Fokkema | Chinese Postmodernist Fiction | 69.1 | 2008 |
| Valerie Forman | Early Modern "Neoliberalisms": England and the English Caribbean | 72.3 | 2011 |
| Mark Fortier | Married with Children: The Winter's Tale and Social History; or, Infacticide in Earlier Seventeen-Century England | 57.4 | 1996 |
| Daniel H. Foster | Sheet Music Iconography and Music in the History of Transatlantic Minstrelsy | 70.1 | 2009 |
| Morgan Day Frank | Fourth and Long | 80.3 | 2019 |
| Carla Freccero | Queer Nation, Female Nation: Marguerite de Navarre, Incest, and the State in Early Modern France | 65.1 | 2004 |
| Hannah Freed-Thall | Heart-Sick: The Language of French Disgust | 79.4 | 2018 |
| Susan Stanford Friedman | Alternatives to Periodization: Literary History, Modernism, and the “New” Temporalities | 80.4 | 2019 |
| Andrea Frisch | French Tragedy and the Civil Wars | 67.3 | 2006 |
| Paul H. Fry | The Hum of Literature: Ostension in Language | 54.1 | 1993 |
| | How to Live with the Infinite Regress of Strong Misreading | 69.4 | 2008 |
| | The New Metacriticisms and the Fate of Interpretation | 81.3 | 2020 |
| Barbara Fuchs | The Postcolonial Past | 65.3 | 2004 |
| | Forms of Engagement | 67.1 | 2006 |
| | Don Quijote I and the Forging of National History | 68.3 | 2007 |
| | Suspended Judgments: Scepticism and the Pact of Fictionality in Cervantes’ Picaresque Novellas | 76.4 | 2015 |
| | Literary History Writ Large; or, The Multilingual MLQ | 82.3 | 2021 |
| Tim Fulford | Coleridge, Böhme, and the Language of Nature | 52.1 | 1991 |
| | Romanticizing the Empire: The Naval Heroes of Southey, Coleridge, Austen, and Marryat | 60.2 | 1999 |
| John Funchion | When Dorothy Became History: L. Frank Baum’s Enduring Fantasy of Cosmopolitan Nostalgia | 71.4 | 2010 |
| topG |
| Author |
Title |
Issue |
Year |
| Toral Jatin Gajarawala | The Casteized Consciousness: Literary Realism and the Politics of Particularism | 73.3 | 2012 |
| Catherine Gallagher | Nobody's Story: Gender, Property, and the Rise of the Novel | 53.3 | 1992 |
| | Formalism and Time | 61.1 | 2000 |
| Haifa Saud Galperin | Liberty and the Literary: Coloniality and Nahdawist Comparative Criticism of Ruhi al-Khalidi's History of the Science of Literature with the Franks, the Arabs, and Victor Hugo | 77.4 | 2016 |
| Michael Gamer | Waverley and the Object of (Literary) History | 70.4 | 2009 |
| John M. Ganim | Recent Studies on Literature, Architecture, and Urbanism | 56.3 | 1995 |
| | Cities of Words: Recent Studies on Urbanism and Literature | 63.3 | 2002 |
| José María Rodríguez García | Valencia's Verlaine: The Social History of a Colombian Verse | 68.4 | 2007 |
| Florian Gargaillo | “Past Echoes of Cruelty and Nonsense” in Stevie Smith | 79.1 | 2018 |
| Mary M. Gaylord | The True History of Early Modern Writing in Spanish: Some American Reflections | 57.2 | 1996 |
| Giuseppe Gazzola | Return to Tiraboschi: On Italian Literary Canon Formation and National Identity | 76.3 | 2015 |
| Jay Geller | Hegel's Self-Conscious Woman | 53.2 | 1992 |
| Linda Georgianna | Periodization and Politics: The Case of the Missing Twelfth Century in English Literary History | 64.2 | 2003 |
| Simon Gikandi | Realism, Romance, and the Problem of African Literary History | 73.3 | 2012 |
| | Phantom Time: Literary History at the Edge of the Nation | 80.4 | 2019 |
| Donald Gilbert-Santamaría | Maravall's Post-Hegelian Roots | 70.3 | 2009 |
| Mary Ann Gillies | Thomas Hardy: Modernist Poet | 51.4 | 1990 |
| Paul Gilmore | Mechanical Means: Emersonian Aesthetic Transcendence and Antebellum Technology | 65.2 | 2004 |
| Ruth Ginsburg | The Anxiety of Fatherhood | 52.4 | 1991 |
| Hal Gladfelder | The Hard Work of Doing Nothing: Richard Savage's Parallel Lives | 64.4 | 2003 |
| Nancy Glazener | The Browning Society in U.S. Public Literary Culture | 75.2 | 2014 |
| David Glimp | Paradisal Arithmetic: Paradise Lost and the Genesis of Populations | 60.1 | 1999 |
| Mark Goble | Cameo Appearances; or, When Gertrude Stein Checks In to the Grand Hotel | 62.2 | 2001 |
| Brian Goldberg | "A Sea Reflecting Love": Tennyson, Shelley, and the Aesthetics of the Image in the Marketplace | 59.1 | 1998 |
| Lauren M. E. Goodlad | The Mad Men in the Attic: Seriality and Identity in the Narrative of Capitalist Globalization | 73.2 | 2012 |
| | What Is and Isn’t Changing? | 81.4 | 2020 |
| | A Study in Distant Reading: Genre and the Longue Durée in the Age of AI | 81.4 | 2020 |
| | Marshall Brown, Editor Extraordinaire | 82.3 | 2021 |
| David Gorman | The Future of Literary Study: An Experiment in Guesswork | 72.1 | 2011 |
| Andrea Goulet | Legacies of the Rue Morgue: Street Names and Private/Public Violence in Modern French Crime Fiction | 68.1 | 2007 |
| Herbert Grabes | Cultivating a Common Literary Heritage: British Histories of English Literature since World War II | 64.2 | 2003 |
| Richard T. Gray | Imaginary Value and the Value of the Imaginary: J. G. Schlosser, E. T. A. Hoffmann, and the Convergence of Aesthetics and Economics in German Romanticism | 72.3 | 2011 |
| Margreta de Grazia | Hamlet Before Its Time | 62.4 | 2001 |
| Marissa Greenberg | Predicting the Past | 65.3 | 2004 |
| | Milton Much Revolving | 78.3 | 2017 |
| Roland Greene | Colonial Becomes Postcolonial | 65.3 | 2004 |
| Virginie Greene | Shakespeare, Women, and French Romanticism | 65.4 | 2004 |
| Robert Griffin | The Age of "The Age of" is Over: Johnson and New Versions of the Late Eighteenth Century | 62.4 | 2001 |
| Ming Dong Gu | Lu Xun and Modernism/Postmodernism | 69.1 | 2008 |
| John Guillory | Bourdieu's Refusal | 58.4 | 1997 |
| Donald L. Guss | The Power of Selfhood: Shakespeare's Hamlet, Milton's Samson | 54.4 | 1993 |
| Sylvaine Guyot | Opacity of Theater: Reading Racine with and Against Louis Marin | 77.2 | 2016 |
| topH |
| Author |
Title |
Issue |
Year |
| Thomas F. Haddox | Elizabeth Spencer, the White Civil Rights Novel, and Postsouthern | 65.4 | 2004 |
| Nicholas Halmi | Romanticism, the Temporalization of History, and the Historicization of Form | 74.3 | 2013 |
| Mary Hamel | Arthurian Romance in Fifteenth-Century Lindsey: The Books of the Lords Welles | 51.3 | 1990 |
| John T. Hamilton | Thunder from a Clear Sky: On Lessing's Redemption of Horace | 62.3 | 2001 |
| | Musicon Location: Rhyme, Resonance, and Romanticism in Eichendorff's Marmorbild | 70.2 | 2009 |
| Timothy Hampton | On the Border: Geography, Gender, and Narrative Form in the Heptaméron | 57.4 | 1996 |
