200 A | READING LIT FORMS (Reading Literary Forms) | McCauley | M-TH 9:30-10:20 | 14524 |
Catalog Description: Techniques and practice in reading and enjoying literature in its various forms: poetry, drama, prose fiction, film. Examies such features of literary meanings as imagery, characterization, narration, and patterning in sound and sense.
200 C | READING LIT FORMS (Reading Literary Forms) | Ottinger | M-TH 11:30-12:20 | 14526 |
Catalog Description: Techniques and practice in reading and enjoying literature in its various forms: poetry, drama, prose fiction, film. Examies such features of literary meanings as imagery, characterization, narration, and patterning in sound and sense.
200 D | READING LIT FORMS (Reading Literary Forms) | Helterbrand | M-TH 12:30-1:20 | 14527 |
Catalog Description: Techniques and practice in reading and enjoying literature in its various forms: poetry, drama, prose fiction, film. Examies such features of literary meanings as imagery, characterization, narration, and patterning in sound and sense.
200 E | READING LIT FORMS (Reading Literary Forms) | Staten | TTh 3:30-5:20 | 14528 |
Catalog Description: Techniques and practice in reading and enjoying literature in its various forms: poetry, drama, prose fiction, film. Examies such features of literary meanings as imagery, characterization, narration, and patterning in sound and sense.
200 L | READING LIT FORMS (Reading Literary Forms) | Devos | MW 12:30-2:20 | 23360 |
Catalog Description: Techniques and practice in reading and enjoying literature in its various forms: poetry, drama, prose fiction, film. Examies such features of literary meanings as imagery, characterization, narration, and patterning in sound and sense.
202 A | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Cherniavsky | MWF 10:30-11:20 | 14534 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
202 AA | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Karmy-Jones | Th 9:30-10:20 | 14535 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
202 AB | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Fanning | Th 9:30-10:20 | 14536 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
202 AC | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Hitchman | Th 11:30-12:20 | 14537 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
202 AD | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Karmy-Jones | Th 2:30-3:20 | 14538 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
202 AE | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Fanning | W 12:30-1:20 | 14539 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
202 AF | INTRO TO ENGL LANG AND LIT (Introduction to the Study of English Language and Literature) | Hitchman | W 2:30-3:20 | 14540 |
Catalog Description: Gateway course designed for English pre-majors and majors. Introduces critical, historical, and theoretical frameworks important to studying the literature, language, and cultures of English.
204 A | POPULAR FICTION & MEDIA (Popular Fiction and Media) | Foster | MWF 12:30-1:20 | 14541 |
Catalog Description: Introduces students to the study of popular culture, possibly including print or visual media, understood as sites of critical reflection. Particular attention to dynamics of production and reception, aesthetics and technique, and cultural politics. Topics may foreground genres (science fiction; romance) or forms (comics; graffiti
204 AA | POPULAR FICTION & MEDIA (Popular Fiction and Media) | Pratt | W 10:30-11:20 | 14542 |
Catalog Description: Introduces students to the study of popular culture, possibly including print or visual media, understood as sites of critical reflection. Particular attention to dynamics of production and reception, aesthetics and technique, and cultural politics. Topics may foreground genres (science fiction; romance) or forms (comics; graffiti
204 AB | POPULAR FICTION & MEDIA (Popular Fiction and Media) | Bentson | W 1::30-2::20p | 14543 |
Catalog Description: Introduces students to the study of popular culture, possibly including print or visual media, understood as sites of critical reflection. Particular attention to dynamics of production and reception, aesthetics and technique, and cultural politics. Topics may foreground genres (science fiction; romance) or forms (comics; graffiti
204 AC | POPULAR FICTION & MEDIA (Popular Fiction and Media) | Pratt | W 1:30-2:20 | 14544 |
Catalog Description: Introduces students to the study of popular culture, possibly including print or visual media, understood as sites of critical reflection. Particular attention to dynamics of production and reception, aesthetics and technique, and cultural politics. Topics may foreground genres (science fiction; romance) or forms (comics; graffiti
204 AD | POPULAR FICTION & MEDIA (Popular Fiction and Media) | Bentson | F 10:30-11:20 | 14545 |
Catalog Description: Introduces students to the study of popular culture, possibly including print or visual media, understood as sites of critical reflection. Particular attention to dynamics of production and reception, aesthetics and technique, and cultural politics. Topics may foreground genres (science fiction; romance) or forms (comics; graffiti
207 A | INTRO CULTURE ST (Introduction to Cultural Studies) | George | MW 12:30-2:20 | 14546 |
Catalog Description: Asks three questions: What is Cultural Studies? How does one read from a Cultural Studies perspective? What is the value of reading this way? Provides historical understanding of Cultural Studies, its terms and its specific way of interpreting a variety of texts, i.e. literature, visual images, music, video, and performance.
