ENGL 498L -- Spring Quarter 2008

SENIOR SEMINAR ("Consuming Narratives: Literature about Food") Barlow TTh 9:30-11:20 12877

In recent years, food and “foodies” have become prominent in the cultural scene in America in many ways, from the rise of The Food Network on cable television to the increasing popularity of food and kitchen memoirs and the widely circulated critiques of fast food in film (as in “Super Size Me”) and print (as in Fast Food Nation). Perhaps less known, though just as influential in scholarly circles, are recent histories of food; studies of the ways it circulates in families, nations, and global economies; and literary accounts of relationships with food explored in a range of narrative forms, from poetry to fiction. This course will focus on such literary treatments, asking how and why food becomes a subject for narrative and with which social, cultural, and political consequences for contemporary readers.

A few of the questions that we will consider include:

How are specific themes, issues, and debates (both scholarly and cultural)—such as ideas about the nation, multiculturalism, health, and globalization—engaged by recent writing about food?
Which narrative strategies are important to representing the nexus of relationships central to the production, distribution, preparation, and consumption of food?
How are environmentalism and environmental thinking, more broadly, important to recent writing about food?
How might different genres of food writing be read and compared, and with which potential impacts on both scholarly and popular audiences?

Readings will include recent autobiographies, novels, and poems, as well as critical essays by literary scholars, cultural geographers, and food critics. Likely authors and texts will be: M.F.K Fisher, How to Cook a Wolf ; Monique Truong, The Book of Salt; Anthony Bourdain, Kitchen Confidential; Jeff Henderson, Cooked; Ruth Ozeki, My Year of Meats; David Mas Masumoto, Epitaph for a Peach; poems by Jimmy Santiago Baca and others; and essays by Michael Ruhlmann, Eric Schlosser, Michael Pollan, John Elder, Wendell Berry, and Michel de Certeau. Because this course is a senior seminar, active participation in each discussion is expected and crucial to our work as a class. Graded work will include participation, response papers, and a final seminar paper.

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