| | The Diplomatic Moment: Representing Negotiation in Early Modern Europe | 67.1 | 2006 |
| Barbara A. Hanawalt | Trial Transcript, Romance, Propaganda: Joan of Arc and the French Body Politic | 57.4 | 1996 |
| Ralph Hanna III | The Difficulty of Ricardian Prose Translation: The Case of the Lollards | 51.3 | 1990 |
| Jaime Hanneken | Going Mundial: What It Really Means to Desire Paris | 71.2 | 2010 |
| Michael Hansen | Introduction | 77.1 | 2016 |
| Michael Harrawood | Shakespeare in the Caribbean: The Morant Bay Massacre, Jamaica, 1865 | 65.2 | 2004 |
| Elizabeth W. Harries | "Out in Left Field": Charlotte Smith's Prefaces, Bourdieu's Categories, and the Public Sphere | 58.4 | 1997 |
| Donal Harris | Understanding Eliot: Mass Media and Literary Modernism in the American Century | 76.4 | 2015 |
| Julie Candler Hayes | Look but Don't Read: Chinese Characters and the Translating Drive from John Wilkins to Peter Greenaway | 60.3 | 1999 |
| Eric Hayot | On Literary Worlds | 72.2 | 2011 |
| | Literary History after Literary Dominance | 80.4 | 2019 |
| Chengzhou He | Women and the Search for Modernity: Rethinking Modern Chinese Drama | 69.1 | 2008 |
| Megan Heffernan | Gathered by Invention: Additive Forms and Inference in Gascoigne’s Poesy | 76.4 | 2015 |
| Timothy Heimlich | Romantic Wales and the Imperial Picturesque | 81.2 | 2020 |
| Richard Helgerson | Writing Against Writing: Humanism and the Form of Coke's Institutes | 51.2 | 1990 |
| | Before National Literary History | 64.2 | 2003 |
| Sophus Helle | What is an Author? Old Answers to a New Question | 80.2 | 2019 |
| Elisabeth Helsinger | Written and Writing Bards in Eighteenth-Century Lyric | 53.4 | 1992 |
| | Just Beauty: Ovid and the Argument of Keats's "Ode on a Grecian Urn" | 68.1 | 2007 |
| | What Is This Thing Called Song? | 79.4 | 2018 |
| Marius Hentea | The Silence of the Last Poet: Matthew Arnold, T. S. Eliot, and the Value of the Classic | 71.3 | 2010 |
| Jonathan M. Hess | The Return of Anachronism | 62.4 | 2001 |
| Scott Hess | Posthuman Ecologies and the More-Than-Human World | 77.4 | 2016 |
| | The Romantic Work of Genius: Author, Nature, Nation and the ‘Genial Criticism’ of Samuel Taylor Coleridge | 80.3 | 2019 |
| Christopher L. Hill | Nana in the World: Novel, Gender, and Transnational Form | 72.1 | 2011 |
| James Hirsh | Shakespeare and the History of Soliloquies | 58.1 | 1997 |
| Andrew Hoberek | Race Man, Organization Man, Invisible Man | 59.1 | 1998 |
| Denis Hollier | On Literature Considered as a Dead Language | 54.1 | 1993 |
| Michael Holquist | The Last European: Erich Auerback as Precursor in the History of Cultural Criticism | 54.3 | 1993 |
| Lewis Horne | The Way of Resentment in Dombey and Son | 51.1 | 1990 |
| Jean Howard | Shakespeare and the Geographies of the Early Modern World | 64.3 | 2003 |
| Ted Howell | An Imperialist Inherits the Earth: Howards End in the Anthropocene | 77.4 | 2016 |
| Alexander C. Y. Huang | Cosmopolitanism and Its Discontents: The Dialectic between the Global and the Local in Lao She's Fiction | 69.1 | 2008 |
| Heidi Yu Huang | The Hong Kong Dilemma and a Constellation Solution | 76.3 | 2015 |
| J. Andrew Hubbell | “It Was an Ancient Mariner”: Sir Ernest Shackleton Rewrites the Romantic Quest | 71.3 | 2010 |
| Nicholas Hudson | Arts of Seduction and the Rhetoric of Clarissa | 51.1 | 1990 |
| J. G. Hughes | Marcos de Orbregón: Espinel's Case for a New Kind of "Gran historia" | 52.2 | 1991 |
| Andrew Hui | The Soundscape of the Dying Pagan Gods in Milton's Nativity Ode | 78.3 | 2017 |
| Robert D. Hume | “London” in Comedy from Michaelmas Term to The Beggar’s Opera | 74.3 | 2013 |
| | Axiologies: Past and Present Concepts of Literary Value | 78.2 | 2017 |
| Maurice Hunt | Kairos and the Ripeness of Time in As You Like It | 52.2 | 1991 |
| J.Paul Hunter | Formalism and History: Binarism and the Anglophone Couplet | 61.1 | 2000 |
| George Huppert | Peter Ramus: The Humanist as Philosophe | 51.2 | 1990 |
| Linda Hutcheon | Interventionist Literary Histories: Nostalgic, Pragmatic, or Utopian? | 59.4 | 1998 |
| Peter Höyng | “The Gospel of World Harmony” or Beethoven’s Transformation of Schiller’s An die Freude to World Music Literature | 74.2 | 2013 |
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Issue |
Year |
| Katherine Ibbett | Heroes and History's Remainders: The Restes of Pierre Corneille | 69.3 | 2008 |
| Seo Hee Im | Between Habbakuk and Locke: Pain, Debt, and Economic Subjectivation in Paradise Lost | 78.1 | 2017 |
| Raphael Ingelbien | The Critique of Hamletism in The Wild Irish Girl and Corinne | 72.2 | 2011 |
| topJ |
| Author |
Title |
Issue |
Year |
| Noel Jackson | Rhyme and Reason: Erasmus Darwin's Romanticism | 70.2 | 2009 |
| Virginia Jackson | Longfellow's Tradition; or, Picture-Writing a Nation | 59.4 | 1998 |
| | Historical Poetics and the Dream of Interpretation: A Response to Paul Fry | 81.3 | 2020 |
| C. Stephen Jaeger | Humanism and Public Life | 51.2 | 1990 |
| Colin Jager | Mansfield Park and the End of Natural Theology | 63.1 | 2002 |
| Shaun Kelley Jahshan | Reader-Oriented Polyphony? Zhang Zhupo's Commentary on the Jin Ping Mei | 56.1 | 1995 |
| Heather James | Royal Jokes and Sovereign Mystery in Castiglione and Marguerite de Navarre | 64.4 | 2003 |
| | The Poet's Toys: Marlowe, Erotic Elegy, and the Liberty of Speech | 67.1 | 2006 |
| Fredric Jameson | Antinomies of the Realism-Modernism Debate | 73.3 | 2012 |
| Regina Janes | Revisiting García Márquez among the Bananas | 71.4 | 2010 |
| Simon Jarvis | Superversive Poetics: Browning’s Fifine at the Fair | 77.1 | 2016 |
| Daniel Javitch | The Emergence of Poetic Genre Theory in the Sixteenth Century | 59.2 | 1998 |
| | The Poetics of Variatio in Orlando Furioso | 66.1 | 2005 |
| | Reconsidering the Last Part of Orlando Furioso: Romance to the Bitter End | 71.4 | 2010 |
| Martin Jay | Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought by Martin Jay | 56.4 | 1995 |
| William Jewett | Hawthorne's Romanticism: From Canon to Corpus | 57.1 | 1996 |
| Odai Johnson | Unspeakable Histories: Terror, Spectacle, and Genocidal Memory | 70.1 | 2009 |
| Rebecca Johnson | The Arabian Nights, Arab-European Literary Influence, and the Lineages of the Novel | 68.2 | 2007 |
| Constance Jordan | The Household and the State: Transformations in the Representation of an Analogy from Aristotle to James I | 54.3 | 1993 |