210 A | LIT 400 to 1600 (Medieval and Early Modern Literature, 400 to 1600) | Remley | TTh 1:30-3:20 | 14547 |
Catalog Description: Introduces literature from the Middle Ages and the Age of Shakespeare, focusing on major works that have shaped the development of literary and intellectual traditions of these periods.
213 A | MODERN/POST MOD LITERATURE (Modern & Postmodern Literature) | Burstein | TTh 1:30-3:20 | 14550 |
Catalog Description: Introduction to twentieth-century literature from a broadly cultural point of view, focusing on representative works that illustrate literary and intellectual developments since 1900.
225 A | SHAKESPEARE (Shakespeare: The Hollow Crown) | Butwin | MW 3:30-5:20 | 14551 |
Down to the time of Revolutions in America and in France at the end of the 18th century Kings (Queens and Consorts) enjoyed extraordinary power across and beyond Europe. Louis XIV of France famously equated himself with the state—“L’état, c’est moi”—but that was a modest claim. He was also identified with the Sun—as “Le roi soleil”—and he, like the English Elizabeth of Shakespeare’s time, ruled “by the Grace of God.” No public opinion polls, no elections. Generally speaking, they reigned until they died. They were not subject to the Law; their word was Law. But they were not infallible. . . .and they certainly were not invulnerable. This then is the paradox of royal power: the Monarch is divine but also human, all-powerful and powerless to deter mortality, madness, ridicule-- “ for within the hollow crown/That rounds the mortal temples of a king/Keeps death his court; and there the antic sits,/Scoffing his state and grinning at his pomp (Richard II, III ii 160-163).
We will study five of the major Shakespearian plays that turn on the mystery (and the history) of kingship—that is, 4 Kings and one Emperor, all of whom merit special attention in our time. Lecture, discussion, short essays written in and out of class.
NOTE that the Seattle Shakespeare will be performing Julius Caesar as Autumn Quarter begins, September 13 to October 1:
http://www.seattleshakespeare.org/2017-2018-season/
Shakespeare, Richard II, Penguin Books (Pelican Shakespeare) isbn 978-0-14-071482-0. Shakespeare, Henry IV, Part I Penguin Books (Pelican Shakespeare) isbn 978 0 14 071456 1.
Shakespeare, Julius Caesar, Penguin Books (Pelican Shakespeare) isbn 978 0 14 071468 5
Shakespeare, King Lear, Penguin Books (Pelican Shakespeare) isbn 978 0 14 071476 6
Shakespeare, Henry VIII Penguin Books (Pelican Shakespeare) isbn 978 0 14 071475-8
242 A | READING Prose FICTION (Dystopian Fiction) | Brown | M-TH 8:30-9:20 | 14552 |
Catalog Description: Critical interpretation and meaning in works of prose fiction, representing a variety of types and periods
242 B | READING Prose FICTION (Read Prose Fiction) | Daud | M-TH 9:30-10:20 | 14553 |
Catalog Description: Critical interpretation and meaning in works of prose fiction, representing a variety of types and periods
242 F | READING Prose FICTION (Read Prose Fiction) | Groves | TTh 1:30-2:50 | 14557 |
Catalog Description: Critical interpretation and meaning in works of prose fiction, representing a variety of types and periods
242 G | READING Prose FICTION (Read Prose Fiction) | McCue | MW 2:30-4:20 | 14558 |
Catalog Description: Critical interpretation and meaning in works of prose fiction, representing a variety of types and periods
243 A | READING POETRY (Reading Poetry) | Milian | M-TH 10:30-11:20 | 23219 |
Catalog Description: Critical interpretation and meaning in poems. Different examples of poetry representing a variety of types from the medieval to modern periods.
