Littered with murderers, cannibals, and rapists the English stage has hosted countless villains. One phase of theatrical history had a particularly strong affinity for heinous characters: the late medieval through the early modern. Not only was the role of the villain the most coveted for actors, but audiences also clamored to see cruel behavior played out before them on the stage. This scenario was often controversial—in social, political, and religious terms—and playwrights could face unpleasant consequences for their writings. Yet, in spite of these obstacles, the time period produced some of the most memorable and horrific stage villains: Richard III and Lady Macbeth to name two famous examples. This course will study the evolution of the role of the villain—from antiquity through more recent works—with an emphasis on the time period that most celebrated this provocative role. We will spend time discussing the historical context out of which late medieval and early modern plays sprang, as well as their lasting influence on later works of drama. The primary playwrights we will be studying include: Sophocles, anonymous medieval playwrights, Thomas Kyd, William Shakespeare, Christopher Marlowe, Ben Jonson, and John Webster. We will also spend time exploring modern adaptations—on both stage and screen—of these older works.

Please note that in order to fulfill the University “W” requirement, students will be asked to complete ten to fifteen pages of writing with extensive revision.