| François Jullien | Rethinking Comparison (translated by Erik Anspach) | 73.4 | 2012 |
| Catherine Jurca | Tarzan, Lord of the Suburbs | 57.3 | 1996 |
| topK |
| Author |
Title |
Issue |
Year |
| Djelal Kadir | World Literature: The Allophone, the Differential, and the Common | 74.2 | 2013 |
| Peter Kalliney | Modernism, African Literature, and the Cold War | 76.3 | 2015 |
| | Literary History after the Nation? | 80.4 | 2019 |
| Julie Kane | The Myth of the Fixed-Form Villanelle | 64.4 | 2003 |
| Daniel Katz | Ezra Pound’s Provincial Provence: Arnaut Daniel, Gavin Douglas, and the Vulgar Tongue | 73.2 | 2012 |
| Tamar Katz | "In the House and Garden of His Dream": Pater's Domestic Subject | 56.2 | 1995 |
| Robert Kaufman | Everybody Hates Kant: Blakean Formalism and the Symmetries of Laura Moriarty | 61.1 | 2000 |
| Monika Kaup | "The Future is Entirely Fabulous": The Baroque Genealogy of Latin America's Modernity | 68.2 | 2007 |
| Thomas M. Kavanagh | Reading the Moment and the Moment of Reading in Graffigny's Lettres d'une péruvienne | 55.2 | 1994 |
| Simon Kemp | Postpsychoanalytic Proust | 75.1 | 2014 |
| Neil Kenny | Books in Space and Time: Bibliomania and Early Modern Histories of Learning and "Literature" in France | 61.2 | 2000 |
| Dennis Kezar | Shakespeare's Guilt Trip in Henry V | 61.3 | 2000 |
| | Law, Form, History: Shakespeare's Verdict in All Is True | 63.1 | 2002 |
| Maryam Wasif Khan | The Oriental Tale and the Transformation of North-Indian Prose Fiction | 78.1 | 2017 |
| Richard King | Collaborating with the Forebear: Dryden's Reception of Ben Jonson | 54.3 | 1993 |
| Jon Klancher | Godwin and the Republican Romance: Genre, Politics, and Contingency in Cultural History | 56.2 | 1995 |
| Stephen Knadler | Back to “Oriental” Africa: Islamicism and Becoming African in the Early Black Atlantic | 72.1 | 2011 |
| Michal Kobialka | Theater/Performance Historiography: Politics, Ethics, and the Now | 70.1 | 2009 |
| Zsolt Komáromy | Contradictions as Patterns in Literary History: Skepticism, Common Sense, and the Conversational Idiom of Churchill and Cowper | 80.1 | 2019 |
| Jill Anne Kowalik | Feminine Identity Formation in Wilhelm Meisters Lehrajahre | 53.2 | 1992 |
| Lawrence Kramer | The Real in Embers, the Arts Inflamed | 54.2 | 1993 |
| | Revenants: Masculine Thresholds in Schubert, James, and Freud | 57.3 | 1996 |
| Jonathan Brody Kramnick | Reading Shakespeare's Novels: Literary History and Cultural Politics in the Lennox-Johnson Debate | 55.4 | 1994 |
| Sanjay Krishnan | V. S. Naipaul and Historical Derangement | 73.3 | 2012 |
| Mendicino Kristina | Realism, Reception, 1968, and West Africa | 73.3 | 2012 |
| Anthony Kubiak | The Sacred Clade and the Rhizomatic Dis-ease of History | 70.1 | 2009 |
| Aaron Kunin | Other Hands in Pepys' Diary | 65.2 | 2004 |
| | Characters Lounge | 70.3 | 2009 |
| James Kuzner | Metaphysical Freedom | 74.4 | 2013 |
| | George Herbert’s “The Flower” and the Problem of Praise | 82.1 | 2021 |
| topL |
| Author |
Title |
Issue |
Year |
| Michael Lackey | The Autonomy of Art and the Legitimization of Biofiction: An Aesthetic Turning Point in Twentieth-Century Literature | 82.3 | 2021 |
| Lisa Lampert | Race, Periodicity, and the (Neo-) Middle Ages | 65.3 | 2004 |
| Liam Lanigan | Toward a Realism of the World-System: John Lanchester’s Capital and the Global City | 82.4 | 2021 |
| Yoon Sun Lee | Type, Totality, and the Realism of Asian American Literature | 73.3 | 2012 |
| Spencer Lee-Lenfield | Translating Style: Flaubert’s Influence on English Narrative Prose | 81.2 | 2020 |
| Joep Leerssen | Literary Historicism: Romanticism, Philologists, and the Presence of the Past | 65.2 | 2004 |
| Angela Leighton | In Time, and Out: Women's Poetry and Literary History | 65.1 | 2004 |
| Seth Lerer | The Genre of the Grave and the Origins of the Middle English Lyric | 58.2 | 1997 |
| Ronald Levao | "Among Unequals What Society": Paradise Lost and the Forms of Intimacy | 61.1 | 2000 |
| | An Appreciation of Marshall Brown | 82.3 | 2021 |
| Matthew Levay | Modernism, Periodically | 72.4 | 2011 |
| Caroline Levine | Introduction | 74.2 | 2013 |
| | The Great Unwritten: World Literature and the Effacement of Orality | 74.2 | 2013 |
| | Revaluing Repetition: John Clare’s Verse-Thinking | 77.1 | 2016 |
| Naomi Levine | Elizabeth Barrett Browning’s Historiographic Poetics | 77.1 | 2016 |
| Marjorie Levinson | Romantic Poetry: The State of the Art | 54.2 | 1993 |
| Anita Levy | Jane Eyre, the Woman Writer, and the History of Experience | 56.1 | 1995 |
| Stephen Lewis | Love and Politics in Wyndham Lewis's Snooty Baronet | 61.4 | 2000 |
| Guenter Leypoldt | Aesthetic Specialists and Public Intellectuals: Ruskin, Emerson, and Contemporary Professionalism | 68.3 | 2007 |
| Günter Leypoldt | Degrees of Relevance: Toni Morrison and Walter Scott | 77.3 | 2016 |
| José E. Limón | Mexicans, Foundational Fictions, and the United States: Caballero, a Late Border Romance | 57.2 | 1996 |
| Lawrence Lipking | A Trout in the Milk | 54.1 | 1993 |
| Kang Liu | The Real Thing (Our Rigoberta) | 57.2 | 1996 |
| | The Short-lived Avant-Garde Literary Movement and Its Transformation: The Case of Yu Hua | 63.1 | 2002 |
| | A (Meta) Commentary on Western Literary Theories in China ---- The Case of Jameson and Chinese Jamesonism | 79.3 | 2018 |
| Petrus Liu | The Peripheral Realism of Two Chinas | 73.3 | 2012 |
| Mary Loeffelholz | "Question of Monuments": Emerson, Dickinson, and American Renaissance Portraiture | 59.4 | 1998 |
| Jonathan Loesberg | Bourdieu's Derrida's Kant: The Aesthetics of Refusing Aesthetics | 58.4 | 1997 |
| Hoyt Long | Turbulent Flow: A Computational Model of World Literature | 77.3 | 2016 |
| Damian Love | Doing Him into the Eye: Samuel Beckett's Rimbaud | 66.4 | 2005 |
| Heather Love | Small Change: Realism, Immanence, and the Politics of the Micro | 77.3 | 2016 |
| Sheldon H. Lu | Popular Culture and Body Politics: Beauty Writers in Contemporary China | 69.1 | 2008 |
| Josefina Ludmer | The Corpus Delicti | 57.2 | 1996 |
| Christina Lupton | The Theory of Paper: Skepticism, Common Sense, Poststructuralism | 71.4 | 2010 |
| Julia Reinhard Lupton | Rights, Commandments, and the Literature of Citizenship | 66.1 | 2005 |
| Alfred Lutz | "The Deserted Village" and the Politics of Genre | 55.2 | 1994 |
| Joseph Luzzi | Romantic Allegory, Postwar Film, and the Question of Italy | 68.1 | 2007 |