250 A | American Literature (Metamorphoses of Detective Fiction from Poe to the Present ) | Kaup | TTh 1:30-3:20 | 14561 |
Detective Fiction is one of the most popular types of genre fiction; at the same time, since its invention in the mid-19th century by Edgar Allan Poe, it has proven itself capable of combining entertainment with sharp-edged social commentary and critique as well as profound philosophical insights about language and representation. Created by Poe and perfected by Conan Doyle, detective fiction popularizes the modern scientific outlook (forensic science and the hypothetical–deductive method). The “clue puzzle” structure engages the reader’s own powers of detection and ratiocination, inviting the reader to emulate the detective and perform the same activities of mental reasoning. At the same time, detective fiction is also about the relationship between state authority and justice. In classic detective fiction, crime is a transgression of the norms of an essentially just system; the hard-boiled variety of detective fiction was born in the 1920s in the U.S. as disillusionment set in about the equation between justice and the state. The tough, disillusioned U.S. hardboiled detective who takes the law into his own hands and who uncovers crimes within the (corrupt) state (rather than outside the domain of law and order) in turn has inspired the creation of minority detectives—gumshoes of color. Chester Himes’ Cotton Comes to Harlem, for example, traces black-on-black crime in Harlem to structural racism. Finally, postmodern anti-detective fiction, invented by Jorge Luis Borges and perfected by Paul Auster, parodies the rationalist conventions of classic detective fiction, turning the machinery of retrospective clue puzzling inside-out. This course will survey the above-mentioned landmarks of the genre’s development from Poe to the present, as well as more recent Chicana (Corpi) and Cuban (Padura Fuentes) incarnations that use the detective genre to explore U.S. minority history and to memorialize an American cult figure abroad (Hemingway in Cuba). The course overall goal is to demonstrate how far one single genre defined by four ingredients (a mystery, a detective, an investigation, plus the “puzzle element”) can be stretched and how much ground it can cover—while never ceasing to provide fun entertainment!
Primary Texts:
Sir Arthur Conan Doyle, A Study in Scarlet (Dover Thrift Edition);Raymond Chandler, The Big Sleep (Random House/Vintage 1992);Chester Himes, Cotton Comes to Harlem (Random House/Vintage 1988);Lucha Corpi, Cactus Blood (Arte Público Press 2009);Paul Auster, City of Glass (Penguin 1987);Roberto Bolaño, Distant Star (New Directions 1996)
259 A | LIT & SOC DIFFERENCE (Literature and Social Difference) | Roberts | MW 2:30-4:20 | 14562 |
Catalog Description: Literary texts are important evidence for social difference (gender, race, class, ethnicity, language, citizenship status, sexuality, ability) in contemporary and historical contexts. Examines texts that encourage and provoke us to ask larger questions about identity, power, privilege, society, and the role of culture in present-day or historical settings.
265 A | INTRO ENVIR HUMANITIES (Introduction to Environmental Humanities) | Alzaroo | MW 10:30-12:20 | 14563 |
Catalog Description: ntroduces the study of the environment through literature, culture, and history. Topics include changing ideas about nature, wilderness, ecology, pollution, climate, and human/animal relations, with particular emphasis on environmental justice and the unequal distribution of environmental crises, both globally and along class, race and gender lines.
270 A | USES OF ENGL LANG (The Uses of the English Language) | Webster | TTh 2:30-4:20 | 14564 |
Catalog Description: Survey of the assumptions, methodologies, and major issues of English in its cultural settings. Designed to connect English Language study with the study of literature, orality and literacy, education, ethnicity, gender, and public policy.
281 A | INTERMED EXPOS WRIT (Intermediat Expository Writing) | Grollmus | MW 8:30-10:20 | 14565 |
Catalog Description: Writing papers communicating information and opinion to develop accurate, competent, and effective expression.
Prerequisites:
While 281 has no formal prerequisite, this is an intermediate writing course, and instructors expect entering students to know how to formulate claims, integrate evidence, demonstrate awareness of audience, and structure coherent sentences, paragraphs and essays. Thus we strongly encourage students to complete an introductory (100 level) writing course before enrolling in English 281.
281 B | INTERMED EXPOS WRIT (Intermediat Expository Writing) | Lin | TTh 10:30-12:20 | 14566 |
Catalog Description: Writing papers communicating information and opinion to develop accurate, competent, and effective expression.
Prerequisites:
While 281 has no formal prerequisite, this is an intermediate writing course, and instructors expect entering students to know how to formulate claims, integrate evidence, demonstrate awareness of audience, and structure coherent sentences, paragraphs and essays. Thus we strongly encourage students to complete an introductory (100 level) writing course before enrolling in English 281.
281 F | INTERMED EXPOS WRIT (Intermediat Expository Writing) | Costa | MW 1:20-3:20 | 14569 |
Catalog Description: Writing papers communicating information and opinion to develop accurate, competent, and effective expression.
