READING Prose FICTION ( the evolution of prose fiction) | Staten | M-Th 12:00-2:10 | 11225 |
We will read six fairly short (only one over a hundred pages) prose narratives that give us a taste of how prose fiction began and how it developed up to the point that Kafka enters the scene. We begin with a very funny Spanish narrative from the 16th century, Lazarillo de Tormes, which is about a poor beggar boy who gets into a variety of comical scrapes trying to get enough to eat, but winds up prosperous at the end. This is the first “picaresque” narrative (a “picaro” is a clever rogue who uses his wits to survive). Next is the 18th century Castle of Otranto, the first Gothic romance: an old castle, a dark family secret, a vengeful coast, a beautiful young woman trapped by an evil-hearted older man. This is the ancestor of Jane Eyre and Wuthering Heights, among many other later “Gothics.” The Memoirs of a Good-for-Nothing, from the early 19th century, is a whimsical tale of fiddle-playing peasant boy who works for a noble family and falls in love with the daughter of the nobleman, then goes through a series of exotic adventures before winning her love. These first three works are all “romances”; Silas Marner, from later in the 19th century, exemplifies the new “realist” mode of writing that was dominant at that time. Then in 1899 was published Heart of Darkness, which mixes romance and realism in a striking new way. Finally, Kafka’s Metamorphosis takes us into the strange new world of “fantastic” fiction.
We will compare the different ways these texts are put together in order to get a sense of the conventional nature of fiction—that is, of the way in which fiction is determined, not so much by some reality that it “represents,” but by the rules of fiction-making, rules that differ from one genre to another, and from one historical period to another.
This is a “W” course. I will ask you to write three essays analyzing the works studied, for a total of 10-15 pages. Your entire course grade will be determined by these essays.
Lazarillo de Tormes
The Castle of Otranto
Memoirs of a Good-for-Nothing
Silas Marner
Heart of Darkness
The Metamorphosis