| | From Lyric to Epic and Back: Joachim Du Bellay's Epic Regrets | 71.2 | 2010 |
| | Literary Value | 72.3 | 2011 |
| | Leopardi Local and Global: Italian Society, European Modernity, and Poetry’s “Natural Duty” | 79.2 | 2018 |
| Colleen Lye | Peripheral Realisms Now | 73.3 | 2012 |
| Deidre Lynch | The Political Campaign as Genre: Ideology and Iconography during the Seventeen Years Period | 69.1 | 2008 |
| | Social, Sexual, and Other Contracts in Eighteenth-Century Novels | 80.1 | 2019 |
| topM |
| Author |
Title |
Issue |
Year |
| Anne Mack | Literary History, Romanticism, and Felicia Hemans | 54.2 | 1993 |
| Marina MacKay | Putting the House in Order: Virginia Woolf and Blitz Modernism | 66.2 | 2005 |
| Irad Malkin | Postcolonial Concepts and Ancient Greek Colonization | 65.3 | 2004 |
| Laura Mandell | The First Women (Psycho-) Analysts, or the Friends of Feminist History | 65.1 | 2004 |
| B. Venkat Mani | Introduction | 74.2 | 2013 |
| | Borrowing Privileges: Libraries and the Institutionalization of World Literature | 74.2 | 2013 |
| Carlos J. Mani | The Burden of Modernity | 57.2 | 1996 |
| Barbara Mann | Picturing the Poetry of Anna Margolin | 63.4 | 2002 |
| Georg Mannejc | Literary History, Romanticism, and Felicia Hemans | 54.2 | 1993 |
| Peter J. Manning | Childe Harold in the Marketplace: From Romaunt to Handbook | 52.2 | 1991 |
| Susan Manning | Henry Mackenzie's Report on Ossian: Cultural Authority in Transition | 68.4 | 2007 |
| Sharon Marcus | Erich Auerbach's Mimesis and the Value of Scale | 77.3 | 2016 |
| Robert Markley | Gulliver and the Japanese: The Limits of the Postcolonial Past | 65.3 | 2004 |
| Ashley Marshall | Henry Fielding and the “Scriblerians” | 72.1 | 2011 |
| Janet Marion Martin | Cicero's Jokes at the Court of Henry II of England: Roman Humor and the Princely Ideal | 51.2 | 1990 |
| Theodore Martin | The Privilege of Contemporary Life: Periodization in the Bret Easton Ellis Decades | 71.2 | 2010 |
| Manuel Martín-Rodríguez | "A Net Made of Holes": Towards a Cultural History of Chicano Literature | 62.1 | 2001 |
| Lauro Martines | The Protean Face of Renaissance Humanism | 51.2 | 1990 |
| Francine Masiello | Melodrama, Sex, and Nation in Latin America's Fin de Siglo | 57.2 | 1996 |
| Mark Maslan | The Faking of the Americans: Passing, Trauma, and National Identity in Philip Roth's The Human Stain | 66.3 | 2005 |
| Nicholas Mason | Building Brand Byron: Early Nineteenth-Century Advertising and the Marketing of Childe Harold's Pilgrimage | 63.4 | 2002 |
| Jeffrey Masten | Material Cavendish: Paper, Performance, "Sociable Virginity" | 65.1 | 2004 |
| Shaj Matthew | The Multiple Simultaneous Temporalities of Global Modernity: Pamuk, Tanp?nar, Proust | 82.4 | 2021 |
| Andrew Mattison | Cowley’s Dream of a Shadow: Imitation against Experience | 82.1 | 2021 |
| Jesse Matz | Walter Pater's Literary Impression | 56.4 | 1995 |
| Richard Maxwell | Pretenders in Sanctuary | 61.2 | 2000 |
| | The Arabian Nights, Arab-European Literary Influence, and the Lineages of the Novel | 68.2 | 2007 |
| José Antonio Mazzotti | The Lightning Bolt Yields to the Rainbow: Indigenous History and Colonial Semiosis in the Royal Commentaries of El Inca Garcilaso de la Vega | 57.2 | 1996 |
| Christie McDonald | The Anxiety of Change: Reconfiguring Family Relations in Beaumarchais's Trilogy | 55.1 | 1994 |
| Gail McDonald | The Mind a Department Store: Reconfiguring Space in the Gilded Age | 63.2 | 2002 |
| Jennifer McDonell | Lessons from the Past? | 75.2 | 2014 |
| | “The Fascination of What’s Difficult:” Browning and MacCallum’s Classroom | 75.2 | 2014 |
| Jerome McGann | Literature, Meaning, and the Discontinuity of Fact | 54.1 | 1993 |
| | Mary Robinson and the Myth of Sappho | 56.1 | 1995 |
| | Fenimore Cooper’s Anti-Aesthetic and the Representation of Conflicted History | 73.2 | 2012 |
| Daniel T. McGee | Post-Marxism: The Opiate of the Intellectuals | 58.2 | 1997 |
| Laura E. McGrane | Fielding's Fallen Oracles: Print Culture and the Elusiveness of Common Sense | 66.2 | 2005 |
| Mark McGurl | Everything and Less: Fiction in the Age of Amazon | 77.3 | 2016 |
| Brian McHale | 1966 Nervous Breakdown, or, When Did Postmodernism Begin? | 69.3 | 2008 |
| Heather McHugh | Presence and Passage: A Poet's Wordsworth | 63.2 | 2002 |
| Hassan Melehy | José Joaquín Fernández de Lizardi and the Emergence of the Spanish American Novel as National Project | 57.2 | 1996 |
| Anne K. Mellor | Were Women Writers Romantics? | 62.4 | 2001 |
| Kristina Mendicino | Milton, the Gunpowder Plot, and the Mythography of Terror | 68.4 | 2007 |
| Walter Benn Michaels | The Victims of New Historicism | 54.1 | 1993 |
| Melanie Micir | Middletown, Middle-Class, Middlebrow | 71.2 | 2010 |
| | The Impossible Miss Woolf: Kate Atkinson and the Feminist Modernist Historical Novel | 78.4 | 2017 |
| Walter D. Mignolo | Linguistic Maps, Literary Geographies, and Cultural Landscapes: Languages, Languaging, and (Trans)nationalism | 57.2 | 1996 |
| Andrew H. Miller | Perfectly Helpless | 63.1 | 2002 |
| J. Hillis Miller | Western Literary Theory in China | 79.3 | 2018 |
| Mark Miller | Sin and Structure in Piers Plowman: On the Medieval Split Subject | 76.2 | 2015 |
| Renata Kobetts Miller | Child-Killers and the Competition Between Late Victorian Theater and the Novel | 66.2 | 2005 |
| Philip Mirabelli | Shakespeare and Sexual Re-formation | 76.1 | 2015 |
| Michael Modarelli | The Struggle for Origins: Old English in Nineteenth-Century America | 73.4 | 2012 |
| Lukas Moe | Elegy's Generation: Muriel Rukeyser, M.L. Rosenthal, and Poetry after the Left | 80.2 | 2019 |
| Jesse Molesworth | Gothic Time, Sacred Time | 75.1 | 2014 |
| Sylvia Molloy | His America, Our America: José Martí Reads Whitman | 57.2 | 1996 |
| Steven Monte | Ancients and Moderns in Mrs. Dalloway | 61.4 | 2000 |
| Franco Moretti | The Slaughterhouse of Literature | 61.1 | 2000 |
| Lee Morrissey | Being "Out of Place": Edward Said and the Contradictions of Cultural Differences | 64.1 | 2003 |
| | Form and History: Reading as an Aesthetic Experience and Historical Act | 69.2 | 2008 |
| | Milton, Modernity, and the Periodization of Politics | 78.3 | 2017 |
| Jeanne Moskal | The Picturesque and the Affectionate in Wollstonecraft's Letters from Norway | 52.3 | 1991 |
| Ankhi Mukherjee | The Death of the Novel and Two Postcolonial Writers | 69.4 | 2008 |