Prerequisites:
While 281 has no formal prerequisite, this is an intermediate writing course, and instructors expect entering students to know how to formulate claims, integrate evidence, demonstrate awareness of audience, and structure coherent sentences, paragraphs and essays. Thus we strongly encourage students to complete an introductory (100 level) writing course before enrolling in English 281.
282 A | INT MULTIMODAL COMP (Intermediate Multimodal Composition) | Gillis-Bridges | TTh 10:30-12:20 | 14570 |
Catalog Description: Strategies for composing effective multimodal texts for print, digital physical delivery, with focus on affordances of various modes--words, images, sound, design, and gesture--and genres to address specific rhetorical situations both within and beyond the academy. Although the course has no prerequisites, instructors assume knowledge of academic writing.
282 B | INT MULTIMODAL COMP (Intermediate Multimodal Composition) | Ghasedi | MW 1:30-3:20 | 23375 |
Catalog Description: Strategies for composing effective multimodal texts for print, digital physical delivery, with focus on affordances of various modes--words, images, sound, design, and gesture--and genres to address specific rhetorical situations both within and beyond the academy. Although the course has no prerequisites, instructors assume knowledge of academic writing.
283 A | BEGIN VERSE WRITING (Beginning Verse Writing) | Durham | TTh 10:30-11:50 | 14571 |
Catalog Description: Intensive study of the ways and means of making a poem.
283 B | BEGIN VERSE WRITING (Beginning Verse Writing) | Moni-Sauri | MW 2:30-3:50 | 14572 |
Catalog Description: Intensive study of the ways and means of making a poem.
284 B | BEG SHORT STRY WRIT (Beginning Short Story Writing) | Destin | TTh 12:30-1:50 | 14576 |
Catalog Description: Introduction to the theory and practice of writing the short story.
284 D | BEG SHORT STRY WRIT (Beginning Short Story Writing) | Crouse | TTh 10:30-11:50 | 23178 |
Catalog Description: Introduction to the theory and practice of writing the short story.
297 A | ADV WRITING HUM (Advanced Interdisciplinary Writing/Humanities) | Wacker | MWF 9:30-10:20 | 14578 |
Catalog Description: Expository writing based on materials presented in a specified humanities course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
297 B | ADV WRITING HUM (Advanced Interdisciplinary Writing/Humanities) | Wacker | MWF 11:30-12:20 | 14579 |
Catalog Description: Expository writing based on materials presented in a specified humanities course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
297 D | ADV WRITING HUM (Advanced Interdisciplinary Writing/Humanities) | MWF 1:30-2:20 | 14581 |
Catalog Description: Expository writing based on materials presented in a specified humanities course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 A | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | Simmons-O'Neill | TTh 10:30-12:20 | 14584 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 B | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | Daniel | MWF 10:30-11:20 | 14585 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 F | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | O'Neill | MWF 11:30-12:20 | 14589 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 G | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | O'Neill | MWF 1:30-2:20 | 14590 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 H | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | Hotz | MW 10:30-11:50 | 14591 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 J | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | Marado-Peters | MW 3:30-4:50 | 14593 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
298 K | ADV WRITING SOCSCI (Advanced Interdisciplinary Writing/Social Sciences) | Matthews | MWF 2:30-3:20 | 14594 |
Catalog Description: Expository writing based on materials presented in a specified social science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
299 A | ADV WRITING NATSCI (Advanced Interdisciplinary Writing/Natural Sciences) | Maley | MWF 3:30-4:20 | 14595 |
Catalog Description: Expository writing based on materials presented in a specified natural science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
299 B | ADV WRITING NATSCI (Advanced Interdisciplinary Writing/Natural Sciences) | Maley | MWF 12:30-1:20 | 14596 |
Catalog Description: Expository writing based on materials presented in a specified natural science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
299 C | ADV WRITING NATSCI (Advanced Interdisciplinary Writing/Natural Sciences) | Van Houdt | MWF 11:30-12:20 | 14597 |
Catalog Description: Expository writing based on materials presented in a specified natural science course. Assignments include drafts of papers to be submitted in the specified course, and other pieces of analytical prose. Concurrent registration in the specified course required.
