What constitutes “independent film” in an era when independent distributors have merged with Hollywood studios? English 345 addresses this question by examining the narrative, stylistic, and industrial aspects of contemporary U.S. independent film. While we will briefly investigate the history of independent film in the U.S., beginning with the industry’s earliest days, we will concentrate on the burgeoning of independent cinema that began in the mid 1980s. In addition to viewing films in class, students will attend selected screenings at the Seattle International Film Festival.

Texts:
Bordwell and Thompson, Film Art.
Xeroxed course packet.