| James Mulholland | Lydgate, Henryson, and the Literary Testament | 53.1 | 1992 |
| | An Indian It-Narrative and the Problem of Circulation: Reconsidering a Useful Concept for Literary Study | 79.4 | 2018 |
| James Mulvihill | Consuming Nature: Wordsworth and the Kendal and Windermere Railway Controversy | 56.3 | 1995 |
| Esei Murakishi | "Men, Monkeys, Lap-dogs, Parrots, Perish All!" Psittacine Articulacy in Early Modern Writing | 59.2 | 1998 |
| | Thomas More’s Account of Natural Language and the Literariness of his Polemics | 79.4 | 2018 |
| Kiernan M. Murphy | What Was Tragedy during the Haitian Revolution? | 82.4 | 2021 |
| Peter Murphy | Sweet Trouble: Coleridge, Demoralized | 77.4 | 2016 |
| Heather Murray | Alexander and After: Browning Culture, Natural Method, and National Education, 1889-1914 | 75.2 | 2014 |
| Jack Murray | Colonial Bodies: Gide's L'Immoraliste as an Intertext of Camus's "La Femme adultère" | 52.1 | 1991 |
| Helmut Müller-Sievers | Skullduggery: Goethe and Oken, Natural Philosophy and Freedom of the Press | 59.2 | 1998 |
| topN |
| Author |
Title |
Issue |
Year |
| Cynthia Nazarian | Du Bellay’s Petrarchan Politics: Violence and Imitation in the Olive and Deffence | 74.1 | 2013 |
| Virgil Nemoianu | Literary History: Some Roads Not (Yet) Taken | 54.1 | 1993 |
| | Hating and Loving Aesthetic Formalism: Some Reasons | 61.1 | 2000 |
| Anahid Nersessian | Two Gardens: An Experiment in Calamity Form | 74.3 | 2013 |
| Steve Newman | The Scots Songs of Allan Ramsay: "Lyrick" Transformation, Popular Culture, and the Boundaries of the Scottish Enlightenment | 63.3 | 2002 |
| Catherine Nicholson | Old Spelling and the Forging of Spenser's Readers | 78.2 | 2017 |
| Wang Ning | Rethinking Modern Chinese Literature in a Global Context | 69.1 | 2008 |
| | World Literature and the Dynamic Function of Translation | 71.1 | 2010 |
| Susan Noakes | Trial Transcript, Romance, Propaganda: Joan of Arc and the French Body Politic | 57.4 | 1996 |
| Carmen Nocentelli | The Dutch Black Legend | 75.3 | 2014 |
| James Noggle | Literature's Returns and Futures | 59.4 | 1998 |
| James Nohrnberg | Milton and the Divisions of History | 78.3 | 2017 |
| Michael North | Virtual Histories: The Year as Literary Period | 62.4 | 2001 |
| topO |
| Author |
Title |
Issue |
Year |
| Timothy D. O'Brien | Troubling Waters: The Feminine and the Wife of Bath's Performance | 53.4 | 1992 |
| Mohamed-Salah Omri | History, Literature and Settler Colonialism in North Africa | 66.3 | 2005 |
| Ella Zohar Ophir | The Laura Riding Question: Modernism, Poetry, and Truth | 66.1 | 2005 |
| Elaine N. Orr | Contractual Law, Relational Whisper: A Reading of Edith Wharton's The House of Mirth | 52.1 | 1991 |
| Helem M. Ostovich | "Our Views Must Now Be Different": Imprisonment and Friendship in Clarissa | 52.2 | 1991 |
| Thomas J. Otten | Hawthorne's Twisted Letters | 70.3 | 2009 |
| Wen-Chin Ouyang | The Imagined Modern Nation in Yusuf Idris's Al-farafir | 60.3 | 1999 |
| topP |
| Author |
Title |
Issue |
Year |
| Ricardo Padrón | Against Apollo: Góngora's Soledad primera and the Mapping of Empire | 68.3 | 2007 |
| Nicholas Paige | The Storyteller and the Book: Scenes of Narrative Production in the Early French Novel | 67.2 | 2006 |
| | Histories of Fiction | 82.2 | 2021 |
| Simon Park | Diogo Bernardes’s Brandura | 78.4 | 2017 |
| Sowon S. Park | The First Professional: The Women Writers' Suffrage League | 58.2 | 1997 |
| Andrew Parker | The Poetry of the Future; or, Periodizing the Nineteenth Century | 71.1 | 2010 |
| Ben Parker | Gustavus Adolphus, "True Englishmen," and the Politics of Caroline Poetry | 59.3 | 1998 |
| | Value and Abstraction in Thomas Hardy | 79.2 | 2018 |
| Patricia Parker | The Merry Wives of Windsor and Shakespearean Translation | 52.3 | 1991 |
| | Preposterous Reversals: Love's Labor's Lost | 54.4 | 1993 |
| Kevin Pask | Ancients and Moderns: The Origins of Literary History | 73.4 | 2012 |
| | "Moving Centers": Climate Change, Critical Method, and the Historical Novel | 76.2 | 2015 |
| | In the Literature Lab | 79.1 | 2018 |
| Gerard Passannante | On Catastrophic Materialism | 78.4 | 2017 |
| Anita Patterson | Jazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes | 61.4 | 2000 |
| Annabel Patterson | More Speech on Free Speech | 54.1 | 1993 |
| | A Restoration Suetonius: a New Marvell Text? | 61.3 | 2000 |
| William Paulson | The Market of Printed Goods: On Bourdieu's Rules | 58.4 | 1997 |
| Derek Pearsall | Lydgate as Innovator | 53.1 | 1992 |
| Vincent P. Pecora | The Sorcerer's Apprentices: Romance, Anthropology, and Literary Theory | 55.4 | 1994 |
| Jeffrey Pence | The End Of Technology: Memory In Richard Powers's Galatea 2.2 | 63.3 | 2002 |
| David Perkins | Some Prospects for Literary History | 54.1 | 1993 |
| | The "Ancient Mariner" and Its Interpreters: Some Versions of Coleridge | 57.3 | 1996 |
| Marjorie Perloff | Empiricism Once More | 54.1 | 1993 |
| Ruth Perry | De-Familiarizing the Family; or, Writing Family History from Literary Sources | 55.4 | 1994 |
| | The Contribution of Gender to the Evolution of the Novel | 57.4 | 1996 |
| Julie Stone Peters | Drama, Primitive Ritual, Ethnographic Spectacle: Genealogies of World Performance (ca. 1890-1910) | 70.1 | 2009 |
| Alexander Pettit | Comedy and Metacomedy: Eugene O’Neill’s Desire Under the Elms and Its Antecedents | 78.1 | 2017 |
| Thomas Pfau | The Voice of Critique: Aesthetic Cognition after Kant | 60.3 | 1999 |
| Peggy Phelan | Renewing the Ado: Blau and Beckett | 70.1 | 2009 |
| John Plotz | Speculative Naturalism and the Problem of Scale: Richard Jefferies’s After London, after Darwin | 76.1 | 2015 |
| Martin Joseph Ponce | Langston Hughes's Queer Blues | 66.4 | 2005 |
| Richard H. Popkin | New Views on the Role of Skepticism in the Enlightenment | 53.3 | 1992 |
| Matthew Potolsky | Decadence, Nationalism, and the Logic of Canon Formation | 67.2 | 2006 |
| Lloyd Pratt | The Vagaries of Historical Reading | 56.2 | 1995 |
| Mary Louise Pratt | Overwriting Pinochet: Undoing the Culture of Fear in Chile | 57.2 | 1996 |
| | The Anticolonial Past: Interruption, Digestion, Substitution, Reversal | 65.3 | 2004 |
| Michael B. Prince | The Eighteenth-Century Beauty Contest | 55.3 | 1994 |
| | “Religio Laici” v. Religio Laici: Dryden, Blount, and the Origin of English Deism | 74.1 | 2013 |
| Yopie Prins | “What is Historical Poetics?” | 77.1 | 2016 |
| Kent Puckett | Hardy’s 1900 | 75.1 | 2014 |