300 B | READING MAJOR TEXTS (Reading Major Texts) | Diment | MW 1:30-3:20 | 14599 |
IVAN GONCHAROV'S "OBLOMOV"
302 A | CRITICAL PRACTICE (Critical Practice) | Liu | MW 10:30-12:20 | 14600 |
Catalog Description: Intensive study of, and exercise in, applying important or influential interpretive practices for studying language, literature, and culture, along with consideration of their powers/limits. Focuses on developing critical writing abilities. Topics vary and may include critical and interpretive practice from scripture and myth to more contemporary approaches, including newer interdisciplinary practices.
302 B | CRITICAL PRACTICE (Critical Practice) | Cummings | TTh 4:30-6:20p | 14601 |
Catalog Description: Intensive study of, and exercise in, applying important or influential interpretive practices for studying language, literature, and culture, along with consideration of their powers/limits. Focuses on developing critical writing abilities. Topics vary and may include critical and interpretive practice from scripture and myth to more contemporary approaches, including newer interdisciplinary practices.
309 A | THEORIES OF READING (Theories of Reading) | Patterson | MW 12:30-2:20 | 14603 |
Catalog Description: Investigates what it means to be a reader. Centers on authorial and reading challenges, shifting cultural and theoretical norms, and changes in the public's reading standards.
310 A | BIBLE AS LITERATURE (The Bible as Literature) | Griffith | M-TH 9:30-10:20 | 14604 |
Catalog Description: Introduction to the development of the religious ideas and institutions of ancient Israel, with selected readings from the Old Testament and New Testament. Emphasis on reading The Bible with literary and historical understanding.
315 A | LITERARY MODERNISM (Literary Modernism) | Staten | MW 1:30-3:20 | 14607 |
Catalog Description: Introduces the genealogy, character, and consequences, of modernism/modernity. Topics may include: preoccupations with novelty/the new; narratives of historical development; temporality; constructions of high and low culture; intersections between aesthetics and politics; transnationalism; and philosophical influences upon literary modernism.
316 A | POSTCLNIAL LIT & CLTR (Postcolonial Literature and Culture) | Taranath | TTh 10:30-12:20 | 14608 |
HOME-LEAVINGS AND HOME-COMINGS: BLA
BRITISH MIGRATION, IDENTITY AND
LITERATURE
WHAT IS INVOLVED IN LEAVING A HOME AND MAKING A HOME ELSEWHERE? HOW DOES WHO WE ARE AFFECT WHAT HOME
MIGHT MEAN TO US? THIS COURSE FOCUSES ON LITERATURE WRITTEN BY BLACK BRITONS,IMMIGRANTS OR THE CHILDREN OF IMMIGRANTS FROM THE CARIBBEAN, SOUTH ASIA, AND AFRICA
LIVING IN THE U.K.
318 A | BLACK LIT GENRES (Black Literary Genres) | Retman | TTh 1::30-3::30p | 23370 |
Catalog Description: Considers how generic forms and conventions have been discussed and distributed in the larger context of African American, or other African diasporic literary studies. Links the relationship between generic forms to questions of power within social, cultural, and historical contexts. Offered: jointly with AFRAM 318; AWSp.
321 A | CHAUCER (Chaucer) | Remley | TTh 5:30-7:20p | 14612 |
Catalog Description: Chaucer's Canterbury Tales and other poetry, with attention to Chaucer's social, historical, and intellectual milieu.
323 A | SHAKESPEARE TO 1603 (Shakespeare to 1603) | Streitberger | TTh 11:30-1:20 | 14613 |
Catalog Description: Explores Shakespeare's early drama and poetry. May include the sonnets, narrative poems, and selected comedies, histories, or tragedies.
324 A | SHAKESPEARE AFTER 1603 (Shakespeare After 1603) | Knight | MW 2:30-4:20 | 14614 |
Catalog Description: Explores Shakespeare's later works. Focuses on the mature tragedies and late-career romances, by may include selected comedies and histories.
329 A | RISE OF ENG NOVEL (Rise of the English Novel) | Popov | MW 3:30-5:20 | 14615 |
Catalog Description: Traces the development of a major and popular modern literary genre - the novel. Readings survey forms of fiction including the picaresque, the gothic, the epistolary novel, and the romance. Authors range from Daniel Defoe to Jane Austen and beyond.
330 A | ROMANTIC AGE (English Literature: The Romantic Age) | LaPorte | TTh 12:30-2:20 | 14616 |
Catalog Description: Literary, intellectual, and historical ferment of the period from the French Revolution to the 1830s. Readings from major authors in different literary forms; discussions of critical and philosophical issues in a time of change.