| topQ |
| Author |
Title |
Issue |
Year |
| David Quint | A Reconsideration of Montaigne's Des cannibals | 51.4 | 1990 |
| | Narrative Interlace and Narrative Genres in Don Quijote and the Orlando Furioso | 58.3 | 1997 |
| | The Tragedy of Nobility on the Seventeenth-Century Stage | 67.1 | 2006 |
| | “Things Invisible to Mortal Sight”: Light, Vision, and the Unity of Book 3 of Paradise Lost | 71.3 | 2010 |
| | Milton, Waller, and the Fate of Eden | 78.3 | 2017 |
| topR |
| Author |
Title |
Issue |
Year |
| Tilottama Rajan | "The Prose of the World": Romanticism, the Nineteenth Century, and the Reorganization of Knowledge | 67.4 | 2006 |
| Jahan Ramazani | Traveling Poetry | 68.2 | 2007 |
| Julio Ramos | The Repose of Heroes | 57.2 | 1996 |
| David Randall | Ethos, Poetics, and the Literary Public Sphere | 69.2 | 2008 |
| Claude Rawson | "Indians" and Irish: Montaigne, Swift, and the Cannibal Question | 53.3 | 1992 |
| Sangeeta Ray | Postcolonially Speaking? | 81.4 | 2020 |
| Yosefa Raz | Robert Lowth’s Bible: Between Seraphic Choirs and Prophetic Weakness | 81.2 | 2020 |
| Liran Razinsky | Not the Witness We Wished For: Testimony in Jonathan Littell's Kindly Ones | 71.2 | 2010 |
| Bill Readings | Sublime Politics: The End of the Party Line | 53.4 | 1992 |
| Joel Reed | Nationalism and Geoculture in Defoe's History of Writing | 56.1 | 1995 |
| Timothy J. Reiss | A Response to Anthony J. Cascardi | 54.3 | 1993 |
| | The Limits of Discursive Idealism | 54.3 | 1993 |
| | Perioddity: Considerations on the Geography of Histories | 62.4 | 2001 |
| Paul G. Remley | David C. Fowler: A Select Bibliography | 51.3 | 1990 |
| Joan Ramon Resina | What Sort of Wedding? The Orders of Discourse in El Burlador de Sevilla | 57.4 | 1996 |
| John Richardson | Virtuoso Translations as Visions of Water and Fire: The Elemental Sublime in Swinburne's Arthurian Tale and Bal'mont's Medieval Georgian Epic | 59.4 | 1998 |
| | Nicholas Rowe's Tamerlane and the Martial Ideal | 69.2 | 2008 |
| | Britannia, the Individual, and the Public Sphere: Thomson to Coleridge | 79.2 | 2018 |
| Velma Bourgeois Richmond | Chaucer's Religiosity and a Twentieth-Century Analogue, Muriel Spark | 51.3 | 1990 |
| Nicholas T Rinehart | Benevolent Authoritarianism in Klaeber's Beowulf: An Editorial Translation of Kingship | 60.2 | 1999 |
| Joseph Roach | "Unpath'd waters, undream'd shores": Herbert Blau, Performing Doubles, and the Makeup of Memory in The Winter's Tale | 70.1 | 2009 |
| Bruce Robbins | Is Literature a Secular Concept? Three Earthquakes | 72.3 | 2011 |
| Hugh Roberts | The Same People Living in Different Places: Curnow’s Anthology and New Zealand Literary History | 64.2 | 2003 |
| Catherine Robson | Afterword: “On Difficulty” | 75.2 | 2014 |
| José María Rodríquez García | Manuel María’s Agrarian Poetry, Galician Literature, and Spain’s Democratic Transition | 75.4 | 2014 |
| Susan de Sola Rodstein | Sweetness and Dark: George Eliot's "Brother Jacob" | 52.3 | 1991 |
| Pat Rogers | John Philips, Pope, and Political Georgic | 66.4 | 2005 |
| James Rolleston | The Legacy of Idealism: Schiller, Mörike and Biedermeirer Culture | 51.4 | 1990 |
| J. J. Rome | Literary History, Romanticism, and Felicia Hemans | 54.2 | 1993 |
| Bruce Ronda | Re-thinking Transcendentalism: Perry Miller, Truman Nelson, and Thoreau’s “Lost Journal” | 74.1 | 2013 |
| Ellen Rooney | Form and Contentment | 61.1 | 2000 |
| David Rosen | T. S. Eliot and the Lost Youth of Modern Poetry | 64.4 | 2003 |
| Jesse Rosenthal | Writing Public Poetry: Humanism and the Woman Writer | 51.2 | 1990 |
| | Keeping Secrets | 80.1 | 2019 |
| Ian Ross | "Avery Knowing American": The Inca Garcilaso de la Vegaand Swift's A Modest Proposal | 68.4 | 2007 |
| Trevor Ross | "Pure Poetry": Cultural Capital and the Rejection of Classicism | 58.4 | 1997 |
| Eric Rothstein | Foucault, Discursive History, and the Auto-Affection of God | 55.4 | 1994 |
| | Broaching a Cultural Logic of Modernity | 61.2 | 2000 |
| Susana Rotker | Nation and Mockery: The Oppositional Writings of Simón Rodríguez | 57.2 | 1996 |
| Margaret Russett | "Everlastinge to Posterytie": Chatterton's Spirited Youth | 63.2 | 2002 |
| Judith Ryan | Dead Poets' Voices: Rilke's "Lost From the Outset": and the Originality Effect | 53.2 | 1992 |
| topS |
| Author |
Title |
Issue |
Year |
| David Harris Sacks | Richard Hakluyt's Navigations in Time: History, Epic, and Empire | 67.1 | 2006 |
| Glyn Salton-Cox | Boy Meets Camera: Christopher Isherwood, Sergei Tretiakov, and the Queer Potential of the First Five–Year Plan | 76.4 | 2015 |
| Catherine Sanok | Almoravides at Thebes: Islam and European Identity in the Roman de Thebes | 64.3 | 2003 |
| Haun Saussy | "China and the World": The Tale of a Topos | 68.2 | 2007 |
| Margaret Scanlan | Terror as Usual in Friedrich Dürrenmatt's The Assignment | 52.1 | 1991 |
| Paul Schacht | Jane Eyre and the History of Self-Respect | 52.4 | 1991 |
| Allison Schachter | Modernist Indexicality: The Language of Gender, Race,
and Domesticity in Hebrew and Yiddish Modernism | 72.4 | 2011 |
| Taylor Schey | Empiricist Political Theory and the Modern Novel: The Social Contract and H. G. Wells | 76.1 | 2015 |
| | Skeptical Ignorance: Hume, Shelley, and the Mystery of “Mont Blanc" | 79.1 | 2018 |
| Ronald Schleifer | The Poetry of What Lies Close at Hand: Photography, Commodities, and Post-Romantic Discourse in Hardy and Stevens | 60.1 | 1999 |
| Wolfram Schmidgen | Re-embodying the Aesthetic | 66.1 | 2005 |
| Jeffrey T. Schnapp | The Chatter of People and Things | 72.3 | 2011 |
| Lisa Schnell | "So Great a Diffrence Is There in Degree": Aemilia Lanyer and the Aims of Feminist Criticism | 57.1 | 1996 |
| Henry Schwarz | Aesthetic Imperialism: Literature and the Conquest of India | 61.4 | 2000 |
| Roberto Schwarz | The Historical Meaning of Cruelty in Machado de Assis | 57.2 | 1996 |
| Joshua Scodel | Finding Freedom in Hamlet | 72.2 | 2011 |
| David L. Sedley | A Mathematical Key to La Princesse de Clèves | 74.4 | 2013 |
| Hinrich C. Seeba | "Trostgründe": Cultural Nationalism and Historical Legitimation in Nineteenth-Century German Literary Histories | 64.2 | 2003 |
| Jordan Sellers | The Longue Durée of Literary Prestige | 77.3 | 2016 |
| Azade Seyhan | World Literatures Reimagined: Sara Suleri’s Meatless Days and A.H. Tanpinar’s Five Cities | 74.2 | 2013 |