337 A | MODERN NOVEL (The Modern Novel) | Chrisman | TTh 1:30-3:20 | 14618 |
Catalog Description: Explores the novel in English from the first half of the twentieth century. May include such writers as Virginia Woolf, D.H. Lawrence, Gertrude Stein, E.M. Forster, Claude McKay, Elizabeth Bowen, Raja Rao, William Faulkner, Jean Rhys, and Edith Wharton. Includes history and changing aesthetics of the novel as form, alongside the sociohistorical context.
337 B | MODERN NOVEL (The Modern Novel) | Searle | MW 12:30-2:20 | 23195 |
Catalog Description: Explores the novel in English from the first half of the twentieth century. May include such writers as Virginia Woolf, D.H. Lawrence, Gertrude Stein, E.M. Forster, Claude McKay, Elizabeth Bowen, Raja Rao, William Faulkner, Jean Rhys, and Edith Wharton. Includes history and changing aesthetics of the novel as form, alongside the sociohistorical context.
342 A | CONTEMPORARY NOVEL (Contemporary Novel) | Allen | TTh 2:30-4:20 | 14619 |
Catalog Description: Study of recent fiction by diverse writers with attention to contemporary ideas in all kinds of forms.
344 A | STUDIES IN DRAMA (STUDIES IN DRAMA) | Streitberger | TTh 2:30-4:20 | 14620 |
Catalog Description: Explores the workings and historical development of theartrical practices, including performance and spectatorship more broadly. Possible topics include genres of drama (tragedy, mystery play, melodrama, agitprop); histories of drama (Elizabethan theater, Theater of the Absurd, the Mbari Mbayo Club, In-Your-Face Theater); and theorists of performance and dramaturgy.
346 A | STDYS SHORT FICTION (Studies in Short Fiction) | George | MW 3:30-5:20 | 14621 |
Catalog Description: Explores the workings and evolution of short fiction. Introduces the distinct styles and pruposes of short fiction, such as the realistic, the fantastic, the explicitly instructive, and the non-didactic descriptive, as well as the historical development of the short story from the simple tale and fable to the psychologically complex narrative.
353 C | AMER LIT LATER 19C (American Literature: Later Nineteenth Century) | Abrams | MW 6:30-8:20p | 14626 |
Catalog Description: Explores American fiction, poetry, and prose during the latter half of the nineteenth century. May include such representative authors of the period as Twain, Dickinson, DuBois, Crane, Wharton and Chopin, along with supplementary study of the broader cultural and political milieu.
354 A | EARLY 20th C Am Lit (American Literature: Early Twentieth Centure) | Griffith | M-TH 8:30-9:20 | 14627 |
Catalog Description: Investigates the period of American literary modernism (1900 to WWII). Topics covered include nationalism, migration, race, gender, and the impact of the visual arts on literary modernism, as well as the relation between modernity/modernization (social, economic, and technological transformation) and modernism (revolution in literary style).
357 A | JEWISH AM LIT &CLTR (Jewish American Literature and Culture) | Butwin | MW 12:30-2:20 | 14628 |
In January 1938 Benny Goodman brought jazz to Carnegie Hall; later that summer the great Hank Greenberg hit 58 homeruns for the Detroit Tigers, just two behind Babe Ruth. In 1945 Bess Myerson, a Jewish girl from the Bronx, became Miss America. Saul Bellow’s Adventures of Augie March won the National Book Award in 1954; in 1953 Bellow’s translation from the Yiddish of Isaac Bashevis Singer’s “Gimpel the Fool” appeared in The Partisan Review. The Magic Barrel (short stories) by Bernard Malamud won the National Book Award in 1959; Philip Roth’s Goodbye Columbus (also stories) won the next year. In 1964 Fiddler on the Roof, a musical drama based on the Yiddish stories of Sholom Aleichem, would begin an extraordinary run that hasn’t ever stopped. In the 1970s Bellow (1976) and Singer (1978) would both win Nobel Prizes; Woody Allen’s film Annie Hall beat back Star Wars at the 50th Academy Awards in 1978. Bob Dylan, Leonard Cohen, the Coen Brothers. In 1992 Art Spiegelman’s Maus was the first graphic novel to win a Pulitzer Prize, a year later Steven Spielberg, Schindler’s List took down most of the Oscars.
It would appear that after the rigors of immigration American Jews had finally—in the metaphoric sense—“arrived” in the new world. The enormous success of several generations of Jewish writers, comedians, musicians, musical comedians and movie makers in the post-War period would seem to confirm that sense of cultural integration. But it is precisely the persistence of old—that is, old-world—obsessions that would be the signature of this apparent success and the binding agent of this course. How are we to account for the continuity, for the persistence of tradition on the part of several generations of artists who would seem to have emancipated themselves from the very conditions that they seem compelled to replicate? These are the kind of questions we will ask as we read, listen and watch our way through the Post-War literature and culture of Jewish America. Lecture, discussion, short essays.
Some Texts:
Saul Bellow: Something to Remember Me By (1989) (Penguin Books ISBN 9780142422182) including the title story, “The Bellarosa Connection” and “A Theft”
Philip Roth, The Ghost Writer (1979) (Vintage Books ISBN 0 679 74898 9)
Art Spiegelman, Maus (1986) (Pantheon Books ISBN 0-394 74723 2)
365 B | LIT OF ENVIRONMENT (Literature and Discourses on the Environment) | Kenney | ARR | 14631 |
Catalog Description: Wide-range introduction to the study of written and spoken English. The nature of language; ways of describing language; the use of language study as an approach to English literature and the teaching of English.
368 A | WOMEN WRITERS ( A Room of One’s Own: British Women Writers from Charlotte Bronte to Zadie Smith) | Kaplan | TTh 12:30-2:20 | 23338 |
Virginia Woolf’s feminist treatise on women and writing appeared in 1929 and would later influence the development of feminist literary criticism during the Second Wave of the Women’s Movement in the 1960s and 70s. In this course we will return to Woolf’s text and consider it in relation to the historical situation of women in Britain in the nineteenth and early twentieth century, paying attention to such issues as the struggle for women’s suffrage, the impact of the First World War, and the breakdown of the British Empire. We will begin the course with a classic Victorian novel: Jane Eyre, by Charlotte Bronte and then read short stories by Woolf’s contemporary, Katherine Mansfield, before delving into the complexities of Woolf’s powerful, experimental modernist novel: To the Lighthouse. We then will take up Woolf’s predictions about what kind of fiction women will write in the future and read a post-modernist novel, Wide Sargasso Sea, by Jean Rhys, and two novels that were published at the beginning of the twenty-first century: Brick Lane, by Monica Ali, and On Beauty, by Zadie Smith.
370 A | ENGL LANG STUDY (English Language Study) | Stygall | MW 10:30-12:20 | 14633 |
Catalog Description: Wide-ranging introduction to the study of written and spoken English. Includes the nature of language; ways of describing language; the use of language study as an approach to English literature and the teaching of English.
381 B | ADV EXPOSITORY WRIT (Advanced Expository Writing) | Eskew | TTH ` 2:30-4:20 | 14635 |
Catalog Description: Concentration on the development of prose style for experienced writers.
382 A | SPECIAL MULTIMODAL (Special Topics in Multimodal Composition) | Woodcock | MW 1:30-3:20 | 14636 |
Catalog Description: Focuses on emerging questions, debates, genres, and methods of multimodal analysis and production. Topics vary but might include transmedia storytelling, digital humanities, audiovisual essays, new media journalism, and performance. Although course has no prerequisites, instructors, assume knowledge of academic argumentation strategies.
382 B | SPECIAL MULTIMODAL (Special Topics in Multimodal Composition) | Fiscus | TTh 1:30-3:20 | 14637 |
Catalog Description: Focuses on emerging questions, debates, genres, and methods of multimodal analysis and production. Topics vary but might include transmedia storytelling, digital humanities, audiovisual essays, new media journalism, and performance. Although course has no prerequisites, instructors, assume knowledge of academic argumentation strategies.
383 A | CRAFT OF VERSE (The Craft of Verse) | Bierds | TTh 1:30-2:50 | 14638 |
Catalog Description: Intensive study of various aspects of the craft verse. Readings in contemporary verse and writing using emulation and imitation.
Prerequisites:
ENGL 283 & ENGL 284
384 B | CRAFT OF PROSE (The Craft of Prose) | Bosworth | M 4:30-7:20p | 14641 |
Catalog Description: Intensive study of various aspects of the craft of fiction or creative nonfiction. Readings in contemporary prose and writing using emulation and imitation.
Prerequisites:
ENGL 283 & ENGL 284
430 A | BRITISH WRITERS (British Writers: Studies in Major Authors) | Popov | MW 12:30-2:20 | 14642 |
Catalog Description: Concentration on one writer or a special group of British writers.