| Benedicte Seynhaeve | The Critique of Hamletism in The Wild Irish Girl and Corinne | 72.2 | 2011 |
| W. David Shaw | Elegy and Theory: Is Historical and Critical Knowledge Possible? | 55.1 | 1994 |
| Louisa Shea | "May the Cynic Dolmancé Serve as your Guide": Sade and the Cynic Tradition | 67.3 | 2006 |
| Shuang Shen | Hong Kong Literary History and the Construction of the Local in Xi Xi’s I City | 73.4 | 2012 |
| Ruth Shklar | Cobham's Daughter: The Book of Margery Kempe and the Power of Heterodox Thinking | 56.3 | 1995 |
| Margit Sichert | Functionalizing Cultural Memory: Foundational British Literary History and the Construction of National Identity | 64.2 | 2003 |
| Jonah Siegel | War and the Domestic Interior: Pater, Curtius, and Praz in the House of Life | 78.2 | 2017 |
| J. L. Simmons | Shakespeare’s Hamlet and Familial Blessings: Historical Abruptions | 74.4 | 2013 |
| Sharon Simmons | Milton’s Trifles: Lyric Disparagement in an Age of Walking Books | 73.1 | 2012 |
| Elizabeth Simmons-O'Neill | Love in Hell: The Role of Pluto and Proserpine in Chaucer's Merchant's Tale | 51.3 | 1990 |
| Richard Keller Simon | Between Capra and Adorno: West's Day of the Locust and the Movies of the 1930s | 54.4 | 1993 |
| David Simpson | Virtual Culture | 60.2 | 1999 |
| Michael Skansgaard | The Virtuosity of Langston Hughes: Persona, Rhetoric, and Iconography in The Weary Blues | 81.1 | 2020 |
| Meredith Anne Skura | Understanding the Living and Talking to the Dead: The Historicity of Psychoanalysis | 54.1 | 1993 |
| Nico Slate | East Indian, West Indian: Colored Cosmopolitanism, World Literature, and the Dual Autobiography of Cedric Dover and Claude McKay | 76.3 | 2015 |
| Patricia Juliana Smith | "The Queen of the Wasteland": The Endgames of Modernism in Angela Carter's The Magic Toyshop | 67.3 | 2006 |
| Richard So | Turbulent Flow: A Computational Model of World Literature | 77.3 | 2016 |
| Danila Sokolov | Mary Wroth, Ovid, and the Metamorphosis of Petrarch | 81.1 | 2020 |
| Doris Sommer | Textual Conquests: On Readerly Competence and "Minority" Literature | 54.1 | 1993 |
| | The Places of History: Regionalism Revisited in Latin America | 57.2 | 1996 |
| | Lessons Learned from Latin America | 77.2 | 2016 |
| Vivasvan Soni | Judging, Inevitably: Aesthetic Judgment and Novelistic Form in Fielding's Joseph Andrews | 76.2 | 2015 |
| Angela Sorby | Performing Class: James Whitcomb Riley's Poetry of Distinction | 60.2 | 1999 |
| | Who Wrote “Rock Me to Sleep”? Elizabeth Akers Allen and the Profession of Poetry | 72.3 | 2011 |
| Janet Sorensen | Alternative Antiquarianisms of Scotland and the North | 70.4 | 2009 |
| A. C. Spearing | Prison, Writing, Absence: Representing the Subject in the English Poems of Charles d'Orléans | 53.1 | 1992 |
| Elizabeth A. Spiller | Cervantes avant la Lettre: The Material Transformation of Romance Reading Culture in Don Quijote | 60.3 | 1999 |
| Phoebe S. Spinrad | "Too Much Liberty": Measure for Measure and Skelton's Magnyfycence | 60.4 | 1999 |
| Gayatri Chakravorty Spivak | Why Study the Past? | 73.1 | 2012 |
| Constance Spreen | Resisting The Plague: The French Reactionary Right And Artaud's Theater Of Cruelty | 64.1 | 2003 |
| John D. Staines | Scott's Stoic Characters: Ethics, Sentiment, and Irony in The Antiquary, Guy Mannering, and "the Author of Waverley" | 70.4 | 2009 |
| | The Age of Shakespeare versus the Age of Milton: Reopening the Noisy Theaters | 78.3 | 2017 |
| Peter Stallybrass | Editing as Cultural Formation: The Sexing of Shakespeare's Sonnets | 54.1 | 1993 |
| Robert Stevick | Political Culture and Literary History: La Harpe's Lycée | 58.2 | 1997 |
| Garrett Stewart | Staying Powers | 54.2 | 1993 |
| | The Foreign Offices of British Fiction | 61.1 | 2000 |
| | Metallusion: the Used, the Renewed, and the Novel | 65.4 | 2004 |
| Peter Stoicheff | Between Originality and Indebtedness: Allegories of Authorship in William Faulkner's The Sound and the Fury | 53.4 | 1992 |
| Richard Strier | A Lover’s Journal: Jonathan Culler’s Theory of the Lyric | 78.1 | 2017 |
| Helen Sword | Necrobibliography: Books in the Spirit World | 60.1 | 1999 |
| Michael Szalay | Inviolate Modernism: Hemingway, Stein, Tzara | 56.4 | 1995 |
| | The White Oriental | 67.3 | 2006 |
| topT |
| Author |
Title |
Issue |
Year |
| Elisa Tamarkin | Revolution and Nostalgia: American Elegies for British Empire | 67.2 | 2006 |
| William L. Tarvin | Tragic Closure and "Tragic Calm" | 51.1 | 1990 |
| Diana Taylor | "Damnable Iteration": The Traps of Political Spectacle | 57.2 | 1996 |
| Zeynep Tenger | Genius versus Capital: Eighteenth-Century Theories of Genius and Adam Smith's Wealth of Nations | 55.2 | 1994 |
| Leonard Tennenhouse | A Novel Nation; or, How to Rethink Modern England as an Emergent Culture | 54.3 | 1993 |
| | American Literary History in the Age of Critical Theory and Multiculturalism | 56.2 | 1995 |
| Brook Thomas | Parts Related to Wholes and the Nature of Subaltern Opposition | 55.1 | 1994 |
| | National Literary Histories: Imagined Communities or Imagined Societies? | 64.2 | 2003 |
| Christian Thorne | Providence in the Early Novel, or Accident, If You Please | 64.3 | 2003 |
| | In Saecula Saeculorum: On How Stories End | 76.2 | 2015 |
| Michael Thurston | Documentary Modernism as Popular Front Poetic: Muriel Rukeyser's The Book of the Dead | 60.1 | 1999 |
| Li Tonglu | New Humanism | 69.1 | 2008 |
| James D. Tracy | From Humanism to the Humanities: A Critique of Grafton and Jardine | 51.2 | 1990 |
| Paul Trolander | Genius versus Capital: Eighteenth-Century Theories of Genius and Adam Smith's Wealth of Nations | 55.2 | 1994 |
| Rachel Trubowitz | The Problem of Biographical Mastering: The Case for Boswell as Subject | 52.4 | 1991 |
| | Introduction | 78.3 | 2017 |
| Katie Trumpener | The Arabian Nights, Arab-European Literary Influence, and the Lineages of the Novel | 68.2 | 2007 |
| Herbert Tucker | Of Monuments and Moments: Spacetime in Nineteenth-Century Poetry | 58.3 | 1997 |
| | A Field of Magpies: Disciplinary Emergence as Modus Vivendi in English Studies | 75.2 | 2014 |
| Elliott Turley | The Tragicomic Philosophy of Waiting for Godot | 81.3 | 2020 |
| Merrill Turner | The Chekhovian Point of View in Virginia Woolf’s To the Lighthouse | 74.3 | 2013 |
| Geoffrey Turnovsky | Authorial Modesty and Its Readers: Mondanité and
Modernity in Seventeenth-Century France | 72.4 | 2011 |
| topU |
| Author |
Title |
Issue |
Year |