483 C | ADV VERSE WORKSHOP (Advanced Verse Workshop) | Triplett | W 12:30-3:20 | 14647 |
Catalog Description: Intensive verse workshop. Emphasis on the production and discussion of student poetry.
Prerequisites:
ENGL 383, 384
484 A | ADV PROSE WORKSHOP (Advanced Prose Workshop) | Bosworth | T 4:30-7:20p | 14648 |
Catalog Description: Intensive prose workshop. Emphasis on the production and discussion of student fiction and/or creative nonfiction.
Prerequisites:
ENGL 383, 384
491 A | INTERNSHIP (Internship) | ARR | 14649 |
Catalog Description: Supervised experience in local businesses and other agencies. Open only to upper-division English majors. Credit/no credit only.
491 B | INTERNSHIP (Internship) | Simmons-O'Neill | ARR | 14650 |
In English 491B (C/NC; 3 credits) you put what you learn on campus into action, volunteering (@ 4 hours a week, on a schedule you arrange) at one of our partner public schools. English 491B will appear on your transcript as an internship, may be used toward the field work requirement or as an elective in the Education, Learning and Society Minor, and provides documentation of school-based experience needed for application to Teacher Education programs.
For add codes and with questions: contact instructor Elizabeth Simmons-O'Neill, esoneill@uw.edu
Community Literarcy Program email esoneill@uw.edu
492 A | EXPOSIT WRIT CONF (Advanced Expository Writing Conference) | 14651 |
Catalog Description: Tutorial arranged by prior mutual agreement between individual student and instructor. Revision of manuscripts is emphasized, but new work may also be undertaken.
492 B | EXPOSIT WRIT CONF (Advanced Expository Writing Conference) | Kenney | ARR | 23806 |
Catalog Description: Tutorial arranged by prior mutual agreement between individual student and instructor. Revision of manuscripts is emphasized, but new work may also be undertaken.
493 A | CREATIVE WRIT CONF (Advanced Creative Writing Conference) | ARR | 14652 |
Catalog Description: Tutorial arranged by prior mutual agreement between individual student and instructor. Revision of manuscripts is emphasized, but new work may also be undertaken.
493 B | CREATIVE WRIT CONF (Advanced Creative Writing Conference) | Kenney | ARR | 14653 |
Catalog Description: Tutorial arranged by prior mutual agreement between individual student and instructor. Revision of manuscripts is emphasized, but new work may also be undertaken.
494 A | HONORS SEMINAR (Honors Seminar) | Liu | MW 1:30-3:20 | 14654 |
Catalog Description: Survey of current issues confronting literary critics today, based on revolving themes and topics. Focuses on debates and developments affecting English language and literatures, including questions about: the relationship of culture and history; the effect of emergent technologies on literary study; the rise of interdisciplinary approaches in the humanities.
494 B | HONORS SEMINAR (Honors Seminar) | Weinbaum | TTh 1:30-3:20 | 14655 |
Catalog Description: Survey of current issues confronting literary critics today, based on revolving themes and topics. Focuses on debates and developments affecting English language and literatures, including questions about: the relationship of culture and history; the effect of emergent technologies on literary study; the rise of interdisciplinary approaches in the humanities.
498 A | SENIOR SEMINAR (SENIOR SEMINAR) | Modiano | MW 1:30-3:20 | 14657 |
Catalog Description: Seminar study of special topics in language and literary study. Limited to seniors majoring in English.
498 B | SENIOR SEMINAR (SENIOR SEMINAR) | Simmons-O'Neill | TTh 10:30-12:20 | 14658 |
In English 498B (5 credits) students will meet twice weekly on campus (TuTh 10:30-12:20) in a writing-intensive course focused on understanding and responding to difference and inequality, learning effective inclusive methods of working with each other and with public school students, and exploring some central challenges and opportunities for transformative public education. We'll use discussion, writing and presentation to inquire into, develop, and communicate our thinking about these issues as they relate to our academic, personal, civic and career goals. The final assignment sequence will be career-related writing -- including identifying and creating application materials for a job or internship you're interested in -- taught in collaboration with the UW Career and Internship Center.
498 C | SENIOR SEMINAR (SENIOR SEMINAR) | Abrams | MW 3::30-5::20p | 23581 |
Catalog Description: Seminar study of special topics in language and literary study. Limited to seniors majoring in English.
499 A | INDEPENDENT STUDY (INDEPENDENT STUDY) | ARR | 14659 |
Catalog Description: Individual study by arrangement with instructor.