| Ted Underwood | The Science in Shelley's Theory of Poetry | 58.3 | 1997 |
| | Historical Difference as Immortality in the Mid-Nineteenth-Century Novel | 63.4 | 2002 |
| | Introduction | 77.3 | 2016 |
| | The Longue Durée of Literary Prestige | 77.3 | 2016 |
| topV |
| Author |
Title |
Issue |
Year |
| Colton Valentine | Domesticating Decadence: Joris-Karl Huysmans, Pierre Louÿs, and Their Invisible English Translators | 82.4 | 2021 |
| Susan Vanderborg | "Who Can Say Who Are Citizens?" Causal Mythology in Charles Olson's Polis | 59.3 | 1998 |
| Asha Varadharajan | The Unsettling Legacy of Harold Bloom’s Anxiety of Influence | 69.4 | 2008 |
| Míceál Vaughan | Studies in Honor of David C. Fowler | 51.3 | 1990 |
| Kathleen Verduin | Imprinting Mortality: Updike Reading Books | 71.3 | 2010 |
| Blakey Vermeule | Jovial Fanatics: Hume, Warton, Cowper | 59.1 | 1998 |
| Robert Hudson Vincent | Baroco: the Logic of English Baroque Poetics | 80.3 | 2019 |
| Gauri Viswanathan | Milton, Imperialism, and Education | 59.3 | 1998 |
| Nancy Vogeley | Italian Opera in Early National Mexico | 57.2 | 1996 |
| | How Chivalry Formed the Myth of California | 62.2 | 2001 |
| Ryan Vu | Our Obstinate Future | 76.2 | 2015 |
| topW |
| Author |
Title |
Issue |
Year |
| Tamara S. Wagner | "Overpowering Vitality": Nostalgia and Men of Sensibility in the Fiction of Wilkie Collins | 63.4 | 2002 |
| | "A Strange Chronicle of the Olden Time": Revisions of the Regency in the Construction of Victorian Domestic Fiction | 66.4 | 2005 |
| | "Very Saleable Articles, Indeed": Margaret Oliphant's Repackaging of Sensational Finance | 71.1 | 2010 |
| Sergio Waisman | Ethics and Aesthetics North and South: Translation in the Work of Ricardo Piglia | 62.3 | 2001 |
| Ronald Waldron | The Manuscripts of Trevisa's Translation of the Polychronicon: Towards a New Edition | 51.3 | 1990 |
| Rebecca L. Walkowitz | Shakespeare in Harlem: The Norton Anthology, "Propoganda," Langston Hughes | 60.4 | 1999 |
| | Close Reading in an Age of Global Writing | 74.2 | 2013 |
| Ning Wang | Critic and Poet: What Lydgate and Henryson Did to Chaucer's Troilus and Criseyde | 53.1 | 1992 |
| | Introduction | 79.3 | 2018 |
| | French Theories in China and the Chinese Theoretical (Re)Construction | 79.3 | 2018 |
| Orrin N. C. Wang | Romantic Sobriety | 60.4 | 1999 |
| Kenneth W. Warren | The Persistence of Genre | 81.4 | 2020 |
| Warwick Research Collective | Collectivity and Crisis in the Long Twentieth Century | 81.4 | 2020 |
| Howard D. Weinbrot | Twentieth-Century Scholarship and the Eighteenth-Century Canon | 61.2 | 2000 |
| Harald Weinrich | Faust's Forgetting | 55.3 | 1994 |
| Eric Weiskott | Before Prosody: Early English Poetics in Practice and Theory | 77.4 | 2016 |
| Karen A. Weisman | Romantic Constructions and Epic Subversions in Geoffrey Hill's Mercian Hymns | 57.1 | 1996 |
| Ellen R. Welch | Performing a New France, Making Colonial History in Marc
Lescarbot’s Théâtre de Neptune (1606) | 72.4 | 2011 |
| Alexander Welsh | History; or, The Difference between Scott's Hamlet and Goethe's | 59.3 | 1998 |
| Nancy West | The Poetry of What Lies Close at Hand: Photography, Commodities, and Post-Romantic Discourse in Hardy and Stevens | 60.1 | 1999 |
| William West | Jacob Burckhardt's Untimely Observations | 68.1 | 2007 |
| Joyce Wexler | The German Detour from Ulysses to Magic Realism | 70.2 | 2009 |
| Craig Howard White | The House of Interest: A Keyword in The Portrait of a Lady | 52.2 | 1991 |
| Eric White | The End of Metanarratives in Evolutionary Biology | 51.1 | 1990 |
| Matthew Wickman | Robert Burns and Big Data; or, The Pests That Dwell between Shape and Number | 75.1 | 2014 |
| Robyn Wiegman | On Being in Time with Feminism | 65.1 | 2004 |
| Clair Wills | Realism and the Irish Immigrant: Documentary, Fiction, and Post-War Irish Labor | 73.3 | 2012 |
| Jeffrey Wilson | Why Shakespeare? Irony and Liberalism in Canonization | 81.1 | 2020 |
| Sarah Wilson | Cosmopolitan Cordelia: Jane Addams’s Industrial Parables | 75.4 | 2014 |
| David Scott Wilson-Okamura | The French Aesthetic of Spenser's Feminine Rhyme | 68.3 | 2007 |
| | Spencer's Youth | 82.1 | 2021 |
| James I. Wimsatt | Rhyme/Reason, Chaucer/Pope, Icon/Symbol | 55.1 | 1994 |
| Ronald G. Witt | Civic Humanism and the Rebirth of the Ciceronian Oration | 51.2 | 1990 |
| Mark Wolff | Individuality and L'Esprit Français: On Gustave Lanson's Pedagogy | 62.3 | 2001 |
| Susan J. Wolfson | Reading for Form | 61.1 | 2000 |
| | An Appreciation of Marshall Brown | 82.3 | 2021 |
| Mark A. Wollaeger | Killing Stevie: Modernity, Modernism, and Mastery in Conrad and Hitchcock | 58.3 | 1997 |
| | The Woolfs in the Jungle: Intertextuality, Sexuality, and the Emergence of Female Modernism in The Voyage Out, The Village in the Jungle, and Heart of Darkness | 64.1 | 2003 |
| Alison Wood | Secularity and the Uses of Literature: English at Cambridge, 1890-1920 | 75.2 | 2014 |
| Gillen D'Arcy Wood | The Female Penseroso: Anna Seward, Sociable Poetry, and the Handelian Consensus | 67.4 | 2006 |
| Neal Wood | Cicero and the Political Thought of the Early English Renaissance | 51.2 | 1990 |
| Amy S. Wyngaard | Defining Obscenity, Inventing Pornography: The Limits of Censorship in Rétif de la Bretonne | 71.1 | 2010 |
| topX |
| Author |
Title |
Issue |
Year |
| Jian Xu | Body, Earth, and Migration: The Poetics of Suffering in Zhang Wei's September Fable | 67.2 | 2006 |
| topY |
| Author |
Title |
Issue |
Year |
| Patricia Ybarra | Mexican Theater History and Its Discontents: Politics, Performance, and History in Mexico | 70.1 | 2009 |
| Sun Yifeng | Opening the Cultural Mind: Translation and the Modern Chinese Literary Canon | 69.1 | 2008 |
| Chen Yongguo | Becoming-Obscure: A Constant in the Development of Modern Chinese Poetry | 69.1 | 2008 |
| Nancy Yousef | The Monster in a Dark Room: Frankenstein, Feminism, and Philosophy | 63.2 | 2002 |
| Sharif Youssef | Our Obstinate Future | 76.2 | 2015 |
| topZ |
| Author |
Title |
Issue |
Year |
| Jiang Zhang | On Imposed Interpretation and Chinese Construction of Literary Theory | 79.3 | 2018 |
| Liyuan Zhu | Ronald Paulson, Breaking and Remaking: Aesthetic Practice in England, 1700-1820 | 70.1 | 2009 |
| | Hillis Miller on the End of Literature | 79.3 | 2018 |
| Larzer Ziff | The New Exceptionalism | 56.2 | 1995 |
| Peter Zusi | Toward a Genealogy of Modernism: Herder, Nietzsche, History | 67.4 | 2006 |